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J. Robb: Glory in Death

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J. Robb Glory in Death

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'a perfect balance of suspense, futuristic police procedural and steamy romance…truly fine entertainment…sure to leave you hungering for more…' Publisher's Weekly Glory in Death by J D Robb (better known as the highly successful Nora Roberts) is the second in her series featuring feisty police lieutenant Eve Dallas. It's set some 50 years in the future with a gun ban and genetic screening for criminal behaviour in place, but there are still plenty of crimes to solve and perpetrators to catch. Eve's investigation concerns the murder of two beautiful and successful women. Why is the first victim found alone in such a sleazy area? As a prosecutor, she must have sent many violent people to prison who could have wanted revenge, but there are many more suspects among her own family, her lover and even Eve's commander and his wife. Eve is a tough and uncompromising detective, driven to do her best for victims and bereaved. A woman without roots who has had to create herself from nothing, the one person she is close to is her lover, Roarke. Their sexual relationship is ardent and passionate, but Eve finds it hard to give her lover the commitment he wants; when he gives her an ultimatum and seems to be linked with both victims and an old scandal, she forces herself to concentrate on the investigation to the exclusion of everything else. Now Eve could be in danger herself as the motivation for the murders becomes clearer; re-finding her emotional balance, she also makes the breakthrough she needs professionally. Eve Dallas is an attractive and complex character, and the combination of an investigation involving the rich and powerful with the automatically programmed cars, androids and interstellar travel of mid-21st century living and an appealing heroine is a page-turning mix.

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J D Robb Glory in Death Eve Dallas and husband Roarke 2 CHAPTER ONE The - фото 1

J. D. Robb

Glory in Death

Eve Dallas and husband Roarke #2

CHAPTER ONE

The dead were her business. She lived with them, worked with them, studied them. She dreamed of them. And because that didn't seem to be enough, in some deep, secret chamber of her heart, she mourned for them.

A decade as a cop had toughened her, given her a cold, clinical, and often cynical eye toward death and its many causes. It made scenes such as the one she viewed now, on a rainy night on a dark street nasty with litter, almost too usual. But still, she felt.

Murder no longer shocked, but it continued to repel.

The woman had been lovely once. Long trails of her golden hair spread out like rays on the dirty sidewalk. Her eyes, wide and still with that distressed expression death often left in them, were a deep purple against cheeks bloodlessly white and wet with rain.

She'd worn an expensive suit, the same rich color as her eyes. The jacket was neatly buttoned in contrast to the jerked-up skirt that exposed her trim thighs. Jewels glittered on her fingers, at her ears, against the sleek lapel of the jacket. A leather bag with a gold clasp lay near her outstretched fingers.

Her throat had been viciously slashed.

Lieutenant Eve Dallas crouched down beside death and studied it carefully. The sights and scents were familiar, but each time, every time, there was something new. Both victim and killer left their own imprint, their own style, and made murder personal.

The scene had already been recorded. Police sensors and the more intimate touch of the privacy screen were in place to keep the curious barricaded and to preserve the murder site. Street traffic, such as it was in this area, had been diverted. Air traffic was light at this hour of the night and caused little distraction. The backbeat from the music of the sex club across the street thrummed busily in the air, punctuated by the occasional howl from the celebrants. The colored lights from its revolving sign pulsed against the screen, splashing garish colors over the victim's body.

Eve could have ordered it shut down for the night, but it seemed an unnecessary hassle. Even in 2058 with the gun ban, even though genetic testing often weeded out the more violent hereditary traits before they could bloom, murder happened. And it happened with enough regularity that the fun seekers across the street would be miffed at the idea of being moved along for such a minor inconvenience as death.

A uniform stood by continuing video and audio. Beside the screen a couple of forensics sweepers huddled against the driving rain and talked shop and sports. They hadn't bothered to look at the body yet, hadn't recognized her.

Was it worse, Eve wondered, and her eyes hardened as she watched the rain wash through blood, when you knew the victim?

She'd had only a professional relationship with Prosecuting Attorney Cicely Towers, but enough of one to have formed a strong opinion of a strong woman. A successful woman, Eve thought, a fighter, one who had pursued justice doggedly.

Had she been pursuing it here, in this miserable neighborhood?

With a sigh, Eve reached over and opened the elegant and expensive bag to corroborate her visual ID. " Cicely Towers," she said for the recorder. "Female, age forty-five, divorced. Resides twenty-one thirty-two East Eighty-third, number Sixty-one B. No robbery. Victim still wearing jewelry. Approximately…" She flipped through the wallet. "Twenty in hard bills, fifty credit tokens, six credit cards left at scene. No overt signs of struggle or sexual assault."

She looked back at the woman sprawled on the sidewalk. What the hell were you doing out here, Towers? she wondered. Here, away from the power center, away from your classy home address?

And dressed for business, she thought. Eve knew Cicely Towers 's authoritative wardrobe well, had admired it in court and at City Hall. Strong colors – always camera ready – coordinated accessories, always with a feminine touch.

Eve rose, rubbed absently at the wet knees of her jeans.

"Homicide," she said briefly. "Bag her."

***

It was no surprise to Eve that the media had caught the scent of murder and were already hunting it down before she'd reached the glossy building where Cicely Towers had lived. Several remotes and eager reporters were camped on the pristine sidewalk. The fact that it was three A. M. and raining buckets didn't deter them. In their eyes, Eve saw the wolf gleam. The story was the prey, ratings the trophy. She could ignore the cameras that swung in her direction, the questions shot out like stinging darts. She was almost used to the loss of her anonymity. The case she had investigated and closed during the past winter had catapulted her into the public eye. The case, she thought now as she aimed a steely glance at a reporter who had the nerve to block her path, and her relationship with Roarke.

The case had been murder. And violent death, however exciting, soon passed out of the public interest.

But Roarke was always news.

"What do you have, Lieutenant? Do you have a suspect? Is there a motive? Can you confirm that Prosecuting Attorney Towers was decapitated?"

Eve slowed her ground-eating stride briefly and swept her gaze over the huddle of soggy, feral-eyed reporters. She was wet, tired, and revolted, but she was careful. She'd learned that if you gave the media any part of yourself, it squeezed it, twisted it, and wrung it dry.

"The department has no comment at this time other than that the investigation into Prosecuting Attorney Towers 's death is proceeding."

"Are you in charge of the case?"

"I'm primary," she said shortly, then swung between the two uniforms guarding the entrance to the building.

The lobby was full of flowers: long banks and flows of fragrant, colorful blooms that made her think of spring in some exotic place – the island where she had spent three dazzling days with Roarke while she'd recovered from a bullet wound and exhaustion.

She didn't take time to smile over the memory, as she would have under other circumstances, but flashed her badge and moved across the terra-cotta tiles to the first elevator.

There were more uniforms inside. Two were behind the lobby desk handling the computerized security, others watched the entrance, still others stood by the elevator tubes. It was more manpower than necessary, but as PA, Towers had been one of their own. "Her apartment's secured?" Eve asked the closest cop. "Yes, sir. No one's been in or out since your call at oh two ten."

"I'll want copies of the security discs." She stepped into the elevator. "For the last twenty-four hours, to start." She glanced down at the name on his uniform. "I want a detail of six, for door-to-doors beginning at seven hundred, Biggs. Floor sixty-one," she ordered, and the elevator's clear doors closed silently.

She stepped out into the sixty-first's lush carpet and museum quiet. The halls were narrow, as they were in most multihabitation buildings erected within the last half century. The walls were a flawless creamy white with mirrors at rigid intervals to lend the illusion of space.

Space was no problem within the units, Eve mused. There were only three on the entire floor. She decoded the lock on 61-B using her Police and Security master card and stepped into quiet elegance.

Cicely Towers had done well for herself, Eve decided. And she liked to live well. As Eve took the pocket video from her field kit and clipped it onto her jacket, she scanned the living area. She recognized two paintings by a prominent twenty-first century artist hanging on the pale rose-toned wall above a wide U-shaped conversation area done in muted stripes of pinks and greens. It was her association with Roarke that had her identifying the paintings and the easy wealth in the simplicity of decor and selected pieces.

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