James Patterson - Lifeguard

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Lifeguard: краткое содержание, описание и аннотация

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From Publishers Weekly
Beach bum Ned Kelly, a part-time lifeguard, pool guy and errand runner in Palm Beach, Fla., has just scored with beautiful, rich Tess McAuliffe. Life sure is looking up, especially from his days back in chilly South Boston. He's looking forward to another round with Tess, but first he has to help some smalltime hoodlum pals commit a $60-million art heist. It's supposed to be an easy job, but everything goes to hell-the paintings they were after weren't even there-and soon enough his pals are all dead, as is Tess. Ned goes on the run, accused of the murders and the heist as well. He flees back to Boston, but gets caught by cute-as-a-button FBI agent Ellie Shurtleff, assigned to investigate the case for the agency's Art Theft and Fraud department. After some rough stuff, he takes her hostage and in short order they've bonded. Ellie can see that Ned's a good guy who could never have committed the crimes he's charged with, so the two of them join forces to bring down the actual thieves and killers. It's a twisty story that will engage the interest of beach-goers everywhere, whose sun-addled brains will put up with pedestrian writing and an improbable plot just to find out exactly whodunit and why.
From Booklist
Don't be fooled by the title of Patterson's latest thrilling yarn-the action goes far beyond the beach. Ned Kelly grew up on the wrong side of the tracks in Brockton, but he got out, and now his life seems to be falling into place. He's interested in a beautiful woman named Tess and has decided to chance one last heist with four of his childhood friends. Ned's job is simple-all he has to do is set off several house alarms while his friends hit the real target, the mansion of Dennis Stratton, to steal three valuable paintings. But when Ned's friends enter the house and discover the paintings already gone, they realize they've been double-crossed, and before Ned can reach them, all four are murdered. Then Tess is found dead in her hotel room, and, fearing how bad things are looking for him, Ned goes on the lam, hoping to clear his name. He goes back to Brockton to find his father, a small-time criminal he suspects may have been involved in setting up his friends. He's being pursued by Federal Agent Ellie Shurtleff, an art expert, who becomes an unlikely ally. Packing all the punches readers have come to expect from Patterson's books, this one delivers at every turn.

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I flipped on the radio to a local news channel. Reporters were already at the scenes of the murders. A young beauty at Palm Beach ’s posh Brazilian Court. Four unidenti ed people murdered execution-style in Lake Worth … And other news. A daring art heist on the beach. Sixty million in art reported stolen ! So there was a theft. But no mention if the police thought any of this was connected. And, thank God, nothing about me!

It was after eleven when I finally crossed the Flagler Bridge back into Palm Beach. Two police cars were parked in the middle of Poinciana, lights flashing, blocking the road. I was sure they were looking for a Bonneville.

“Game’s over, Ned!” I said, almost resigned. But I passed right by without a hitch.

The town was quiet up there, considering everything going on. The Palm Beach Grill was still busy. And Cucina. Some tunes coming out of Cucina. But the streets were generally quiet. It reminded me of a joke: there are more lights in downtown Baghdad during an air raid than in Palm Beach after ten o’clock. I hung a right on County and drove down to Seaspray, then hung a left to the beach. I cautiously pulled into number 150, automatically opening the gates. I was praying for no cops. Please, God, not now . Sollie’s house was dark, the courtyard empty. My prayers were answered. For a little while.

Sollie was either watching TV or asleep. Winnie, the housekeeper, too. I parked in the courtyard and headed up the stairs to my room above the garage. Like I said, my life there was over now.

Here’s what I’d learned in Palm Beach. There’re thousand-dollar millionaires, the guys who pretend they’re rich but really aren’t. There are the old rich, and then there are the new rich. Old rich tend to have much better manners, are more attuned to having help around. New rich, which Sollie was, could be trouble – demanding, insulting, their insecurities about their windfall money coming out in abusive ways toward the help. But Sollie was a prince. Turned out he needed me to keep his pool clean, drive his big yellow Lab to the vet, chauffeur him around when he had an occasional date, and keep his cars polished. That turned out to be a joy. Sollie traded in collectible cars at Ragtops in West Palm as frequently as I switched out DVDs at Blockbuster. Right now he had a 1970 six-door Mercedes Pullman limo that used to belong to Prince Rainier; a ’65 Mustang convertible; a Porsche Carrera for a runaround; and a chocolate Bentley for big events… your typical Palm Beach garage stable.

I pulled out two canvas duffels from under the bed and started to throw clothes in them. T-shirts, jeans, a few sweatshirts. The hockey stick signed by Ray Bourque that I’d had since the tenth grade. A couple of paperbacks I always liked. Gatsby, The Sun Also Rises. Great Expectations . (I guess I always had a thing for the outsider bucking the ruling class.)

I scribbled out a quick note to Sollie. An explanation that I had to leave suddenly, and why. I hated to go like this. Sol was like an uncle to me. A really great uncle. He let me live in this great house and all I had to do was keep the pool in order, clean a few of his cars, and do a couple of errands. I felt like a real heel, sneaking away in the dark. But what choice did I have?

I grabbed everything and headed downstairs. I popped the trunk on the Bonneville and tossed in the duffels. I was just taking a last look and saying good-bye to where I’d lived these past three years when the lights went on.

I spun around, my heart in my throat. Sollie was standing in his bathrobe and slippers, holding a glass of milk. “Jesus, you scared me, Sol.”

He glanced at the open trunk and the bags. He had a look of disappointment on his face, putting it together. “So I guess you don’t have time for a good-bye game of rummy.”

“I left a note,” I said a little ashamedly. To have him find me sneaking away like this, and more, for what he was bound to find out in the morning. “Look, Sol, some terrible things have happened. You may hear some stuff…I just want you to know, they’re not true. I didn’t do it. I didn’t do any of it.”

He bunched his lips. “It must be bad. C’mon in, kid. Maybe I can help. A man doesn’t run off in the middle of the night.”

“You can’t” – I dropped my head – “help. No one can now.” I wanted to run up and give him a hug, but I was so nervous and all mixed up. I had to get out of there. “I want to thank you,” I said. I hopped in the Bonneville and turned the ignition. ”For trusting me, Sol. For everything…”

“Neddie,” I heard him call. “Whatever it is, it can’t be that bad. No problem is too big to solve. When a man needs friends, that’s not the time to run off…”

But I was at the gates before I could hear the rest. I saw him in the rearview mirror as I swung out of the driveway, driving off.

I was almost crying as I hit the Flagler Bridge. Leaving everything behind. Mickey, my friends, Tess…

Poor Tess . It was killing me, just remembering how we’d been together only hours before, when I thought things were finally working out for me. A million dollars and the girl of my dreams.

Your luck’s returned, Neddie-boy . I couldn’t help but laugh. The bad luck .

As I headed toward the Flagler Bridge, I could make out the shining towers of the Breakers lighting up the sky. I figured I had a day at most before my name surfaced. I didn’t even know exactly where I was going to go.

Someone had killed my best friends. Dr. Gachet, I don’t know what the hell kind of doctor you are, but you can be sure I’m gonna make you pay.

“ Split aces,” I muttered again grimly as I crossed the bridge, the bright lights of Palm Beach receding away. The perfect score. Yeah, right .

Part Two. ELLIE

Chapter 18

ELLIE SHURTLEFF WAS KNEELING in front of the security panel in the basement of Casa Del Océano and shining a light on the clipped coaxial cable in her gloved hand.

Something didn’t make sense at this crime scene.

As the special agent in charge of the FBI’s new Art Theft and Fraud department for the south Florida region, she’d been waiting a long time for something like this. Sixty million in art reported stolen last night, right in her own backyard. Truth be told, Ellie was the department.

Since leaving New York eight months ago – and the assistant curator thing at Sotheby’s – Ellie had basically sat around the Miami office, monitoring auction sales and Interpol wires, while other agents hauled in drug traffickers and money launderers. She was slowly starting to wonder, like everyone else in her family, if this had been a career move or a career disaster. Art theft wasn’t exactly a glamour assignment down there. Everybody else had law degrees, not MFAs.

Of course, there were benefits, she constantly reminded herself. The little bungalow down by the beach in Delray. Taking her ocean kayak out in the surf – year-round. And surely at the ten-year reunion get-together for the Columbia MFA class of 1996, she’d be the only one packing a Glock.

Ellie finally stood up. At barely five-two and 105 pounds, with her short brown hair and tortoiseshell frames, she knew she didn’t look like an agent. At least, not one they let out of the lab much. The joke around the office was that she had to get her FBI windbreaker from the kids’ department at Burdines. But she’d been second in her class at Quantico. She’d lit the charts in crime scene management and advanced criminal psychology. She was qualified with the Glock and could disarm somebody a foot taller.

It just happened she also knew a little about the stylistic antecedents of cubism as well.

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