James Burke - Crusader's Cross

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In the summer of 1958, Dave Robicheaux and his half-brother Jimmie are just out of high school. Jimmie and Dave get work with an oil company, laying out rubber cables in the bays and mosquito-infested swamps all along the Louisiana-Texas coastline. They spend their off time at Galveston Island, fishing at night on the jetties, the future kept safely at bay, the past drifting off somewhere behind them. But on the Fourth of July, change approaches in the form of Ida Durbin, a sweet-faced young woman with a lovely voice and a mandolin. Jimmie falls instantly in love with her. But Ida's not free to love – she's a prostitute, in hock to a brutal man called Kale, who won't let her go. Jimmie agrees to meet Ida at the bus depot, ready for the road to Mexico. But Ida never shows. Dave and Jimmie want to believe she skipped town, but they know, deep down, that Ida Durbin never got to leave. That was many years ago – before Dave Robicheaux began his long odyssey through bars and drunk tanks and skin joints of every stripe. Before the Philippines and Vietnam. Now, an older, well-worn Dave walks into Baptist Hospital to visit a man called Troy Bordelon, who wants to free himself of a dark secret before he dies. A bully and a sadist, he has a lot to confess to – but he chooses to talk about a young girl, a prostitute who he glimpsed briefly as a kid, bloodied and beaten, tied to a chair in his uncle's house. Dave realises he can't let the past go. Ida's killers are still out there. So he begins his journey into the past – back to the summer of 1958 and a girl called Ida Durbin.

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"Why is he called 'Little Blue'?" I asked.

"His daddy says the umbilical cord was wrapped around his throat when he was born. I think he has some brain damage. But he's a sweet little guy. Why'd you ask?" Sister Molly said.

"I was just curious." But my answer was not an honest one. The little boy did not look like his father, the black man named Andre Bergeron. He was light-skinned, with high cheekbones, and liquid brown eyes and jet-black straight hair. He looked like Honoria Chalons.

"You asked me yesterday about a woman named Ida -" Sister Molly began.

"Ida Durbin," I said.

"Yes. Did something happen to her?"

"I think she may have been murdered many years ago."

"Was she a prostitute?"

"How did you know?" I asked.

"I didn't. But you said the Chalonses would like to forget about her. I think the Chalonses have secrets. I think one of their secrets is their involvement with prostitution. So I should have spoken up when you asked about this Durbin woman."

"What do you know about the Chalonses and prostitution, Sister?"

"Call me Molly. I grew up in Port Arthur. My father was career army and a policeman. He always said the brothels in Galveston were owned by the Chalons and Giacano families. Raphael Chalons is infamous for his sexual behavior." She stopped, obviously conflicted with herself and her own motivations. "I don't feel very comfortable with any of this, Detective Robicheaux. I think I've said too much."

"Call me Dave."

The field fell into shadow and the wind came up and wrinkled the bayou and flattened the uncut wildflowers in the field. She removed her cap and blew a wisp of hair out of one eye. Her face looked dilated in the heat. There were beads of field dirt around her neck and a throbbing insect bite on one cheek. She reminded me of a countrywoman of years ago. In a way, she reminded me of my mother.

"I think you've done a lot for poor people in this area, Sister Molly. I think you and your friends are what the Church is all about," I said, realizing I still could not bring myself to call her by her first name.

Her eyes fastened on mine and her mouth parted slightly. "Thank you," she said.

The silent moment that followed was one neither of us had chosen. I looked out at the bayou and the Spanish moss straightening in the trees along the banks. She fitted her cap back on her head and took the keys out of the ignition for no reason, then tried to reinsert them in the slot. They dropped from her fingers into the uncut grass below the tractor.

"I'm all thumbs some days," she said.

I found the keys for her and placed them in her hand, my fingertips touching the graininess of her skin and the wetness in the cup of her palm. On the way back to New Iberia, I tried to keep an empty place in the center of my mind and not think the thoughts I was thinking.

Question: What can dumb and fearful people always be counted on to do?

Answer: To try to control and manipulate everyone in their environment.

Question: What is the tactic used by these same dumb people as they try to control others?

Answer: They lie.

That night I got a call from a man out of my past, an anachronism from a more primitive time by the name of Robert Cobb, also known as Bad Texas Bob. Years ago in Louisiana, when a convict escaped from a work camp, the state police always assigned the recapture to Bad Texas Bob. Bob's lifetime record was eight for eight, all DOA. He thrived on gunsmoke and blood splatter, and if he ever experienced remorse for his deeds, I never saw any indication of it.

There used to be an all-night café in New Orleans where cops of all kinds hung out. Pimps, wiseguys, junkies, and jackrollers knew to take their business up the street. One night an out-of-town black man walked in, laid a.38 inside a folded newspaper on the counter, and told the cashier to empty the register. Bad Texas Bob climbed out a side window, waited at the entrance for the stickup man to emerge, and blew his brains all over the glass panels of the revolving door.

Over the phone Bob's voice sounded like wet sand sliding through a drainpipe. "Hear you're working a cold case on a whore gone missing," he said.

"Yeah, something like that," I said.

"Galveston, about 1958 or '59?"

"You have some information for me, Bob?"

"Maybe. Galveston is where I started out. I'm having a couple of drinks in Broussard. Hey, guys like us were the real cops, weren't we?"

No, we weren't, I thought. But I had learned long ago not to argue with those who need to revise the past.

I drove on the old Lafayette highway to the little town of Broussard, crossed the train tracks, and parked in front of a low-roofed bar whose cracked windows were held together with silver tape and framed with Christmas tree lights. The interior was dark, the air refrigerated, the cigarette smoke curling through an exhaust fan in back. Bad Texas Bob was at the bar, hunkered over a shot glass and draft beer, wearing a gray suit, string tie, cowboy boots, and a short-brim Stetson canted on the side of his head.

He wore expensive jewelry, smoked gold-tipped, lavender cigarettes, and tried to affect an aura of contentment and prosperity. But the years had not been kind to Bob. His teeth were as long as a horse's, his face emaciated, the backs of his hands brown with liver spots. Bad Texas Bob was the nightmare that every cop fears he might become.

"You still in the Dr Pepper club?" he said.

"No other place will have me. How you been doing, Bob?"

"I do a little consulting work. I work part-time at the casino in Lake Charles. Billy Joe Pitts says you were interested in a whore by the name of -" He snapped his fingers at the air.

"Ida Durbin," I said.

He tossed back his whiskey and chased it with the draft beer, then wiped the salt from the beer glass off his mouth. "Yeah, that was her name. I knew her. What do you want to know?"

His eyes were level with mine – watery, iniquitous, harboring thoughts or memories of a kind you never want to guess at, the skin at the corners as wrinkled as a turtle's.

"What happened to her, Bob?" I said.

"Nothing, as far as I know. People who run cathouses don't kill their whores, if that's what you were thinking."

He pointed for the bartender to refill his shot glass. He seemed to be disconnected from our conversation now, but when I glanced at the bar mirror I saw his eyes looking back at me. "She had sandy hair, nice-looking, tall gal? I remember her. Didn't nothing happen to her. I would have knowed about it," he said.

But Bob's confidence level had slipped and he was talking too fast.

"Her pimp was named Lou Kale. Remember a lowlife by that name?" I said.

"I never worked Vice. I just used to see this little gal around the island, is all."

But I remembered another story connected to Bob and some of his colleagues, one I had always hoped was exaggerated or apocryphal, in the same way you hope that stories about pedophilia among the clergy or financial corruption in your own family are untrue.

A notorious Baton Rouge madam by the name of Vicki Rochon used to run a house specializing in oral sex. A fundamentalist Christian group was about to close her down when the local cops offered her a deal: Vicki and her girls could take a vacation in Panama City, then return to town in a couple of months and their business would not be interrupted again. No money was involved. Vicki became an invaluable snitch and personally provided free ones for the cops. As a bonus, her son, who was doing hard time in Angola's Camp J, was transferred to an honor farm. Bad Texas Bob became one of Vicki's most ardent free patrons.

"Thanks for passing on the information, Bob. But if I were you, I'd let your friend Pitts drown in his own shit. He's on a pad for the Chalons family. Did you know that?" I said.

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