Lisa Scottoline - Moment Of Truth

Judy laughed as she pushed on the revolving door of the courthouse. 'You're ballsy this morning.'

Temporary insanity,' Mary said, and grabbed the next door.

Jack found himself handcuffed to a steel chair in a tiled cell, and directly across from him was a large TV monitor on a rickety table. On the wall was a black phone but the cell was otherwise bare. There was nothing in it but Jack and the TV, so the scene felt surreal, as if Jack would be forced to watch bad sitcoms. Gray static blanketed the screen, which emitted an electrical crackling so loud he winced. Crk-crk-crk-crk.

He'd been told by the sheriff that he was going to his arraignment, but this was downright odd. He should have let Mary fill him in, but he had been too shaken by what she'd told him. Had Paige lied to him about Trevor's being there? Couldn't be. Her story had been so convincing and it made complete sense. It was how Honor would have reacted, what she would have said, especially when drunk. But did Trevor have anything to do with Honor's murder? Was Paige even there? Had Jack sacrificed everything -for nothing!

Crk-crk-crk-crk. He couldn't think for the crackling noise. He kicked himself for rushing to confess before he was sure of the facts. His reaction had been almost reflexive, the instinct of a good father; shelter, protect, fix. Or maybe it had been the instinct of a bad father, overcompensating. If he hadn't felt so responsible for what had happened, would he have been so quick to confess falsely? He couldn't answer that question. He didn't know. He shifted in the hard chair.

'Sit still!' commanded the sheriff, guarding the door. 'Else the camera won't get you right!'

'Camera?' Jack said. It must have been some sort of closed-circuit TV system. He scanned the cell. It was dim, lit only by a bare bulb in the hallway and the bright flickering of the TV screen. A camera lens peeked over the top of the TV. Crk-crk-crk.

'Sit still, goddammit!'

Suddenly the static noise ceased, the grey blanket on the monitor vanished, and a full-color picture popped onto the screen, divided into four boxes. The upper right box showed a courtroom made miniature and the upper left box was a close-up of a judge, an unassuming man in a tie and cardigan sweater instead of black judicial robes. In the lower left sat a well-dressed woman behind a sign that read COMMONWEALTH; in the lower right was a young man behind a PUBLIC DEFENDER sign. If he hadn't been so preoccupied, he would have laughed. It looked like the Hollywood Squares of Justice.

'Sit up straight!' ordered the sheriff. 'Be ready. You're on deck.'

The TV courtroom seemed to be waiting for something, but Jack's thoughts raced ahead. He doubted he'd get bail, considering Mary's inexperience. It was why he'd hired her, after all. He didn't want an experienced criminal lawyer who might figure out he was setting himself up. He had never intended to hire Bennie Rosato herself, but one of her rookies, and he'd been delighted by the reluctant voice on the telephone.

But he might have been wrong about Mary. She was evidently suspecting that Paige was involved, and it worried him. Ironic. With her inexperience came energy and she wasn't as callous as an experienced criminal lawyer would have been. She cared too much, and somewhere inside, Jack was touched. She hardly knew him, yet she was fighting for him. He smiled despite the tight handcuffs, the weird TV, and the fact that he was about to be arraigned for murder.

'Two minutes, Newlin!' the sheriff said.

Jack stopped thinking about Mary. She was his lawyer and she'd better be a lousy one. Her questions threatened to expose Paige and jeopardize his plan. And what she'd learned about Trevor, if it was true, made him crazy, but he couldn't turn back now. He had to stay the course; keep up the charade. He was good at it, from a lifetime of practice, he was coming to realize.

'Okay, Newlin,' the sheriff called out. 'You're up.'

The sharp crak of the TV gavel burst from the monitor, and Jack couldn't deny the tension in his gut. He had to know the truth and he'd have to find it out from behind bars.

But right now, it was time for the justice show.

Located in the basement of the Criminal Justice Center, the courtroom for arraignment hearings looked like the set of a television show for good reason. It was, essentially. The courtroom was the size and shape of a stage, half as large as a standard courtroom. It was arranged conventionally; from left to right sat a defense table, judge's dais, and prosecutor's table, but a large black camera affixed to the dais dominated the courtroom. Next to the camera sat a TV screen divided into four boxes: judge, courtroom scene, D.A., and P.D. A bulletproof divider protected those behind the bar of the court from the public, who sat in modern seats like a studio audience. The Newlin case was breaking news, packing the gallery with media and spectators wedged tight in their winter coats.

Mary sat with Judy in the gallery, waiting for the Newlin case to be called, and she kept comparing the real courtroom to its TV version. The TV reduced the gleaming brass seal of the Commonwealth to a copper penny and shrank the judge to an ant with glasses. Jack wasn't anywhere on the screen. This is wrong,' she said. Blotches big as paintballs appeared on her neck. 'Today a decision gets made about whether my client gets bail or not, and he's in one place and I'm in another. How are we supposed to consult?'

'Lots of states do arraignments by closed circuit now, because it saves money,' Judy said. 'You can use the phone to talk to him, remember? If you press the red button, the gallery can't hear you.'

'But the sheriff guarding him can hear everything he says, and the courtroom and judge would hear everything I say. Wake me up when we get to the right-to-counsel part.'

'You think it's unconstitutional?'

'Is the Pope Catholic?' Mary checked the monitor as the boxes vanished and Jack's face appeared, oddly larger than life above the logo PANASONIC. The close-up magnified the strain that dulled the blue of his eyes and tugged their corners down. She gathered she had him worrying with her suspicions about Paige, but that was as it should be. Maybe because he was on TV, or maybe because of the Kevin Costner thing, but she sensed that he was an actor playing a role and his story was more fiction than truth. In any event, her job now was to free him on bail, against the odds. She rose to go.

'Good luck, girl,' Judy said.

Mary mouthed her thanks, ignored the itching beginning at her neck, and walked to the door in the bulletproof divider, which a court officer unlocked. It was quiet on the other side, an expectant hush that intimidated her, but she nodded to the public defender, who stood to the side as she took his desk. Across the studio courtroom, Dwight Davis neatly took the D.A.'s desk. He looked more used to it than Mary, and she noticed the two sketch artists drawing him. She understood completely. He was a real lawyer and remarkably unspotted.

At the dais, the bail commissioner pushed up his Atom Ant glasses and pulled his cardigan around him. Bail commissioners weren't judges and some weren't even lawyers, and they rarely saw a private attorney at an arraignment, much less a D.A. the caliber of Davis. Mary had the impression that the bail commissioner was enjoying every ray of the unaccustomed limelight. 'Mr Davis, will you be handling this matter for the Commonwealth?' the commissioner asked, his tone positively momentous.

'Yes, Your Honor,' Davis said deferentially. Even Mary knew that most lawyers called him commissioner.

'Good morning, Your Honor.' Mary introduced herself, following suit, and the commissioner nodded.

'Excellent. Mr Newlin, can you hear us?' The commissioner addressed a camera mounted at the back of the courtroom, above a monitor that showed another image of Jack.