John MacDonald - The Deep Blue Good-Bye

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When I first arrived at Ballantine, where I am the mass market managing editor, we were just undergoing a daunting task: repackaging all of John D. MacDonald's Travis McGee novels. We were giving him a brand-new, beautiful look; ingeniously, we used a deep blue color for THE DEEP BLUE GOOD-BY, a gold color for A DEADLY SHADE OF GOLD, a lavender hue for THE LONG LAVENDER LOOK, etc. But as I worked on the actual stories themselves, I realized that as colorful as these books now are on the outside, they're even more colorful on the inside. In order to prepare these books, we had to have them retyped from scratch; some of these books are so old that the plates had died, so we had nothing to print from. So all the books had to be proofread as if they were new books, and what a joy it was working on them. I unexpectedly rediscovered an author and character I knew very little about. Travis McGee is one of the great characters in crime fiction, and John D. MacDonald a fascinating storyteller. You never know what either is going to do next, or say next; what is going on in their minds is as important, if not more so, then what is going on outside Travis's boat. All of which add up to a heckuva fun series.
Mark Rifkin, Managing Editorial

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The flight took off with less than half the seats occupied. The whole country lay misty-bright, impersonal, under a summer high, and we went with the sun, making noon last a long time. The worst thing about having a hundred and eighty million people is looking down and seeing how much room there is for more.

A stewardess took a special and personal interest in me. She was a little bigger than they usually are and a little older than the norm. She was styled for abundant lactation, and her uniform blouse was not. She had a big white smile and she was mildly-bovine, and I had the curious feeling I had met her before, and then I remembered where-in that valuable book by Mark Harris, Bang the Drum Slowly, the stewardess that “Author” runs into when he is on his way out to Mayo’s. My stewardess perched on the edge of the seat beside me, back arched, smiling.

“ Houston is going to be wicked hot,” she said. “I am going to get me into that motel pool as fast as I can, and come out just long enough every once in a while to get a tall cold drink. Some of the kids just stay in the rooms, but I think they keep them too cold. It gives me the sinus. I layover there and go out at ten tomorrow, and somehow Houston is always a drag, you know?”

The mild misty blue eyes watched me and the mouth smiled and she waited for my move. You can run into the Tiger’s Perpetual Floating House Party almost anywhere. At 28,000 feet, and at the same 800 fps muzzle velocity of a.45 caliber service pistol. Nobody leaves marks on anybody. You meet indirectly, cling for a moment and glance off. Then she would be that hostess in Houston and I would be that tanned one from Florida, a small memory of chlorinated pool water, fruit juice and gin, steak raw in the middle, and hearty rhythms in the draperied twilight of the tomb-cool motel cubicle, riding the grounded flesh of the jet-stream Valkyrie. A harmless pleasure. For harmless plastic people, scruff-proof, who can create the delusion of romance.

But it is a common rudeness to refuse the appetizer without at least saying it looks delicious.

“I’d settle for Houston,” I said with a manufactured wistfulness. “But I’m ticketed through too Harlingen.”

The smile did not change and the eyes became slightly absent. She made some small talk and then swayed down the aisle, smiling, offering official services. Most of them find husbands, and some of them are burst or burned in lonely fields, and some of them become compulsively, forlornly promiscuous, sky sailors between the men in every port, victims of rapid transit, each night merely a long arc from bed to bed.

I saw her later in the Houston terminal, stilting along, laughing and chattering into the face of a big florid youngster in a nine-gallon hat.

I was in Harlingen at a little after five, the sun high and blazing, the heat as wet and thick as Florida ’s. I rented an air-conditioned Galaxie and found a tall glassy motel with green lawns, pool and fountains, and checked into a shadowed icy room facing the pool. I showered and changed to sport shirt and slacks. I drove around. it was a village trying to call itself a city. Pale tall buildings had been put up in unlikely places for obscure reasons. it was linked to Brownsville by the twenty-five mile umbilicus of Route 77.

The George Brell residence was at 18 Linden Way, Wentwood. Big plots, big sweeping curves of asphalt. Architectured houses, overhangs, patios, sprinklers, driveways wad turnarounds pebbled in brown, traveler palms, pepper trees, Mexican gardeners, housewives in shorts, antique wrought-iron name signs. Number eighteen was blond stone, glass, redwood, slate. Formal plantings. A black Lincoln and a white Triumph in the drive, a black poodle in a window of the house, glaring out at the world.

I went back among the common people and found a beer joint. Standard opening conversation gambit. “Sure hot.” Standard answer. “Sure is.”

The beer was so cold it had no taste. The juke played hill country laments. I found a talkative salesman. Local economy: Damned town had been too long at the mercy of the Air Force. Close the base, open the base, et cetera. Oranges and grapefruit were basic. Bad freeze year and everything goes to hell. Little winter tourist business building up pretty good. Padre Island and so forth. More transient traffic through into Mexico now the Mexicans fixed their damned road decent from Matamoros to Victoria. Quickest way from the States to Mexico City. He was talkative and cranky.

I got him onto local success stories, and when he got onto George Brell I kept him there. “Old George is into a lot of things. His wife had some groves, and now he’s got more. His first wife, dead now. God knows how many of these Beeg-Burger drive-ins he’s got now. A dozen. More. And the real estate business, and warehouse properties, and the little trucking business he’s started up.”

“He must be a smart man.”

“Well, let’s say George is a busy man. He keeps moving. They say he’s always in some kind of tax trouble, and he couldn’t raise a thousand dollars cash, but he lives big. And he talks big. He likes a lot of people around him all the time.”

“You said he married again?”

“Few years back. Hell of a good-looking girl, but I don’t think she’s more than maybe three years older than his oldest girl from his first wife. Built her a showplace house out in Wentwood Estates. Gerry, her name is.”

My salesman had to get on home, and after he had gone I went back to a booth and phoned George Brell. It was ten to seven. I got him on the line. He sounded emphatic. I said I wanted to see him on a personal matter. He became wary. I said that Bill Callowell had suggested he might be able to help me.

“Callowell? My old pilot? Mr. McGee, you come right on out to the house right now. We’re just sitting around drinking, and we’ll have one ready for you.”

I drove out. There were a half-dozen cars there. A house man let me in. Brell came hurrying to me to pump my hand. He was a trim-bodied man in his late forties, dark and handsome in a slightly vulpine way, and I suspected he wore a very expensive and inconspicuous hair piece. He looked the type to go bald early. He had a resonant voice and a slightly theatrical presence. He wore tailored twill ranch pants and a crisp white shirt with blue piping.

Within ten seconds we were Trav and George, and then he took me out to a glassed back deck where the people were. A dozen of them, seven men and five women, casually dressed, friendly, slightly high. As he made the introductions he managed to give me the impression that all the men worked for him and he was making them rich, and all the women were in love with him. And he made it known to them that I was a dear friend of one of the most influential road builders in the country, a man who had flown desperate missions with George Brell, and had survived only because George was along. His wife, Gerry, was a truly stunning blonde in her middle twenties, tall and gracious, but with eyes just a little cold to match a smile so warm and welcoming.

We sat around on the sling chairs and leather stools, and talked the dusk into night. Two batches left, cutting the group down to five. They made it unthinkable not to stay to dinner. The Brell’s, a young couple named Hingdon and me. A little while before dinner, Brell took Hingdon off to discuss some business matter with him. Mrs. Hingdon went to the bathroom. Gerry Brell excused herself and went to see how the preparation of dinner was coming.

I went wandering. A harmless diversion. It was a big rambling house, obviously furnished by a decorator who had worked with the architect. And they had not been in it long enough to add those touches that would spoil the effect. There was a room off the living room, a small room with lights on inside. I saw a painting on the far wall of the small room that looked interesting. I listened and there was no sound of voices from the small room. I thought Hingdon and Brell might have gone in there. So I wandered in for a closer look at the painting. Just as I reached the middle of the room I heard a gasp and a scuffling noise. I turned and saw there were two people on a deep low couch to the right of the doorway. The couch had high sides, and I had not noticed them.

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