J. Robb - Glory in Death

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Glory in Death: краткое содержание, описание и аннотация

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'a perfect balance of suspense, futuristic police procedural and steamy romance…truly fine entertainment…sure to leave you hungering for more…' Publisher's Weekly
Glory in Death by J D Robb (better known as the highly successful Nora Roberts) is the second in her series featuring feisty police lieutenant Eve Dallas. It's set some 50 years in the future with a gun ban and genetic screening for criminal behaviour in place, but there are still plenty of crimes to solve and perpetrators to catch. Eve's investigation concerns the murder of two beautiful and successful women. Why is the first victim found alone in such a sleazy area? As a prosecutor, she must have sent many violent people to prison who could have wanted revenge, but there are many more suspects among her own family, her lover and even Eve's commander and his wife. Eve is a tough and uncompromising detective, driven to do her best for victims and bereaved. A woman without roots who has had to create herself from nothing, the one person she is close to is her lover, Roarke. Their sexual relationship is ardent and passionate, but Eve finds it hard to give her lover the commitment he wants; when he gives her an ultimatum and seems to be linked with both victims and an old scandal, she forces herself to concentrate on the investigation to the exclusion of everything else. Now Eve could be in danger herself as the motivation for the murders becomes clearer; re-finding her emotional balance, she also makes the breakthrough she needs professionally. Eve Dallas is an attractive and complex character, and the combination of an investigation involving the rich and powerful with the automatically programmed cars, androids and interstellar travel of mid-21st century living and an appealing heroine is a page-turning mix.

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All of it, she mused, quick, fast, and in a hurry.

As a matter of course, she ran the discs from the security gate at Channel 75. It wasn't possible to know if the killer had driven through them, parked a car on the station's lot, strolled over to wait for Nadine, sliced Louise by mistake, then driven off again.

An assailant could just as easily have cut across the property from Third on foot, just as Louise had intended to do. Gate security was to make sure that there were parking facilities for station employees and that guests weren't infringed upon by every frustrated driver looking for a place to stick his car or minishuttle off the street.

Eve reviewed the discs because it was a matter of routine, and because, she admitted to herself, she hoped Morse's story wouldn't gel. He'd have recognized Nadine's raincoat, and he'd have known her habit of cutting out for some solo time before the midnight broadcast.

There was nothing she'd have enjoyed more, on a basic, even primal personal level, than nailing his skinny butt to the wall.

And that's when she saw the sleek little two-passenger Italian model cruise like a shiny cat to the gate. She'd seen that car before, parked outside of the commander's home after the memorial service.

"Stop," she ordered, and the image on screen froze. "Enhance sector twenty-three through thirty, full screen." The machine clicked, then clunked, wobbling the image. With an impatient snarl, Eve smacked the screen with the heel of her hand, jarring it back on course. "Goddamn budget cuts," she muttered, and then her smile began, slow and savoring. "Well, well, Mr. Angelini."

She took a deep breath as David's face filled her screen. He looked impatient, she thought. Distracted. Nervous.

"What were you doing there?" she murmured, flicking her glance down to the digital time frozen at the bottom left corner. "At twenty-three oh two and five seconds?"

She leaned back in her chair, rifling through a drawer with one hand as she continued to study the screen. Absently, she bit into a candy bar that was going to pass for breakfast. She'd yet to go home.

"Hard copy," she ordered. "Then go back to original view and hard copy. " She waited patiently while her machine wheezed its way through the process. "Continue disc run, normal speed."

Nibbling on her breakfast, she watched the pricey sports car whiz past camera range. The image blinked. Channel 75 could afford the latest in motion-activated security cameras. Eleven minutes had passed on the counter when Morse's car approached.

"Interesting," she murmured. "Copy disc, transfer copy to file 47833-K, Kirski, Louise. Homicide. Cross reference to case file 47801-T, Towers, Cicely and 47815-M, Metcalf, Yvonne. Homicides."

Turning from the screen, she engaged her 'link. "Feeney."

"Dallas." He stuffed the last of a danish into his mouth. "I'm working on it. Christ, it's barely seven A. M."

"I know what time it is. I've got a sensitive matter here, Feeney."

"Hell." His already rumpled face grew more wrinkles. "I hate when you say that."

"I've got David Angelini on the gate security disc at Channel 75, coming in about ten minutes before Louise Kirski's body was discovered."

"Shit, shit, shit. Who's going to tell the commander?"

"I am – after I've had a talk with Angelini. I need you to cover for me, Feeney. I'm going to transmit what I've got, excluding Angelini. You take it in to the commander. Tell him I'm hooking a couple hours of personal time."

"Yeah, like he'll buy that one."

"Feeney, tell me I need some sleep. Tell me you'll report to the commander, and to go home and catch a couple hours of sleep."

Feeney heaved a long sigh. "Dallas, you need some sleep. I'll report to the commander. Go home and catch a couple hours."

"Now you can tell him you told me," she said, and flicked off.

***

Like routine police work, a cop's gut often paid off. Eve's told her that David Angelini would close himself in with family. Her first stop was the Angelini pied-a-terre, cozied in an affluent East Side neighborhood.

Here the brownstones had been constructed barely thirty years before, reproductions of those designed during the nineteenth, and destroyed during the dawn of the twenty-first when most of New York's infrastructure had failed. A large portion of New York's posher homes in this area had been condemned and razed. After much debate, this area had been rebuilt in the old tradition – a tradition only the very wealthy had been able to afford.

After a ten-minute search, Eve managed to find a spot among the expensive European and American cars. Overhead, a trio of private minishuttles jockeyed for air space, circling as they looked for a clear landing.

Apparently, public transportation wasn't high on the list in the neighborhood, and property was too dear to waste on garage facilities.

Still, New York was New York, and she locked the doors on her battered police issue before heading up the sidewalk. She watched a teenager skim by on an airboard. He took the opportunity to impress his small audience with a few complicated maneuvers, ending with a long, looping flip. Rather than disappoint him, Eve flashed him an appreciative grin.

"Nice moves."

"I got the groove," he claimed in a voice that was hovering between puberty and manhood with less security than he hovered over the sidewalk. "You board?"

"No. Too risky for me." When she continued to walk, he circled around her, pivoting on the board with quick footwork.

"I could show you some of the easy scoots in five minutes."

"I'll keep it in mind. You know who lives there, in twenty-one?"

"Twenty-one? Sure, Mr. Angelini. You're not one of his nibbles."

She stopped. "I'm not?"

"Come on." The boy cocked a grin, showing perfect teeth. "He goes for the dignified type. Older, too." He did a quick vertical rock, side to side. "You don't look like a domestic, either. Anyway, he mostly does the droid thing for that."

"Does he have a lot of nibbles?"

"Only seen a few around here. Always come up in a private car. Sometimes they'll stay till morning, but mostly not."

"And how would you know?"

He grinned, unabashed. "I live right over there." He pointed to a townhouse across the street. "I like to keep my eye on what's doing."

"Okay, why don't you tell me if anybody came around last night?"

He swiveled his board, spun. "How come?"

"'Cause I'm a cop."

His eyes widened as he studied her badge. "Wow. Decent. Hey, you think he popped his old lady? Gotta keep up with current events and shit for school."

"This isn't a quiz. Were you keeping your eye out last night? What's your name?"

"It's Barry. I was kind of hanging loose last night, watching some screen, listening to some tune. Supposed to be studying for this monster final in Comp Tech."

"Why aren't you in school today?"

"Hey, you're not with the Truant Division?" His grin turned a little nervous. "It's too early for class. Anyway, I got the three-day thing, E-school at home."

"Okay. Last night?"

"While I was hanging, I saw Mr. Angelini go out. About eight, I guess. Then, late, probably closing on midnight, this other dude, flash car pulls up. He didn't get out for awhile, just kinda sat there like he couldn't make up his mind."

Barry did a quick whirl-a-loop, dancing up the length of the board. "Then he went in. Walking funny. I figured he'd been dousing a few. Went right on in, so he knew the code. Didn't see Mr. Angelini come back. I was probably zeeing by then. You know, catching winks."

"Sleeping, yeah. I get it. Did you see anybody leave this morning?"

"Nope, but the flash car's still there."

"I see. Thanks."

"Hey." He scooted behind her. "Is being a cop a rocking thing?"

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