James Patterson - Lifeguard

You just won’t have a hundred million dollars, guy.

So it always comes back to that question. What do you do with it? After all, it’s stolen, right?

Throw some big Palm Beach bash. Get your face in “The Shiny Sheet.” On the Today show? Make the ARTnews Hall of Fame.

You stare at Gachet’s face. And you see it. In the angle of the cocked head. The wise, melancholy eyes.

Not the eyes of a doctor, sitting there in the hot June sun. But the eyes of the person painting him.

And you wonder: What did he know? Who does this really belong to?

Stratton? Sollie? Liz?

Certainly not me.

No, not me.

I mean, I’m just a lifeguard, right?

NEXT YEAR…

“Ready…?” Ellie and I took Davey by the hand and led him down to the sea.

The beach was wonderfully quiet and empty that day. The surf was gentle, A couple of vacationers were strolling by, wetting their feet. An old woman wrapped all in white and wearing a wide straw hat, searching for shells. Ellie and I took Davey by the hand and let him jump off the dune to the surf.

“Ready,” my son replied, determined, his mop of blond hair the color of the sun.

“ Here. This is how it’s done. ” I rolled up a piece of paper and threaded it into the mouth of the Coors Light beer bottle. Coors was always my brother’s favorite. Then I jammed the cap back on tightly and hammered it with my palm.

I smiled to Ellie. “That oughta hold.”

“I never met him, Ned, but I think Dave would like this.” Ellie looked on approvingly.

I winked. “Here.” I handed the makeshift bottle to Davey. We walked down to the rippling tide. “Wait for the current to draw back into the sea.” I pointed toward the foamy riptide. “You see it there?”

Davey nodded.

“Now,” I said, easing him toward the water, “throw!”

My twenty-month-old ran pitter-patter into the surf and hurled the bottle with all his might. It went only about three feet but caught the lip of the receding wave and was drawn, gently, by the undertow.

A new wave hit the bottle and it bobbed up high but rode on, as if it knew its purpose, and fell over the crest, farther away. We all cheered. A couple of seconds later, it was like a little craft that had righted itself, successfully riding the waves out to sea.

“Where’s it going, Daddy?” little Davey asked, shielding his eyes in the bright, ocean air.

“Maybe heaven,” Ellie said, watching it drift.

“What’s inside?”

I tried to answer, but my voice caught in my throat and my eyes grew a little tight.

“It’s a gift,” Ellie answered for me. She took my hand. “For your uncle Dave.”

It was a newspaper article, actually, that I had stuffed in the bottle. From the New York Times. In the past few days, it had also been reprinted in most other major newspapers in the world.

The art world was shocked Tuesday afternoon when a painting donated at a charity auction in Palm Beach, Florida, thought to be a reproduction of a missing van Gogh, astonishingly has been identifi ed as an original.

A panel of art experts, consisting of historians and curators at major auction houses who studied the canvas for several days, authenticated the painting as van Gogh’s long-missing second portrait of Dr. Gachet, painted in the weeks before the renowned painter died. Dr. Ronald Suckling of Columbia University, who headed the panel, called its sudden appearance “irrefutable” and “a stunning and miraculous event for the art world and the world at large.” He added that no one has “the slightest idea” where the painting has been for 120 years.

More baffl ing is how the painting suddenly surfaced, and how it was anonymously gifted to the Liz Stratton Fund, a Palm Beach charity set up to protect abused children, a fl edging project of the late Palm Beach fi nancier’s wife, who was reputed to be murdered in a tragic series of crimes that struck this fashionable resort town a few years ago.

The painting was part of a silent auction of the inaugural charity event. It was, according to charity spokesperson Page Lee Hufty, “donated and delivered to us anonymously. Never for a second did we actually imagine that it was real.”

The value of the piece, thought to be upward of $100 million, makes it one of the largest donations to a specifi c charity in history.

“What makes the thing all the more incredible,” Hufty explained, “is the note that accompanied the gift. ‘To Liz. May it fi nally do some good.’ The note was signed, Ned Kelly,” a veiled reference perhaps to the legendary Australian bandit of the nineteenth century known for his good deeds.

“It’s like some crazy, generous, unexplainable joke,” Hufty said. “But whoever he is, he’s right, this gift will do an unimaginable amount of good.”

“Is that heaven?” little Dave asked, pointing toward the horizon. “I don’t know,” I said, watching the bottle glint a last time as it melded into the sea. “But I think it’s close enough…”

James Patterson is the author of the two best-selling new detective series of the past decade: the Alex Cross novels, including the #1 New York Times bestsellers London Bridges, The Big Bad Wolf, and Four Blind Mice, and the Women’s Murder Club series, including the #1 bestsellers 1st to Die, 2nd Chance, 3rd Degree, and 4th of July. He is also the author of the bestselling love stories Suzanne’s Diary for Nicholas and Sam’s Letters to Jennifer. He lives in Florida.

Andrew Gross worked with James Patterson on the previous bestselling novel 3rd Degree. He lives with his wife, Lynn, and their three children in Westchester County, New York.