Lisa Scottoline - Moment Of Truth

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When Jack Newlin comes home to find his wife dead on the floor of their elegant dining room, he's convinced he knows who killed her – and determined that the murderer should escape detection. Making a split-second decision, he sets about doctoring the evidence in order to frame himself for the crime. And to hammer the final nail in his coffin, he hires the most inexperienced lawyer he can find: Mary DiNunzio of Philadelphia law firm Rosato and Associates. Unfortunately for Jack, hiring Mary could turn out to be a big mistake. Inexperienced she may be, but Mary soon discovers that instead of defending a guilty client who claims to be innocent, she has an innocent client falsely proclaiming his guilt.

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On the right wall of the room stood white bookshelves and a white hutch, which caught Mary's attention. It was full of dolls, all of them six inches high with identically perfect faces, round eyes, and red cupid mouths. They were dressed in beautiful outfits, and she knew instantly what they were; she had seen them in the bedroom of one of her friends growing up. They were called Madame Alexander dolls, and the DiNunzios could never have afforded them. They cost fifty dollars apiece then; she couldn't imagine what they cost now.

She stood before them, momentarily enchanted. At least twenty dolls sat legs akimbo, in the top row, with their round Mary Janes in black velveteen, touching toe to toe. The German doll wore a dirndl, the French doll the French flag, and the Italian doll sported red and green ribbons flowing from her synthetic hair. In the center of the top row was a doll that was bigger than the rest, also a Madame Alexander but clearly the creme de la creme. Mary had to stop herself from picking it up. She was supposed to be working, not playing with dolls.

She walked over to check the rest of the bookshelves. The books looked like assigned reading and school textbooks; no novels otherwise. She always thought you could learn a lot about someone from their bookshelf, and this bookshelf

confirmed what she thought about Paige. In the shelf above the desk was a large Sony CD player, which Mary found strange. Paige hadn't lived here in a year. Why would she leave a C D player behind? It would be expensive to replace, even for a girl with bucks. Mary walked to the desk area to check.

The CD player looked brand-new, and there was a stack of CDs next to it. Weezer, Offspring, Dave Matthews Band; music that Mary had heard about but didn't know. How old were these CDs? She picked a few up and squinted at the infinitesimal copyright dates. All last year. Paige had left these behind, too. Why? Then she noticed something in the middle of the desk, on a blotter covered with teenage doodles. Paige's driver's license, with a picture of the girl, posing prettily even for the state's camera. What kind of teenager leaves her driver's license behind? CDs you can replace, even a CD player, but a driver's license? That was a headache. Paige wouldn't have left that behind. Not if she had a choice.

Mary looked around the room, her thoughts racing. The bedroom was too neat to have been left in haste, but it was left abruptly in some way. She crossed the room and peeked inside the closet. It was completely full; a double rack of skirts and tops, matching sweater sets folded in shelves, and fancy shoes in cubbyholes. What gives?

She constructed a scenario. Imagine that Paige told her mother she was going to move out, even that she already had picked out a condo at Colonial Hill Towers. What would have happened? What could explain what Mary was seeing? Then she realized it. Paige hadn't left abruptly, or in haste, but she must not have been permitted back in. That was it. The bedroom was just as it was the day that Paige had told her parents – or her mother – that she intended to move out. Her mother hadn't let her pack anything; it was all here. And she hadn't let her back into the house. All of it, even the driver's license, had had to be replaced.

Mary felt her heart quicken. So much for the facade of

the young model movin' on up. Maybe Paige had no hard feelings about moving out; her mother sure did. Mary was about to tell the others when she remembered she hadn't checked the bathroom. She should, just to be complete. She walked to it and flicked on the bathroom light, and looked carefully around. Nothing unusual except for too much makeup and a complete line of Kiehl's shampoos, conditioners, and 'silk groom,' whatever that was.

She left the bathroom and walked by the shelves, pausing again at the dolls. They were so pretty; so perfect. Especially the big one at the top, with a blue gown and matching train spread around her, glistening and satiny. Her hair was a beehive of blond plastic; Mary guessed it was Madame Alexander's version of Cinderella. She itched to hold it just once.

Oh hell. What was the harm?

Mary tugged her shirtsleeve down over her hands to cover her fingerprints, so the cops wouldn't indict her for murder. It seemed professional, especially if you were doing something as dorky as playing with dolls at a crime scene. Once her hand was covered, she scooped up the doll by the hair. Then she gasped. Not at the doll. At what lay hidden under the doll's satin gown.

'Lou!' she called. 'Judy! Come quick!'

A small, pink leather book sat on the shelf where the doll had been and its cover said 'MY DIARY.' The doll lay forgotten on the floor. Mary told them her theory of what had happened between Paige and her mother while the three of them gathered around the diary, deciding what to do.

'Let's take it and run,' Mary said, excited. 'Finders keepers, losers weepers. Isn't that a legal principle?'

'Shouldn't we tell the cop at the door?' Judy asked, but Mary shook her head.

'No, he'll seize it. He'll turn it in unopened, and we won't get to read it.' She turned to Lou for verification.

'That's right. The uniform at the door won't open it. He doesn't have the authority, and once it's bagged, it's theirs.' Lou's mouth set in the harsh bathroom light, emphasizing the deep lines of his jowls. Still he didn't look old to Mary, he looked experienced.

'If it helps Newlin's case, they have to turn it over to us, under the discovery rules.' Mary was remembering from her cramming. 'But I don't know when we'll get it. A lot of the cases suggest it could take months, if we ever get it back.'

Judy looked grave. 'It's true. I've read cases where they never turn it over.'

'I'm opening it,' Mary announced, reaching for the diary, but Lou stopped her arm.

'No. Let me, in case I gotta testify.' He reached into the inside pocket of his windbreaker, withdrew a white cotton handkerchief, and deftly wrapped his hand with it. Mary was impressed.

'You carry that to pick up evidence?' she asked.

'No, I carry it to wipe my nose,' he answered, and picked up the diary.

BOOK THREE

35

Mary sat opposite Jack in the tiny interview room, not six feet by six feet, with no partition between them. The walls were of cinderblock painted an institutional sea green and contained windows of bulletproof glass with a view of the guard station. A large button of bright red protruded from the wall, and Mary, who had never been in a prison before, knew it had to be the proverbial panic button. If it had been any other prisoner, it would have made her edgy, but with Jack she felt completely safe, if not completely professional. 'We need to talk,' she said.

'Sure, what is it? Is it about the preliminary hearing?' He smiled in a friendly way, despite the strain evident on his face. His color was pale and he seemed restless, his long legs crossed at the ankle, in dark blue pants with sneakers. A light blue shirt sat loosely on his shoulders, its V-neck deep enough to reveal a light tangle of chest hair and its sleeves short enough to show off sinewy biceps. To Mary's eye, he did more for a prison uniform and steel handcuffs than most felons.

'No, it's about the case. We need to start over. I don't think you killed your wife.'

His smile vanished. 'Are you serious?'

'Yes. I think Paige did it, with her boyfriend Trevor. You were supposed to be at dinner that night, but I think that when you came in, your wife was already dead. You made it look like you killed her, but you didn't. You're innocent.'

'This is silly, Mary. I did do it.'

'No, Paige did, and you're protecting her. If you tell me the truth, we can help her. They'll give her the deal they won't give you.'

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