James Burke - The Tin Roof Blowdown

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Tight plotting, Solid Finish
Because he’s a damn good writer James Lee Burke knows how to keep a plot going from start to finish with no loose ends or out-of-the-blue surprises that amateurishly attempt to explain and finish off a narrative. He easily weaves several ancillary situations into the story line of The Tin Roof Blowdown. These are of interest on their own, but more importantly they serve to expand and add often curious layers to the main show that centers around the eye of mayhem left behind by a pair of hurricanes.
I bring this up since I just finished reading a book by Jeffrey Deaver titled The Cold Moon. The bad guy, a most interesting sociopath called The Watchmaker who is a brilliant killer with machinations of Machiavellian stature, is the author of a poem about a cold moon, so one would suppose that he would figure prominently in the denouement of the novel. He doesn’t. Not at all. He escapes from the cops and vanishes from the book with nearly one-hundred pages left, obviously setting a not-so-subtle stage for a return in another Deaver effort. This strikes me as venal artifice by a writer who certainly has reached a point of financial and critical security where such shenanigans are unnecessary and beneath him.
None of this fakery for Burke. From the first book I read by him years ago, The Neon Rain to others that included Black Cherry Blues, The Lost Get-Back Boogie, Jolie Blon’s Bounce, and now this one, Burke has played it straight telling his stories and making sure loose ends are tied up when the last page is read. And like I said he can write.
I said he smiled. That’s not quite right. Jude shined the world on and slipped its worst punches and in a fight knew how to swallow his blood and never let people know he was hurt. He had his Jewish mother’s narrow eyes and chestnut hair, and he combed it straight back in a hum, like a character in a 1930s movie. Somehow he reassured others that the earth was a good place, that the day was a fine one, and that good things were about to happen to all of us.
Tight, succinct descriptions like the one above or similarly structured vignettes connect and in doing so glide the reader from scene to scene. None of this is as easy as Burke makes it look. That’s called skill. He’s got it in spades.
But this is to be expected of a man who’s written more than twenty-five novels, a man who divides his time between seemingly disparate locations – Missoula, Montana and New Iberia, Louisiana. Living in these two places seems to give him an expanded and sympathetic view of the world and those of us who bump and grind our way through it making his characters and their short comings easily assimilated, allowing the reader to experience sympathy and often empathy.
The setting of The Tin Roof Blowdown is largely post-apocalypse Louisiana following the devastation wrought by first Hurricane Katrina then Rita. The landscape has been reduced to a naturally nuked wasteland where murder, rape and theft are the order of the day perpetrated by both punks run amok and many cops. Iberia Parish Sheriff’s Detective Dave Robicheaux is deployed to New Orleans, the once grand city now reduced to a feudal state without electrical power, clean water, food or any sense of societal order. Bloated bodies – humans, cats, dogs – float in flooded streets or lie tangled in downed, shattered trees. In this chaos Robicheaux must locate two serial rapists, a morphine-addicted priest, and a vigilante who quite possibly is more dangerous than the thugs looting the city and shooting at rescue helicopters overhead. Based on past books, just another day at the office for Robicheaux. Burke’s got so much going on here that it would be easy for him to inadvertently confuse the reader, if not himself, beyond salvation allowing the book to devolve into a miasma of none-related tales – a rag-tag collection of short stories pretending to be a novel.
Again his skill and also confidence as a writer never allows this to happen. Not even close. Each section and chapter advances the drama logically and without undo cliff hangings. A good example is when a killer stalking the detective’s daughter is spotted outside a cabin.
Out among the willows, I saw the solitary fisherman lean down in his boat and pick up something from the bottom. He knocked his hat off his head to give himself better vision and raised the rifle to his shoulder. I could not make out the features of his face, but the moon had started to rise and I saw the light gleam on his bald head inside the shadows.
I was already out the screen door and running down the slope when he let off the first round.
So many mystery writers would then wander off for a chapter or several on another tangent leaving a person wondering what’s going on back at the bayou. Not Burke. He again displays his confidence by moving directly forward with the above scene in the next chapter. He knows that each element in his books can stand on its own and doesn’t need the tired device of leaving the reader up in the air for pages on end to maintain interest in the overall narrative arc.
And Burke slips in sharp, humorous observations on the human condition throughout the book like this one following an argument between Robicheaux and his wife, a former nun.
I just went outside and started the truck, my face hot, my ears ringing with the harshness of our exchange. The yard had fallen into shadow and cicadas were droning in the trees, like a bad headache that won’t go away. Just as I was backing into the street, regretting my words, trying to accept Molly’s anger and hurt feelings, she came out on the gallery and waved good-bye.
That’s what happens when you marry nuns.
For those who’ve not yet read Burke, The Tin Roof Blowdown is a great place to start. For those who are already fans of his, this mystery is merely one more top-notch effort by a most talented author.

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I check my firearm at the entrance to the lockup area and ask the night jailer to bring Felix “Chula” Ramos to the interrogation room. When Chula arrives, his body is clinking with waist and leg chains. He is wearing only a pair of white boxer undershorts and they look strangely innocuous against his tattooed skin.

“Lose the restraints, Cap?”

The night jailer is old and has gin roses in his face. He is not interested in either the thespian behavior of others or saving them from themselves. “Holler on the gate,” he says.

Chula sits at the government-surplus metal table and takes my inventory, one hand relaxed on the tabletop. “I could rip out your throat. Before you could even beg, that fast,” he says, snapping his fingers.

I pinch the fatigue out of my eyes. “Your fall partner, what’s-his-name, Luis, is an ignoramus, but I think you’re even dumber than he is.”

The skin twitches under Chula’s left eye, as though an insect is walking across it. “Say that again?”

“You guys dissed me and the sheriff because you have outstanding federal warrants on you and you thought you’d be blowing Bumfuck for an upscale federal facility. It’s not going to happen.”

“You’re sending us to ’Gola, you’re saying?”

“Eventually, but right now we’re transferring you to Central Lockup in New Orleans. Notice I said ‘you,’ not ‘you all.’ Orleans Parish has warrants on both you guys. It’s chickenshit stuff, but we’ll be honoring the protocol and shipping you off before dawn.”

“The whole City is getting blown off the map. Who you kidding, man?”

“With luck the prisoners at Central Lockup won’t be deserted by the personnel. But who knows? The salaries of civil servants in Orleans Parish suck. Can you tread water in a flooded room full of other guys doing the same thing?”

“That ain’t funny, man.”

“The sheriff and I had a big laugh about y’all’s jackets. Your fall partner boosted a bank in Pennsylvania, but a dye marker exploded in the bag and queered all the bills. So your idiot of a friend took seventy-five thousand dollars in hot money to a coin laundry and washed the bills over and over until they were pink. Then he tried to buy a forty-thousand-dollar SUV with them. This lamebrain not only outsmarted you, he cluster-fucked you six ways from breakfast. You’re going to do double nickels at Angola, half of it for him. If you think I’m lying, call me after you go into lockdown with the Big Stripes. Know what the Midnight Special is up there? Think of a sweaty three-hundred-pound black dude driving a freight train up your ass.”

I wink at him. He stares at the opaque whiteness of the door, a shadow-filled crease forming across his brow. I can hear him breathing in the silence. A bolt of lightning crashes outside and the lights in the building flicker momentarily. “What you want, man?”

“You said your sister was in the sack with a junkie priest.”

Chapter 6

BY MIDMORNING NEWSCASTERS all over the country were announcing that Hurricane Katrina had changed direction and had dropped from a category 5 storm to a category 3 just before making landfall, devastating Gulfport but sparing the city that care forgot.

New Iberia ’s streets were clogged with traffic, as were those of every other town and city in southwest Louisiana, the Wal-Mart parking lot a coordination center for fundamentalist churches that unhesitatingly threw open their doors to anyone in need of help. But the sun was shining, the wind flecked with rain, the flowers blooming along East Main, more like spring than summer. We all took a breath, secure in our belief that we had faced the worst and that the warnings of the doomsayers had been undone by our collective faith.

But the newscasters were wrong and so were we. New Orleans ’s long night of the soul was just beginning.

During the night hurricane-force winds and a tidal surge had driven oceanic amounts of water up the Mississippi River Gulf Outlet, nicknamed the “Mr. Go” canal, all the way through St. Bernard Parish into Orleans Parish and the low-lying neighborhoods along the Intercoastal Canal. After sunrise, residents in the Lower Ninth Ward said they heard explosions under the levee that held back the waters of Lake Pontchartrain. Rumors quickly spread from house to house-either terrorists or racists were dynamiting the only barrier that prevented the entirety of the lake from drowning the mostly black population in the Lower Nine.

The rumors were of course false. The levees burst because they were structurally weak and had only a marginal chance of surviving a category 3 storm, much less one of category 5 strength. Every state emergency official knew this. The Army Corps of Engineers knew this. The National Hurricane Center in Miami knew this.

But apparently the United States Congress and the current administration in Washington, D.C., did not, since they had dramatically cut funding for repair of the levee system only a few months earlier.

I had been successful in obtaining the address of my friend the junkie priest, Jude LeBlanc, from one of the MS-13 gang members. But at 9:00 a.m. Monday all of my priorities were rearranged for me when Helen Soileau walked into my office, her shield already hung on a lanyard from her neck. “Throw your shit in a bucket, Pops. Half the department is being assigned to the Big Sleazy,” she said.

“What’s going on?”

“Take your choice,” she replied.

WE DIDN’T SEE the first large-scale wind damage until we were well east of Morgan City. The sugarcane was crushed flat in the fields, as though it had been steamrolled and matted into black dirt. Telephone poles were snapped in half, sections blown out of signboards, roofs ripped from stores in rural strip malls. The four-lane highway was patina-ed with leaves and gray mud from the flooded woods that lined each side of the roadway, and thousands of shrieking birds freckled the sky, as though they had no place to land. Helen was driving, her face somber, a dozen more departmental vehicles behind us, their flashers rippling with color. Some of the vehicles were towing boats that were packed to the gunwales with first-aid kits, gasoline-powered generators, donated food, clothing, and bottled water, all of it tarped down and swaying on bumper hitches.

Helen was an attractive, muscular woman whose intelligence and integrity I had always admired. She had started her career as a meter maid at the NOPD, in an era when a female officer had to pay hard dues among her male colleagues. The fact she didn’t try to hide her androgynous nature had made her a special target for several members of the department, in particular a plainclothes by the name of Nate Baxter, a degenerate and former vice cop I genuinely believed belonged in a soap dish.

One morning at roll call, just after a sniper had opened fire on pedestrians from a hotel rooftop in the Quarter, Nate took over from the watch commander and addressed all the uniformed patrol personnel in the room.

“I want every swinging dick out there on the firing line, in vests and with maximum ordnance,” he said. “We’ve got one agenda. That guy gets cooled out. Nobody else gets hurt, civilians or cops. Everybody clear on that?”

So far, so good.

Nate turned his gaze on Helen, the skin denting at the corner of his mouth. “Helen, can you tell us whether ‘swinging dick’ includes you in or leaves you out?” he said.

Several cops laughed. Helen was in the second row, bent forward, her eyes still fixed on the notepad that was propped on her thigh. There was a cough or two, then the room fell silent.

“Glad you brought up the subject of genitalia, Detective,” she said. “A couple of weeks ago a transvestite CI told me you made a few cross-dressers cop your stick in the backseat of a cruiser when you were in Vice. Back then, the transvestite was using the name Rachel. But actually Rachel is a man and his real name is Ralph. Ralph said you’d undergone penile enhancement. Since I don’t get to use the same restroom as the swinging dicks, I can’t really say if Ralph is lying or not. Maybe these other officers know.”

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