James Burke - The Tin Roof Blowdown

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Tight plotting, Solid Finish
Because he’s a damn good writer James Lee Burke knows how to keep a plot going from start to finish with no loose ends or out-of-the-blue surprises that amateurishly attempt to explain and finish off a narrative. He easily weaves several ancillary situations into the story line of The Tin Roof Blowdown. These are of interest on their own, but more importantly they serve to expand and add often curious layers to the main show that centers around the eye of mayhem left behind by a pair of hurricanes.
I bring this up since I just finished reading a book by Jeffrey Deaver titled The Cold Moon. The bad guy, a most interesting sociopath called The Watchmaker who is a brilliant killer with machinations of Machiavellian stature, is the author of a poem about a cold moon, so one would suppose that he would figure prominently in the denouement of the novel. He doesn’t. Not at all. He escapes from the cops and vanishes from the book with nearly one-hundred pages left, obviously setting a not-so-subtle stage for a return in another Deaver effort. This strikes me as venal artifice by a writer who certainly has reached a point of financial and critical security where such shenanigans are unnecessary and beneath him.
None of this fakery for Burke. From the first book I read by him years ago, The Neon Rain to others that included Black Cherry Blues, The Lost Get-Back Boogie, Jolie Blon’s Bounce, and now this one, Burke has played it straight telling his stories and making sure loose ends are tied up when the last page is read. And like I said he can write.
I said he smiled. That’s not quite right. Jude shined the world on and slipped its worst punches and in a fight knew how to swallow his blood and never let people know he was hurt. He had his Jewish mother’s narrow eyes and chestnut hair, and he combed it straight back in a hum, like a character in a 1930s movie. Somehow he reassured others that the earth was a good place, that the day was a fine one, and that good things were about to happen to all of us.
Tight, succinct descriptions like the one above or similarly structured vignettes connect and in doing so glide the reader from scene to scene. None of this is as easy as Burke makes it look. That’s called skill. He’s got it in spades.
But this is to be expected of a man who’s written more than twenty-five novels, a man who divides his time between seemingly disparate locations – Missoula, Montana and New Iberia, Louisiana. Living in these two places seems to give him an expanded and sympathetic view of the world and those of us who bump and grind our way through it making his characters and their short comings easily assimilated, allowing the reader to experience sympathy and often empathy.
The setting of The Tin Roof Blowdown is largely post-apocalypse Louisiana following the devastation wrought by first Hurricane Katrina then Rita. The landscape has been reduced to a naturally nuked wasteland where murder, rape and theft are the order of the day perpetrated by both punks run amok and many cops. Iberia Parish Sheriff’s Detective Dave Robicheaux is deployed to New Orleans, the once grand city now reduced to a feudal state without electrical power, clean water, food or any sense of societal order. Bloated bodies – humans, cats, dogs – float in flooded streets or lie tangled in downed, shattered trees. In this chaos Robicheaux must locate two serial rapists, a morphine-addicted priest, and a vigilante who quite possibly is more dangerous than the thugs looting the city and shooting at rescue helicopters overhead. Based on past books, just another day at the office for Robicheaux. Burke’s got so much going on here that it would be easy for him to inadvertently confuse the reader, if not himself, beyond salvation allowing the book to devolve into a miasma of none-related tales – a rag-tag collection of short stories pretending to be a novel.
Again his skill and also confidence as a writer never allows this to happen. Not even close. Each section and chapter advances the drama logically and without undo cliff hangings. A good example is when a killer stalking the detective’s daughter is spotted outside a cabin.
Out among the willows, I saw the solitary fisherman lean down in his boat and pick up something from the bottom. He knocked his hat off his head to give himself better vision and raised the rifle to his shoulder. I could not make out the features of his face, but the moon had started to rise and I saw the light gleam on his bald head inside the shadows.
I was already out the screen door and running down the slope when he let off the first round.
So many mystery writers would then wander off for a chapter or several on another tangent leaving a person wondering what’s going on back at the bayou. Not Burke. He again displays his confidence by moving directly forward with the above scene in the next chapter. He knows that each element in his books can stand on its own and doesn’t need the tired device of leaving the reader up in the air for pages on end to maintain interest in the overall narrative arc.
And Burke slips in sharp, humorous observations on the human condition throughout the book like this one following an argument between Robicheaux and his wife, a former nun.
I just went outside and started the truck, my face hot, my ears ringing with the harshness of our exchange. The yard had fallen into shadow and cicadas were droning in the trees, like a bad headache that won’t go away. Just as I was backing into the street, regretting my words, trying to accept Molly’s anger and hurt feelings, she came out on the gallery and waved good-bye.
That’s what happens when you marry nuns.
For those who’ve not yet read Burke, The Tin Roof Blowdown is a great place to start. For those who are already fans of his, this mystery is merely one more top-notch effort by a most talented author.

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She stared thoughtfully into space. Nate Baxter’s career never recovered from that moment. He launched a vendetta against Helen through the departmental bureaucracy and as a consequence was always looked upon by his fellow officers as a malicious coward who couldn’t cut it on a level playing field.

We were on the bridge over the Mississippi now, the wide brown expanse swollen and breathtaking down below, an upside-down houseboat spinning in the current as it floated out from under the bridge. Helen tore the wrapper on a granola bar with her teeth and spit the paper out on the steering wheel.

“What’s bothering you?” I asked.

“Nothing,” she replied, one cheek tight with chunks of granola.

I didn’t pursue it. We came down the other side of the bridge, swinging out on an elevated exit ramp above flooded woods whose canopy was stripped of leaves and strung with trash.

“We’re supposed to coordinate with a half-dozen agencies down here, including NOPD. I say screw that,” she said. “I’m going to have a talk with all our people before we go in. We do our job and we maintain our own standards. That means we don’t shoot looters. Let the insurance companies take their own losses. But if somebody fires on us, we blow them out of their socks.”

She looked at my face. “What’s funny?” she asked.

“I wish I had still been with NOPD when you were there.”

“Want to elaborate on that?”

“No, ma’am, I really don’t,” I replied.

She bit down on her granola bar and gave me another look, then drove on into the city. None of us was quite ready for what we would see.

IT WASN’T THE miles of buildings stripped of their shingles and their windows caved in or the streets awash with floating trash or the live oaks that had been punched through people’s roofs. It was the literal powerlessness of the city that was overwhelming. The electric grid had been destroyed and the water pressure had died in every faucet in St. Bernard and Orleans parishes. The pumps that should have forced water out of the storm sewers were flooded themselves and totally useless. Gas mains burned underwater or sometimes burst flaming from the earth, filling the sky in seconds with hundreds of leaves singed off an ancient tree. The entire city, within one night, had been reduced to the technological level of the Middle Ages. But as we crossed under the elevated highway and headed toward the Convention Center, I saw one image that will never leave me and that will always remain emblematic of my experience in New Orleans, Louisiana, on Monday, August 29, in the year of Our Lord, 2005. The body of a fat black man was bobbing facedown against a piling. His dress clothes were puffed with air, his arms floating straight out from his sides. A dirty skim of yellow froth from our wake washed over his head. His body would remain there for at least three days.

Any semblance of order at the Convention Center was degenerating into chaos. The thousands of people who had sought shelter there had been told to bring their own food for five days. Many of them were from the projects or the poorest neighborhoods in the city and did not own automobiles and had little money or food at the end of the month. Many of them had brought elderly and sick people with them-diabetics, paraplegics, Alzheimer’s patients, and people in need of kidney dialysis. The sun was white overhead, the air hazy and glistening with humidity. The concrete apron outside the Center was teeming with people trying to find shade or potable water. Almost all of them were yelling angrily at police cars and media vehicles.

“You going to set up a command center here?” I said.

I could see Helen biting her lower lip, her hands clenching on the steering wheel. “No, they’ll tear us apart,” she said. “The streets in the Quarter are supposed to be dry. I’m going to swing down toward Jackson Square -”

“Stop!”

“What is it?”

“I just saw Clete Purcel. There, by the entrance.”

Helen rolled down the window and squinted into the haze. The gush of superheated air through the window felt like steam blowing from the back of a commercial laundry. “What’s Clete doing?” she said.

It took a moment for both of us to assimilate the scene taking place against the Convention Center wall. A huge, sunburned man, wearing filthy cream-colored slacks and a tropical shirt split at the shoulders, was trying to fit an inverted cardboard box over the body of an elderly white woman who was draped in a wheelchair. Her body was flaccid in death, and Clete could not get the box around her without knocking her out of the chair.

“Hang on, Helen,” I said, and got out of the cruiser before she could reply.

Out of the corner of my eye I saw her make a U-turn, pause briefly, and head toward the French Quarter, the rest of the caravan trailing behind her. But Helen was a good soul and she knew I would hook up with her soon, probably with Clete in tow. She also knew you don’t leave your friends behind, regardless of what the rest of the world is doing.

I held the old woman upright in the wheelchair while Clete covered her head and upper body with the box. Then I smelled an odor from her clothes that brought back memories of a distant war that I wanted to forget.

“You think that’s bad. Go inside the Center. All the plumbing is broken. There’re dead people piled in the corners. Street rats are shooting guns in there and raping anybody they want,” Clete said. “You got a spare piece?”

“No, where’s your hideaway?”

“Lost it on Royal, I think. A whole balcony came down on the street. I got hit with a flying flowerpot.” He wiped the sweat out of his eyes with the flat of his hand and stared out at the wreckage of the city and the looters sloshing through the streets, their arms loaded with whatever they could carry. “Who needs terrorists? Look at this shit, will you?”

FOR THOSE WHO do not like to brood upon the possibility of simian ancestry in the human gene pool or who genuinely believe that societal virtue grows from a collective impulse in the human breast, the events of the next few days would offer their sensibilities poor comfort. Helen had been worried she would have to give up command of her department to either NOPD or state or federal authorities. That was the least of our problems. There was no higher command than ourselves. The command structure and communication system of NOPD had been destroyed by the storm. Four hundred to five hundred officers, roughly one third of the department, had bagged ass for higher ground. The command center NOPD had set up in a building off Canal Street had flooded. Much to their credit, the duty officers didn’t give up their positions and wandered in chest-deep water outside their building for two days. They had no food and no drinking water, and many were forced to relieve themselves in their clothes, their handheld radios held aloft to keep them dry.

From a boat or any other elevated position, as far as the eye could see, New Orleans looked like a Caribbean city that had collapsed beneath the waves. The sun was merciless in the sky, the humidity like lines of ants crawling inside your clothes. The linear structure of a neighborhood could be recognized only by the green smudge of yard trees that cut the waterline and row upon row of rooftops dotted with people who perched on sloped shingles that scalded their hands.

The smell was like none I ever experienced. The water was chocolate-brown, the surface glistening with a blue-green sheen of oil and industrial chemicals. Raw feces and used toilet paper issued from broken sewer lines. The gray, throat-gagging odor of decomposition permeated not only the air but everything we touched. The bodies of dead animals, including deer, rolled in the wake of our rescue boats. And so did those of human beings, sometimes just a shoulder or an arm or the back of a head, suddenly surfacing, then sinking under the froth.

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