Tami Hoag - Cry Wolf

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From Publishers Weekly
As in her last romantic mystery, Still Waters, Hoag creates a pair of lovers who are so awful that they deserve each other. But this time she factors in an offensive theme: bad boys are to be tolerated, but bad girls are to be raped, mutilated and strangled. The "bad boy" is the hero, horror writer Jack Boudreaux. With antics like crashing a Corvette and swatting a smarmy evangelist preacher with a bag of fish, Jack charms Laurel Chandler. Laurel has returned to her hometown, Bayou Breaux, La., to lick her wounds after she blew a case involving child sexual abuse, lost her public prosecutor's job and suffered a breakdown. But matters are grim on the home front, where a serial killer is haunting young women, and Savannah, Laurel's man-loving sister, is becoming increasingly unstable. Despite Laurel 's anguish over losing her child abuse case, her reaction to Savannah 's problem-also rooted in abuse by a stepfather-is, "If I'd known, I don't think I would have come back now." Eventually Savannah sniffs around the wrong man and is murdered. Then Laurel is all tears and determination to find the killer.

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Laurel crossed her legs and smoothed her skirt, taking her time in replying. Outside, a squall line had tumbled up from the Gulf and was threatening rain. Wind pulled at the fingers of the palmetto trees that lined the putting green. She stared out at them through the French doors, debating the wisdom of what she wanted to say.

"I don't like the games you play, Mr. Danjermond," she said at last, meeting his cool green gaze evenly.

He arched a brow. "You think my being here is part of a conspiracy, Laurel? As it happens, I dine here often. You do concede that I have to eat, don't you? I am, after all, merely human."

The light in the peridot eyes danced as if at some secret amusement. Whether it was her he was laughing at or the line about his being a mere mortal, she couldn't tell. Either way, she had no intention of joining in the joke.

"Anything new on the murder?" she asked, toying with the stem of her water glass.

He plucked a slice of French bread from the basket on the table, tore off a chunk, and settled back in his chair with the lazy arrogance of a prince. Chewing thoughtfully, he studied her. " Kenner released Tony Gerrard. He feels the murder is the work of the Bayou Strangler."

"And what do you think? You don't think Tony Gerrard might have pulled a copycat?"

"No, because if he had, he would have screwed up. Our killer is very clever. Tony, regrettably," he picked a white fleck of bread off his tie and flicked it away, "is not."

"You sound almost as if you admire him-the killer."

He regarded her with a look of mild reproach. "Certainly not. He intrigues me, I admit. Serial killers have fascinated students of criminal science for years." He tore another chunk off the fresh, warm bread, closed his eyes, and savored the rich, yeasty aroma of it before slipping it into his mouth. As he swallowed, his lashes raised like lacy black veils. "I'm as horrified by these crimes as anyone, but at the same time, I have a certain"-he searched for the word, picking it cleanly and carefully-"clinical appreciation for a keen mind."

As he said it, Laurel had the distinct impression that he was probing hers. She could feel the power of his personality arching between them, reaching into her head to explore and examine.

"What do you think of sharks, Laurel?"

The change of direction was so abrupt, she thought it was a wonder she didn't get a whiplash. "What should I think of them?" she said, annoyed and puzzled. "Why should I think of them at all?"

"You would think of them if you found yourself overboard in the ocean," Danjermond pointed out. He leaned forward in his chair, warming to his subject, his expression serious. "In all of nature, they are the perfect predator. They fear nothing. They kill with frightening efficiency.

"Serial killers are the sharks of our society. Without souls, without fear of recrimination. Predators. Clever, ruthless." He tore off another chunk of bread and chewed thoughtfully. "A fascinating comparison, don't you think, Laurel?"

"Frankly, I think it's stupid and dangerously romantic," she said bluntly as her temper began to snap inside her like a live wire. Ignoring the dictates of her upbringing, she planted her fists on the table and glared at the district attorney. "Sharks kill to survive. This man is killing for the pure, sick enjoyment of seeing women suffer. He needs to be stopped, and he needs to be punished."

Danjermond scrutinized her pose, her expression, the passion in her voice, and nodded slightly, like a critic approving of an actor's skills. "You were born for the prosecutor's office, Laurel," he declared, then his gaze intensified, sharpened, as if he had sensed something in her. Slowly, gracefully, he leaned forward across the table until he was just a little too close. "Or were you made for it?" he murmured.

Laurel met his gaze without flinching, though she was trembling inside. The air between them vibrated with Danjermond's potent sexuality. He was close enough that she could pick up the hint of a dark, exotic cologne. Somewhere outside the cube of tension that boxed them in, thunder rumbled and fat raindrops spat down out of the clouds. The wind hurled handfuls under the veranda, pelting the panes in the French doors.

"You do fascinate me, Laurel," he whispered. "You have an astonishing sense of chivalry for a woman."

Vivian chose that moment to return to the table, and Laurel thought that if she was never grateful to her mother for anything else, she was grateful for this interruption. Stephen Danjermond made the short hairs stand up on the back of her neck. The less she had to be alone with him, the better.

He sat with them for coffee. Vivian ordered bread pudding and enjoyed it with a side order of political talk and chatter about the upcoming League of Women Voters dinner. Laurel sat studying the stubs of her fingernails, wishing she were anywhere else. Her thoughts turned unbidden to Jack, and she wondered, as she stared out at the rain, where he was tonight, what he was feeling.

Judge Monahan and his wife were shown into the dining room, capturing Danjermond's attention, and the district attorney abandoned them for more influential company. While Vivian took care of the bill, Laurel took her first deep breath in thirty minutes.

They walked out onto the veranda together and stood watching as the valets dashed out into the rain to retrieve their cars.

"This was lovely, darling," Vivian said, smiling benevolently. "I'm glad we could have this evening together after that unpleasantness with your sister Sunday. I swear, I don't know at times how she could even be mine, the way she behaves."

"Mama, don't," Laurel snapped, then softened the order with a request. "Please."

Instead of pique, Vivian chose to move on as if Savannah had never been mentioned at all. "I'm so glad Stephen was able to join us for a little while. He's very highly thought of in these parts and in Baton Rouge, as well. With his family connections and his talent, there's no telling how far he might go." Her white Mercedes arrived under the portico, but she made no move toward it, turning instead to give her daughter a shrewd look. "As I walked across the dining room tonight, I couldn't help thinking what a handsome couple the two of you would make."

"I appreciate the thought, Mama," Laurel lied, "but I'm not interested in Stephen Danjermond."

Disapproval flickered in Vivian's light eyes. She reached up impatiently and brushed at a wayward strand of Laurel 's hair, succeeding in making her feel ten years old. "Don't tell me you're interested in Jack Boudreaux," she said tightly.

Laurel stepped back from her mother's hand. "Would it matter if I were? I'm a grown woman, Mama. I can choose my own men."

"Yes, but you do such a poor job of it," Vivian said cuttingly. "I asked Stephen about Jack Boudreaux-"

"Mama!"

"He told me the man was disbarred from practicing law because he was at the heart of the Sweetwater chemical waste scandal in Houston." Laurel 's eyes widened automatically at the name "Sweetwater." Gratified, Vivian went on with relish. "Not only that, but it isn't any wonder he writes those gruesome books. Everyone in Houston says he killed his wife."

If her mother said anything after that, Laurel didn't hear it. She didn't hear the murmured words of parting, didn't feel the compulsory kiss on her cheek, noticed only in the most abstract of ways that Vivian was being ushered into her car and the gleaming white Mercedes was sliding out into the darkening night.

She stood on the veranda in a puddle of amber light from the carriage lanterns that flanked the elegant carved doors to the Wisteria. Beyond the pillars that supported the roof, rain pounded down out of the swollen clouds and splattered against the glossy black pavement of the drive. And it was Jack's voice she heard. "I've got enough corpses on my conscience…"

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