Kathy Reichs - Deadly Descisions

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From Publishers Weekly
Critics (and publicists) often compare Reichs to Patricia Cornwell, as both are women who write bestselling thrillers featuring a female forensic expert. There's a significant difference between them, though. Reichs brings to her grisly novels a scientific detail and authenticity that Cornwell rarely matchesAa virtue arising from Reich's background as a top forensic anthropologist for the governments of North Carolina and Quebec, a background mirrored by that of her heroine, Tempe Brennan. But CornwellAa journalist before she turned novelistAis a more accomplished writer than Reichs, and her more fluid prose and plotting support a heroine who exudes a vitality that Brennan doesn't. Reichs's strengths and weaknesses are apparent in this third novel (after Death du Jour) featuring narrator Brennan, which finds the crime fighter tangling with outlaw motorcycle gangs in Montreal. The novel opens as Brennan, "sorting badly mangled tissue" in an autopsy room, is interrupted by the arrival of another body: that of a girl, nine, caught by a bullet that one gang, the Heathens, had intended for a rival Viper. The mangled tissue belongs to two Heathens who'd been en route to bomb the Vipers' headquarters: war is raging among bikers in Montreal, and Brennan is soon caught in the battles, not least because her visiting nephew, Kit, is enamored with bikersAincluding some involved in the war. The narrative carries Brennan to assorted bikers' hangouts, and to much forensic digging, all of which Reichs handles with an admirable intensity and veracity. Still, the novel has a stiff, storyboarded feel, with a subplot involving Brennan's cop loverAhas he turned gang member?Aparticularly intrusive. The pacing is lopsided, laborious in front and action-stuffed at the back, and the narrative spreads its message about the malfeasance of outlaw bikers with a heavy hand. Overall, the novel works, but the gears show one time too many. Agent, Jennifer Rudolph Walsh at the Writer's Shop. Major ad/promo; 6-city author tour.

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"Get your ass over here and I'll lay it all out." I said nothing. Dorsey's breath was loud in the silence. "But this ain't going to be a one-sided shuck." "I've got no reason to trust you.

"And you ain't my choice for Woman of the Year, but none of these jag-offs will listen. They've launched the D day of police fuck-ups and parked me right on Omaha Beach."

"I'm impressed with your knowledge of history, Mr Dorsey, but why should I believe you?"

"Got a better lead?"

I let the question dangle a moment. Loser though he was, George Dorsey had a point. And no one else appeared inclined to talk to me today.

I looked at my watch. Eleven-twenty

"I'll be there in an hour."

Chapter 21

For policing purposes, the Communaute Urbatne De Montreal is divided into four sections, each with a headquarters housing intervention, analysis and investigation divisions, and a detention center. Suspects arrested for murder or sexual assault are held at a facility near place Versailles, in the far eastern end of the city All others await arraignment at one of the four sectional jails. For possession of methamphetamine, Dorsey went to his local facility, Op South.

The Op South headquarters is located at rue Guy and boulevard René Lévesque, on the outskirts of Centre-ville. This section is predominantly French and English, but it is also Mandarin, Estonian, Arabic, and Greek. It is separatist and federalist. It holds the vagrant and the affluent, the student and the stockbroker, the immigrant and the "pta Liner québecois.

The Op South is churches and bars, boutiques and sex shops, sprawling homes and walk-up flats. The murders of Emily Anne Toussaint and Yves Cherokee Desjardins had taken place within its borders.

As I turned off Guy into the lot, I passed through a group carrying placards and wearing signs. They'd spread down the sidewalk from the building next door, blue-coliar workers picketing for higher pay. Good luck, I thought. Perhaps it was the political instability, perhaps the Canadian economy in general, but Quebec Province was in a financial squeeze. Budgets were being cut, services curtailed. I hadn't had a raise in seven years.

I entered at the main door and stepped to a counter to my right.

"I'm here to see George Dorsey," I said to the guard on duty. She put down her snack cake and eyed me with boredom.

"Are you on the list?"

"Temperance Brennan. The prisoner asked to see me.

She brushed chubby hands together, checked for crumbs, then entered something into a keyboard. Light reflected off her glasses as she leaned forward to read the monitor. Text scrolled down each lens, froze, then she spoke again without raising her eyes.

"Carcajou?" Ralph Nader couldn't have sounded more dubious.

"Mm." LeJournal thought so.

"Got an ID?"

She looked up and I showed her my security pass for the SQ building.

"No badge?"

"This was handy."

"You'll have to sign in and leave your things here."

She flipped pages in a ledger, wrote something, then handed me the pen. I scribbled the time and my name. Then I slipped my purse off my shoulder and handed it across the counter.

"It'll be a minute."

Ms. Cupcake secured my bag in a metal locker, then picked up a phone and spoke a few words. Ten minutes later a key turned in a green metal door to my left, then it opened and a guard waved me in. He was skelatal, his uniform drooping from his bones like clothes on a hanger

Guard number two swept me with a handheld metal detector, then indicated I should follow. Keys jangled on his belt as we turned right and headed down a corridor lighted by fluorescents and surveilicd by wall and ceiling cameras. Straight ahead I could see a large holding cell, with a window facing the hall I was in, green bars facing the other. Inside, a half-dozen men lounged on wooden benches, sat or slept on the floor, or clung to the bars like captive primates.

Beyond the drunk tank was another green metal door, the words Bloc Celltilaire in bold white to its right, beside that another counter A guard was placing a bundle in one of a grid of cubicles, this one marked XYZ. I suspected a Mr. Xavier was arnvtng. He would not see his belt, shoelaces, jewelry, glasses, or other personal possessions until checkout.

"Man's in here," said the guard, thrusting his chin toward a door marked Entrevzte avocat, the door attorneys used. I knew Dorsey would pass through an identical door marked Entrevue detenu, for the prisoners.

I thanked him and brushed past into a small room not designed to lift prisoner or visitor morale. The walls were yellow, the trim green, the only furnishings a red vinyl counter, a wooden stool fixed to the floor, and a wall phone.

George Dorsey sat on the opposite side of a large rectangular window, back rounded, hands dangling between his knees.

"Push the button when you're done," said the guard.

With that he closed the door and we were alone.

Dorsey didn't move but his eyes locked on me as I crossed to the counter and picked up the handset.

I flashed on Gran's painting. Jesus, skull circled with thorns, forehead covered with droplets of blood. No matter where I went the gaze followed. Look, the eyes were open. Blink, they were closed. The picture was so unnerving I avoided my grandmother's bedroom my entire childhood. Dorsey had the same eyes.

Inwardly trembling, I sat and folded my hands on the countertop. The man across from me was thin and wiry with a hump nose and razor-blade lips. A scar started at his left temple, loopcd his cheek, and disappeared into a circle of plumage around his mouth. His head was shaved, his only hair a dark bolt of lightning that touched down just above the scar's terminus.

I waited for him to pick up the phone and break the silence. Outside our little room I heard voices and the clang of steel against steel. Despite the intensity of his stare, Dorsey looked as though he hadn't slept in a while.

After several birthdays Dorsey smiled. The lips disappeared and small, yellow teeth took their place. But there was no mirth in his eyes. With a jerky motion he yanked the receiver from its cradle and placed it to his ear.

"You've got balls coming here, lady."

I shrugged.

"Got cigarettes?"

"Don't smoke."

He drew both feet in, flexed his toes, and jiggled one leg up and down on the ball of his foot. Again he went mute. Then, "I had nothing to do with that piece of work in Pointe-St-Charles."

"So you said." I pictured the gruesome scene at Les Appartements du Soleil.

"This asshole Claudel is trying to cut my dick off. Figures if he sweats me hard enough I'll cop to burning Cherokee."

The jiggling intensified.

"Sergeant-Detective Claudel is simply doing his job." "Sergeant-Detective Claudel couldn't blow a fart and get it right." There were times I agreed with that assessment.

"Did you know Cherokee Desjardins?"

"I've heard of him."

He ran a finger back and forth along a groove on the countertop. "Did you know he was dealing?"

Now Dorsey shrugged. I waited.

"Maybe the stuff was for personal use. You know, medicinal. I heard he had health problems."

He ran the finger through the hair on his chin, then went back to working the groove.

"You were seen at Desjardins' building around the time he was shot. They found a bloody jacket in your apartment.

"The jacket am' t mine.

'And O.J. never owned the gloves."

"What kind of moron is gonna keep souvenirs after a hit?" He had a point.

"Why were you in that neighborhood?"

"That's my business.

He shot forward and spread his elbows on the counter. My heart did a hop, but I didn't flinch.

"And it had nothing to do with wasting Cherokee."

I noticed a tightening around his eyes, and wondered what scenario he was constructing for my consumption.

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