James Burke - Crusader's Cross

"Fibers from your clothing were on the body of a girl by the name of Holly Blankenship, Mr. Fogel. How do you account for that?" I said.

"Was that her name?" he said, looking up at me.

"It was the name of a runaway somebody killed and threw in a garbage dump," I said.

"Me and my wife busted up. I ain't proud of everything I've did since then. That's just the way it is," he said.

"The way what is?" Helen said.

"When you're a single man, that's the way it is. There's women for hire. I ain't put them on the street," he replied.

"She was murdered the same day a friend of mine and I interviewed her," I said. "Then fibers from your shirt show up on her body. Then you get busted with a girl tied up in your home. That's a lot for coincidence, isn't it?"

"I don't know about no interview or what that's got to do wit' me. But say what you want." He was looking straight ahead now, seemingly indifferent to his legal jeopardy.

"I think you're a player in this, Mr. Fogel. But I think you're the weak sister in the script," I said.

His eyes clicked up at mine. "I'm what?"

"Serial killers often work in pairs. One guy is the orchestrator, the other guy does the scut work. Between the two of them, they form a third personality that commits deeds neither man could do on his own. You with me so far?"

"No," he said.

But he was lying. I saw the insult take hold in his face, a resentful light glimmer inside his eyelashes.

"It's an easy concept," I said. "One guy is the brains. The other guy is a sock puppet. You want to ride the needle for some dude who's probably having a nice lunch right now, maybe knocking back a cold beer, while you take his weight?"

Ernest Fogel made no reply.

"Do you know where you are? This is central lockup," Helen said. "Ever had the midnight express up your ass?"

He looked into space for a long time. Down the corridor a cop dragged his baton along the bars of a cell door.

"How about it, buddy? Why not get your side of things out on the table? Maybe your situation isn't as bad as you think," Dana said.

"I need a razor and some decent soap. I need a hairbrush, too, maybe some aftershave," Fogel said.

"That can be arranged," Dana said. "You want to make a statement?"

"No, there's gonna be press at my arraignment. I ain't going there looking like a street person. I'd better talk to a lawyer now. Y'all got a good one? I don't mean nobody's cousin in the public defender's office, either."

Helen, Dana, and I looked at one another. The only sound in the cell was the reverberation of a flushing toilet farther down the corridor. Dana's handsome face was pinched with anger and frustration.

"You ever hurt children? You ever do that, Ernest?" he asked, his hands folding and unfolding by his sides.

Fogel stirred the tip of his finger in a small jelly container on his food tray, then licked his finger clean, the back of his head turned to us so we could not see his face.

A tractor-trailer rig had spun out on the bridge at Des Allemands, backing up westbound traffic all the way through St. Charles Parish, so Helen and I headed up the interstate toward Baton Rouge, our flasher rippling. On the southwestern edge of Lake Pontchartrain I asked her to pull off on the shoulder a moment.

"What's up?" she said.

"I just want to look at the lake," I said.

It was an odd request, I suspect, but Helen was a tolerant and decent person and had become a survivor because she had always accepted people for what they are. The lake was smoky green, dented with rain, blown with whitecaps. It looked exactly as the Gulf had looked on the day Jimmie and I had found ourselves trapped on the third sandbar off Galveston beach many years ago, the day Ida Durbin saved us from our own recklessness. The horizon was threaded with lightning, the air peppered with the smell of brine, the surf brown and frothy with sand sliding back from the beach. For just a moment it was 1958 again, and I thought perhaps if I turned my head fast enough I would see the glistening hard-candy surfaces of Chevy Bel Airs and chopped-down '32 and '39 Fords with Merc engines roaring down the highway, their Hollywood mufflers throbbing off the asphalt in the rain.

But it was not 1958 and I was a fool to keep holding on to memories about it. For good or bad, the present and the future lay right up the Mississippi River – a ninety-mile corridor called Toxic Alley. Its smokestacks and settling ponds told their own story. And maybe I had seen the reality of my own future back at central lockup. I had been inches away from a deviant who was arguably a child molester, an appellation that had now been attached to my name. I got back in the cruiser and shut the door.

"Ready to rock?" Helen said.

"Pour it on," I said.

But I got no peace the rest of the day. Back in New Iberia, the rain swept in sheets across the town and filled the gutters on Main with rivers of black water and dead insects. Molly and I ate supper in the kitchen while our window shutters rattled against their latches and the bayou rose above its banks into the trees.

"Want to go to the movies?" she said.

"Not this evening," I replied.

"I thought I'd take Miss Ellen. She doesn't get out much."

"That's fine. I'll read a bit."

"Did something happen today?"

"No, not at all. Just be a little careful."

"About what?"

"I can't put my hand on it. It's like the war. It's like seeing a guy out there in the elephant grass, then not seeing him," I said.

She squeezed my hand. "Don't scare me, Dave," she said.

After Molly picked up the elderly lady from next door and headed for the movie theater, I realized what it was that had bothered me all day. It wasn't the fact that a serial killer was in our midst or that I couldn't return to the year 1958 or the fact that Valentine Chalons had bested me at every turn. It was none of those things, even though they laid a certain degree of claim on me. The real problem was my last conversation with Koko Hebert. How had Koko put it? Something to the effect that when Val Chalons and his minions were finished with me, my name wouldn't be worth warm spit on the sidewalk. Then he had added, "You and your wife will be picking flypaper off your skin the rest of your lives."

That was it. The damage Val Chalons could do was endless. His kind planted lies in the popular mind, smeared people's names, destroyed lives, and floated above the fray while others did their dirty work for them. As their victim, you never got the opportunity to confront your accusers. You didn't get to walk out on a dirt street in nineteenth-century Arizona and empty a double-barrel twelve gauge into the Clanton gang. Instead, you and your family picked flypaper off your skin.

In the meantime, the predators would continue hunting on the game reserve. They'd transport crack, brown skag, and crystal meth down 1-49 and across I-10 and peddle it in the projects and on inner-city basketball courts and street corners, where teenage kids carried beepers and nine-Mikes and looked you straight in the eye when they explained why they had to do a drive-by on their own classmates.

The by-product was the whores. Sexual liberation and herpes and AIDS be damned, the demand was still there, as big as ever. But depressed times didn't produce the whores anymore. The dope did.

And guys like Lou Kale were there to help in any way they could.

Yes indeed, I thought, Lou Kale, now living regally in Lafayette, about to open an escort service.

Years ago, many street cops used to keep a second weapon they called a "drop" or a "throw-down." It was usually junk, foreign-made, pitted with rust, the grips cracked, sometimes without grips at all. The important element was the filed-off or acid-burned serial numbers. When the scene went south and a fleeing suspect turned out to be unarmed, the "throw-down" had a way of ending up under the body of a dead man.