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Michael Connelly: The Black Ice

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Michael Connelly The Black Ice

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The corpse in the hotel room appears to be that of a missing LAPD narcotics officer. Rumours abound that he had crossed selling a new drug called Black Ice from Mexico and the LAPD brass are quick to declare his death aside. But Harry Bosch isn't so sure; prompted by odd, inexplicable details from the crime scene, and attraction to the widow, he begins his own investigation. An investigation that takes him over the border to Mexico and into a dangerous labyrinth of shifting identities and deadly corruption.

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“I need to go further up the ladder. Can you get me anything? I don’t have shit on this and it’s three weeks old. I’ve got to come up with something or drop it and move on.”

Moore was looking straight ahead at the bottles that lined the rear wall of the bar.

“Look, I’ll see what I can do,” he said. “But you gotta remember, we don’t spend time on black ice. Coke and dust, some reefer, that’s what we deal in day in and day out. Not the exotics. We’re a numbers squad, man. But I’ve got a connection at DEA. I’ll talk to him.”

Bosch looked at his watch. It was near midnight and he wanted to go. He watched Moore light a cigarette though he still had one burning in the crowded ashtray. Harry still had a full beer and shot in front of him but stood up and began digging in his pockets for money.

“Thanks, man,” he said. “See what you can do and let me know.”

“Sure,” Moore said. After a beat he said, “Hey, Bosch?”

“What?”

“I know about you. You know,… what’s been said around the station. I know you’ve been in the bucket. I wonder, did you ever come up against an IAD suit name of Chastain?”

Bosch thought a moment. John Chastain was one of the best. In IAD, complaints were classified at the end as sustained, unsustained or unfounded. He was known as “Sustained” Chastain.

“I’ve heard of him,” he said. “He’s a three, runs one of the tables.”

“Yeah, I know he’s a detective third grade. Shit, everybody knows that. What I mean is, did he… is he one of them that came after you?”

“No, it was always somebody else.”

Moore nodded. He reached over and took the shot that had been in front of Bosch. He emptied it, then said, “Chastain, from what you’ve heard, do you think he is good at what he does? Or is he just another suit with a shine on his ass?”

“I guess it depends on what you mean by good. But, no, I don’t think any of them are good. Job like that, they can’t be. But give ’em the chance, any one of them will burn you down and bag your ashes.”

Bosch was torn between wanting to ask what was going on and not wanting to step into it. Moore said nothing. He was giving Bosch the choice. Harry decided to keep out of it.

He said, “If they’ve got a hard-on for you, there isn’t much you can do. Call the union and get a lawyer. Do what he says and don’t give the suits anything you don’t have to.”

Moore nodded silently once more. Harry put down two twenty-dollar bills that he hoped would cover the tab and still leave something for the bartender. Then he walked out.

He never saw Moore again.


***

Bosch connected with the Antelope Valley Freeway and headed northeast. On the Sand Canyon overpass he looked across the freeway and saw a white TV van heading south. There was a large9 painted on its side. It meant Moore ’s wife would already know by the time Bosch arrived. And Bosch felt a slight twinge of guilt at that, mixed with relief that he would not be the one breaking the news.

The thought made him realize that he did not know the widow’s name. Irving had given him only an address, apparently assuming Bosch knew her name. As he turned off the freeway onto the Sierra Highway, he tried to recall the newspaper stories he had read during the week. They had carried her name.

But it didn’t come to him. He remembered that she was a teacher-an English teacher, he thought-at a high school in the Valley. He remembered that the reports said they had no children. And he remembered that she had been separated a few months from her husband. But the name, her name, eluded him.

He turned on to Del Prado, watched the numbers painted on the curbs and then finally pulled to a stop in front of the house that had once been Cal Moore’s home.

It was a common ranch-style home, the kind minted by the hundreds in the planned communities that fed the freeways to overflow each morning. It looked large, like maybe four bedrooms, and Bosch thought that was odd for a childless couple. Maybe there had been plans at one time.

The light above the front door was not on. No one was expected. No one was wanted. Still, in the moonlight and shadow, Bosch could see the front lawn and knew that the mower was at least a month past due. The tall grass surrounded the post of the white Ritenbaugh Realty sign that was planted near the sidewalk.

There were no cars in the driveway and the garage door was closed, its two windows dark empty sockets. A single dim light shone from behind the curtained picture window next to the front door. He wondered what she would be like and if she would feel guilt or anger. Or both.

He threw his cigarette into the street and then got out and stepped on it. Then he headed past the sad-looking For Sale sign to the door.

4

The mat on the porch below the front door saidWELCOME but it was worn and nobody had bothered to shake the dust off it in some time. Bosch noticed all of this because he kept his head down after knocking. He knew that looking at anything would be better than looking at this woman.

Her voice answered after his second knock.

“Go away. No comment.”

Bosch had to smile, thinking how he had used that one himself tonight.

“Hello, Mrs. Moore? I’m not a reporter. I’m with the L.A. police.”

The door came open a few inches and her face was there, backlit and hidden in shadow. Bosch could see the chain lock stretching across the opening. Harry was ready with his badge case already out and opened.

“Yes?”

“Mrs. Moore?”

“Yes?”

“I am Harry Bosch. Um, I’m a detective, LAPD. And I’ve been sent out-could I come in? I need… to ask you a few questions and inform you of some, uh, developments in-”

“You’re late. I’ve had Channel 4 and 5 and 9 already out here. When you knocked I figured you were somebody else. Two or seven. I can’t think who else.”

“Can I come in, Mrs. Moore?”

He put his badge wallet away. She closed the door and he heard the chain slide out of its track. The door came open and she signaled him in with her arm. He stepped into an entryway of rust-colored Mexican tile. There was a round mirror on the wall and he saw her in it, closing and locking the door. He saw she held tissue in one hand.

“Will this take long?” she asked.

He said no and she led him to the living room, where she took a seat on an overstuffed chair covered in brown leather. It looked very comfortable and it was next to the fireplace. She motioned him toward a couch that faced the fireplace. This was where the guests always sat. The fireplace had the glowing remnants of a dying fire. On the table next to where she sat he saw a box of tissues and a stack of papers. More like reports or maybe scripts; some were in plastic covers.

“Book reports,” she said, having noticed his gaze. “I assigned books to my students with the reports due before the Christmas vacation. It was going to be my first Christmas alone and I guess I wanted to make sure I had something to keep me busy.”

Bosch nodded. He looked around the rest of the room. In his job, he learned a lot about people from their rooms, the way they lived. Often the people could no longer tell him themselves. So he learned from his observations and believed that he was good at it.

The room in which they sat was sparse. Not much furniture. It didn’t look like a lot of entertaining of friends or family happened here. There was a large bookshelf at one end of the room that was filled by hardback novels and oversized art books. No TV. No sign of children. It was a place for quiet work or fireside talks.

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