Kathy Reichs - Deadly Descisions

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From Publishers Weekly
Critics (and publicists) often compare Reichs to Patricia Cornwell, as both are women who write bestselling thrillers featuring a female forensic expert. There's a significant difference between them, though. Reichs brings to her grisly novels a scientific detail and authenticity that Cornwell rarely matchesAa virtue arising from Reich's background as a top forensic anthropologist for the governments of North Carolina and Quebec, a background mirrored by that of her heroine, Tempe Brennan. But CornwellAa journalist before she turned novelistAis a more accomplished writer than Reichs, and her more fluid prose and plotting support a heroine who exudes a vitality that Brennan doesn't. Reichs's strengths and weaknesses are apparent in this third novel (after Death du Jour) featuring narrator Brennan, which finds the crime fighter tangling with outlaw motorcycle gangs in Montreal. The novel opens as Brennan, "sorting badly mangled tissue" in an autopsy room, is interrupted by the arrival of another body: that of a girl, nine, caught by a bullet that one gang, the Heathens, had intended for a rival Viper. The mangled tissue belongs to two Heathens who'd been en route to bomb the Vipers' headquarters: war is raging among bikers in Montreal, and Brennan is soon caught in the battles, not least because her visiting nephew, Kit, is enamored with bikersAincluding some involved in the war. The narrative carries Brennan to assorted bikers' hangouts, and to much forensic digging, all of which Reichs handles with an admirable intensity and veracity. Still, the novel has a stiff, storyboarded feel, with a subplot involving Brennan's cop loverAhas he turned gang member?Aparticularly intrusive. The pacing is lopsided, laborious in front and action-stuffed at the back, and the narrative spreads its message about the malfeasance of outlaw bikers with a heavy hand. Overall, the novel works, but the gears show one time too many. Agent, Jennifer Rudolph Walsh at the Writer's Shop. Major ad/promo; 6-city author tour.

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But Savannah hadn't danced off with Ariel or Puck, and I couldn't shake the image of the spider-legged girl in the baggy swimsuit. I kept wondering about the poisonous web into which she'd been drawn.

I was also haunted by the horror we'd just left. Though the dynamic duo in the front seat were convinced Cherokee's killing was a biker hit, something about the scene seemed out of sync. It was not my call, but my uneasiness remained, prickling my brain.

Savannah and Cherokee. Cherokee and Savannah. And Ronald and Donald Vaillancourt, Robert Cately and Felix Martineau. And Emily Anne Toussaint, the little girl who danced, and skated, and loved waffles. These lives seemed unconnected, the only tie a posthumous one, created by homicide files.

No one spoke. Now and then the radio sputtered as it scanned channels, diligent in its attention to police matters.

In the Ville-Marie Tunnel we were snared briefly by the clog of traffic exiting onto Bern. I looked at the flow of cars heading toward the old city and experienced a return to melancholy. Why was I trapped with Señor Surly and his partner, the bones of a dead girl at my feet and visions of mutilated bikers in my head? Why wasn't I heading for Place Jacques Cartier, thinking about dinner, dancing, or drinks with a lover?

But I couldn't handle the pleasure of drink,

And I had no loves

Ryan.

Put it away, Brennan. That line of thought will take you from melancholy to depression. The simple fact is you chose this life. You could be limiting your bone analysis to archaeological digs and your professional commentaries to textbooks or classrooms in which you talk and they listen. You asked for this and you got it, so stop brooding and do your work.

When Charbonneau pulled up at the SQ building I said a terse thank you, slammed the door, and headed up the block toward the main entrance. Before I got to the end of the wrought-iron fence my cell phone rang, so I set the athletic bag on the sidewalk and dug the phone out of my purse.

'Aunt Tempe?"

"Hey, Kit."

I was relieved and annoyed to hear his voice. Though I'd called several times since leaving for Raleigh, Kit hadn't once picked up.

"Did you get my messages?"

"Yeah. Bad timing. I was out, then when I got in I hit the sack. Figured you wouldn't want me to call that late.

I waited.

"I was with Lyle."

"For two days?"

"The guy's O.K."

O.K.?

"We went to that cycle shop. Man, he wasn't exaggerating. They've got more shit than the Harley factory. Oops, sorry."

I placed the briefcase next to the athletic bag and rotated my shoulder to work out a kink. Hip-hop music pounded from a Caravan on the opposite side of Parthenais. The driver sat sideways, one arm draped around the wheel, the other drumming the back of the seat.

"I'll be home by six," I told Kit. "Tell me what you'd like and I'll throw something together for dinner."

"That's why I'm calling. Lyle said he'd take me to the TV studio so I can watch them do the show tonight."

A man emerged from an apartment building across the street and did a slow crawl down the steps, a cigarette dangling from his mouth. His hair looked as if he'd gotten his head too close to an explosion. Some of it stuck out in clumps, some strands lay in knots against his head. He wore a sleeveless denim jacket that showed arms so fully tattooed that from where I stood they looked blue.

The man took a deep drag as he scanned the street. His eyes locked onto me then narrowed, like those of a terrier sighting on a rat. Two smoke streams shot from his nose, then he flicked the butt, crossed the sidewalk, and climbed into the van with the music loves As the pair drove off I felt a chill, despite the warmth of the afternoon sun.

"…ever seen it in person?"

"What?"

"The news. Have you ever been at the station when they actually do it?"

"Yes. It's very interesting."

"So if you don't mind, I'd really like to go.

"Sure. That sounds like fun. I'm pretty beat anyway.

"Did you find out who she is?" The switch left me behind.

"The girl. Did she turn out to be who you thought she was?"

"Yes."

"That's cool. Can I tell Lyle?"

"It's not official yet. Better wait until the coroner releases her name.

"No sweat. So, I'll see you later, "O.K."

"You're sure?"

"Kit, it's fine. I've been ditched by tougher men than you."

"Ooh. Hit me where I bleed."

"Bye."

Lyle Crease. Was that bastard going to use my nephew to wheedle information that he couldn't get directiy from me?

Upstairs, I secured Savannah's remains in my evidence locker, and gave one set of bone samples to Denis, the histology technician. He would use a microtome to cut slices less than a hundred microns thick, then stain them and mount them on slides for analysis.

I took the other set to the DNA section, While there I asked about the eyeball. As I waited I felt a band of tension move slowly up the back of my head, and I began to rub my neck.

"Headache?" asked the technician when she returned.

"A little."

The results were not yet in.

Next I reported to LaManche. He didn't interrupt as I told him of my meeting with Kate, and showed him photos and copies of hospital records.

When I'd finished he removed his glasses and kneaded two red ovals on the bridge of his nose. Then he leaned back, his face devoid of the emotions normally created by death.

"I will call the coroner's office."

"Thank you."

"Have you discussed this with the people at Carcajou?"

"I mentioned it to Quickwater, but right now everyone is focused on the Cherokee Desjardins murder."

That was an understatement. When I'd told him in the car, Quickwater had hardly listened.

"I'll talk to Roy tomorrow," I added.

"The agent in North Carolina believes this child was killed by gang members?"

"Kate Brophy. She believes it's a good possibility."

"Does she know of any ties between Quebec and Myrtle Beach gangs?"

"No."

LaManche inhaled deeply, exhaled.

"Nineteen eighty-four is a long time ago.

Sitting across from my boss, listening to his precise French and seeing him backlit by the St. Lawrence River, I had to admit the Carolina theory sounded bizarre even to me. What had seemed so right in Raleigh now felt like a remembered dream in which I couldn't sort reality from fantasy.

"We had to cut it short when I got the call about Cherokee's body in the fire, but Agent Brophy lent me a great deal of material from the SBI files, including old photos. Tomorrow I'll take everything over to Carcajou and we'll see what falls out."

LaManche replaced his glasses.

"This Carolina skeleton may be unrelated."

"I know."

"How soon will they have the DNA results?"

I avoided the impulse to roll my eyes, but I'm sure the frustration showed in my voice.

"They're backed up because of the bomber twin case, and wouldn't give me an estimate." I remembered the look I'd gotten when the technician spotted Savannah's DOD. "And, as you said, it's not exactly a recent death."

LaManche nodded.

"But it is an unexplained death, and the remains were found in Quebec, so we will treat it as a homicide. Hopefully the SQ will do the same," he said.

At that moment his phone rang. I gathered papers as he spoke. When he'd hung up I said, "The Cherokee case doesn't fit the recent pattern here, but who knows why people kill."

He answered as he scribbled something on a small yellow pad, his mind still on the phone conversation. Or perhaps he thought I was talking about something else.

"Occasionally Monsieur Claude] can be abrupt, but in the end he will get it right."

What the hell did that mean?

Before I could ask, the phone rang again. LaManche reached for the receiver, listened, then held it to his chest.

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