Sue Grafton - A Is For Alibi

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"'Skilful and ingenious' Irish Times; 'I love Sue Grafton's Kinsey Millhone novels… you are never disappointed' Guardian; 'Will keep you awake until the last page has been turned' Daily Mail"
'My name is Kinsey Millhone. I'm a private investigator, licensed by the state of California. I'm thirty-two years old, twice divorced, no kids. The day before yesterday I killed someone and the fact weighs heavily on my mind…' When Laurence Fife was murdered, few cared. A slick divorce attorney with a reputation for ruthlessness, Fife was also rumoured to be a slippery ladies' man. Plenty of people in the picturesque Southern California town of Santa Teresa had reason to want him dead including, thought the cops, his young and beautiful wife, Nikki. With motive, access and opportunity, Nikki was their number one suspect and the Jury thought so too. Eight years later and out on parole, Nikki Fife hires Kinsey Millhone to find out who really killed her husband. But the trail has gone cold and there is a chilling twist even Kinsey didn't expect…"Skilful and ingenious". – "Irish Times". "I love Sue Grafton's Kinsey Millhone novels…you are never disappointed." – "Guardian". "Will keep you awake until the last page has been turned" – "Daily Mail".

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I jotted the number down dutifully, knowing I'd never call him but glad to get a fix on him anyway. I wanted to tell her not to mention my call but I didn't see how I could do it without tipping my hand. I just had to hope that Charlie wouldn't check in with her anytime soon. If she told him what I'd been asking about, he would know like a shot that I was on his tail and he wouldn't like that a bit.

I put in a call to Dolan at Homicide. He was out but I left a message, "important" underlined, that he should call me back when he got in. I tried Nikki at the beach and got her on the third ring.

"Hi, Nikki, it's me," I said. "Is everything okay?"

"Oh yeah. We're fine. I still haven't quite recovered from the shock of Gwen's death, but I don't know what to do about that. I never even knew the woman and it still seems a shame."

"Did you get any details from Dolan? I just tried to call him and he's out."

"Not a lot," she said. "He was awfully rude. Worse than I remember him and he wouldn't tell me much except the car that hit her was black."

"Black?" I said with disbelief. I was picturing Charlie's pale blue Mercedes and I'd fully expected some detail that would tie that in. "Are you sure?"

"That's what he said. I guess the detectives have been checking with the body shops and garages but so far nothing's turned up."

"That's odd," I said.

"Are you coming out for a drink? I'd love to hear what's going on."

"Maybe later. I'm trying to clean up a couple of loose ends. I'll tell you what else I need. Maybe you can answer this. Remember the letter I showed you that Laurence wrote…"

"Sure, the one to Libby Glass," she broke in quickly.

"Yeah, well I'm almost sure now that the letter was written to Elizabeth Napier instead.

"Who?"

"I'll fill you in on that later. I suspect that Elizabeth Napier was the one he got involved with when he was married to Gwen. Sharon Napier's mother."

"Oh, the scandal," she said, light breaking. "Oh sure, it could well be. He never would tell me much about that. Messy business. I know the story because Charlotte Mercer filled me in on that, but I was never really sure of the name. God, that would have been way back in Denver, just after his law-school days."

I hesitated. "Can you think who else would have known about that letter? Who could have had access to it? I mean, could Gwen?"

"I suppose so," she said. "Certainly Charlie would. He was working as a law clerk in the firm that represented the husband in that divorce and he lifted the letter from what I heard."

"He what?"

"Stole it. Oh I'm sure that's the one. Didn't I ever tell you the end of that? Charlie snitched the letter, just cleaned out all the evidence, and that's why they ended up settling out of court. She didn't do that well but at least it got Laurence off the hook."

"What happened to the letter? Could Charlie have kept the letter himself?"

"I don't know. I always assumed it had been destroyed but I guess he could have hung on to it. He never did get caught and I don't think the husband's attorney ever figured it out. You know how things disappear in offices. Probably some secretary got fired."

"Could Gwen have testified to any of this?"

"What am I, the district attorney's office?" she said with a laugh. "How do I know what Gwen knew?"

"Well, whatever it was, she's quiet now," I said.

"Oh," she said and I could tell her smile had faded fast. "Oh, I don't like that. That's a terrible thought."

"I'll tell you the rest when I see you. If I can get out there, I'll call first and make sure you're home."

"We'll be here. I take it you're making progress."

"Rapidly," I said.

Her good-byes were puzzled and mine were brief.

I hauled out my typewriter and committed everything I knew to paper in a lengthy and detailed report. Another piece had fallen into place. The night the storage bin was broken into, it was Charlie, not Lyle, who was planting the letter among Libby's belongings, hoping I'd find it, hoping he could shore up his own tale about Laurence Fife's "affair" with Libby Glass. Which probably also explained the key to her apartment that had been found on Laurence's key ring in the office. It wouldn't have been hard for Charlie to plant that one too. I typed on, feeling exhausted but determined to get it all down. In the back of my mind, I kept thinking of it as a safeguard, an insurance policy, but I wasn't sure what kind of coverage I needed. Maybe none. Maybe I didn't need protection, I thought. As it turned out, I was wrong.

CHAPTER 27

I finished my report and locked it in my desk drawer. I went out to the parking lot and retrieved my car, heading north toward Charlie's house on Missile Avenue. Two doors down from his place was a house called Tranquility for reasons unknown. I parked in front of it and walked back. Charlie's house was a two-story structure with a painted-yellow-shingle exterior and a dark shingled roof, a bay window in front, a long narrow driveway to the left. It was the sort of house that might appear in an establishing shot for a television family show, something that might come on at 8:00 P.m., everything looking regular and wholesome and suitable for kids. There was no sign of his car in the drive, no sign of occupants. I eased along the driveway toward the garage, looking back over my shoulder as I went. There weren't even any nosy neighbors peering out at me. When I reached the one-car garage, I went around to the side, cupping my hands so that I could peer into the window. It was empty: a woodworking bench along the back wall, old lawn furniture, dust. I looked around, wondering whose black car it was and why the cops hadn't gotten a line on it yet. If I could fill in that blank, then I'd have something to talk to Con Dolan about. I was going to have something concrete.

I walked back up the drive to my car and sat, a favorite occupation of mine. It was getting dark. I glanced at my watch. It was 6:45 and that startled me. I desperately longed for a glass of wine and I decided to drive on out to Nikki's. She had said she'd be home. I turned the car around, making an illegal U, and drove back down Missile to the freeway, heading north. I got off at La Cuesta, heading toward the beach by way of Horton Ravine, a large sprawling expanse of land that is known as "a luxury residential development." Horton Ravine once belonged to one family, but it is now divided into milliondollar parcels to accommodate the housing of the nouveau riche. In Santa Teresa, Montebello is considered "old" money, Horton Ravine the "new"-but nobody really takes the distinction seriously Rich is rich and we all know what that means. The roads through Horton Ravine are narrow and winding, overhung with trees, and the only difference I could see was that here, some houses are visible from the road whereas in Montebello, they are not. I came out at Ocean Way and swung left, the road running parallel now to the bluffs, with a number of elegant properties tucked into the selvage of land that lay between the road and the cliffs.

I passed John Powers's house, almost missing the place since I'd come at it before from the other direction. I caught a quick glimpse of the roof, which was almost level with the road I had a sudden thought and I slammed on the brakes, pulling over to the side. I sat for a moment, heart thudding with excitement. I turned the key off and stuck my little automatic in my jeans, taking the flashlight out of the glove compartment. I flicked it on. The light was good. There were very few streetlamps along this stretch and those I could see were ornamental, as dim and misty-looking as a lithograph, casting ineffectual circles of light that scarcely penetrated the dark. I got out of the car and locked it.

There were no sidewalks, just tangles of ivy along the road. The houses were widely spaced with wooded lots in between, ratcheting now with crickets and other night-singing insects. I walked back along the road to the Powers place. There were no houses at all across from it. No cars in either direction. I paused. There were no lights visible in the house. I headed down the driveway, shining the light in front of me. I wondered if Powers was still out of town, and if so where the dogs were. If Charlie was going to be up in Santa Maria for two days he wouldn't have left them unattended.

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