Sue Grafton - T Is For Trespass

I couldn’t persuade my mind to shut up. There was nothing I could do about any of it in the middle of the night, but I couldn’t let it go. Finally, I sank into some deep canyon of sleep. It was like slipping into a trough in the ocean’s floor, dark and silent, the weight of the water pinning me in place. I wasn’t even aware I’d fallen asleep until I heard the noise. My leaden senses registered the sound and invented a few quick stories to account for it. None of them made sense. My eyes popped open. What was that?

I checked the clock, as though noting the time would make a difference. 2:15. If I hear the cork pop from a champagne bottle, I automatically check the time in case it turns out to be a gunshot and I’ll be asked later to file a police report. Someone was riding a skateboard in front of the house; metal wheels on concrete, repeated clicks as the skateboard rolled across cracks in the sidewalk. Back and forth, the sound surging and receding. I listened, trying to determine how many skateboarders there were-only one as far as I could tell. I could hear the kid try kick flips, the board slamming down when he made it, clattering off when he missed. I thought about Gus railing at the two nine-year-olds on skateboards in December. He was at his crankiest back then, but at least he was on his feet. Despite his complaints and the nuisance calls he made, he was alive and vigorous. Now he was failing and no one else in the neighborhood was irritable enough to protest the racket outside. The board clacked and banged, off the curb, into the street, back up on the curb again, and down the sidewalk. This was getting on my nerves. Maybe I’d be the cranky neighbor from now on.

I pushed the covers aside and made my way across the carpeted loft in the dark. There was sufficient illumination from the Plexiglas skylight above that I could see where I was going. Barefoot, I went down the spiral stairs, my oversized T-shirt leaving my bare knees exposed. It was cold in the studio and I knew I’d need a coat if I went out to shake a fist as Gus would have. I went into the downstairs bathroom and stepped into the fiberglass tub and shower surround, with its window that looked out on the street. I’d left the light off so I could see out without the skateboarder knowing I was there. The sound seemed farther away-muted, but persistent. Then silence.

I waited, but heard nothing. I crossed my arms for warmth and peered out at the dark. The street was empty and remained so. Finally, I climbed the spiral stairs again and crawled back in my bed. It was 2:25 and my body heat had dissipated, leaving me shivering. I pulled the covers over my shoulders and waited to get warm. Next thing I knew, it was 6:00 A.M. and time for my morning run.

I started to feel more optimistic as I put away the miles. The beach, the damp air, the sun painting gauzy layers of color across the sky-everything suggested this would be a better day. When I reached the dolphin fountain at the foot of State, I took a left and headed toward town. Ten blocks later I made the turn and jogged back toward the beach. I didn’t wear a watch, but I could time my progress as I reached the ding-ding-dinging signal gates near the train station. The ground began to vibrate and I heard the train approach, its warning howl subdued in deference to the hour. Later in the day, when the passenger train came through, the horn would be loud enough to halt conversations up and down the beach.

As a self-appointed site foreman, I took the opportunity to peek through the wooden barrier surrounding the new Paramount Hotel pool. Much of the construction debris was gone, and it looked as though the plaster coat had been sprayed over the gunite. I could imagine the completed project: deck chairs in place, tables with market umbrellas protecting the hotel patrons from the sun. The image faded, replaced by my worries about Gus. I debated putting a call through to Melanie in New York. The situation was distressing and she’d blame me. For all I knew, Solana had already given her an annotated version of the story, appointing herself the good guy while I was the bad.

Once I reached home, I went through my usual morning routine, and at 8:00 I locked the studio and went out to my car. There was a black-and-white police cruiser parked at the curb directly across the street. A uniformed officer was deep in conversation with Solana Rojas. Both were looking in my direction. What now? My first thought was of Gus, but there was no ambulance and no fire department rescue vehicle on hand. Curious, I crossed the street. “Is there a problem?”

Solana glanced at the officer and then pointedly at me before she turned her back and moved away. I knew without being told that the two had been discussing me, but to what end?

“I’m Officer Pearce,” he said.

“Hi, how’re you? I’m Kinsey Millhone.” Neither of us offered to shake hands. I didn’t know what he was doing here, but it wasn’t to make friends.

Pearce wasn’t a beat officer I knew. He was tall, broadshouldered, maybe fifteen pounds overweight, with that staunch police presence that speaks of a well-trained professional. There was even something intimidating about the way his leather belt creaked when he moved.

“What’s going on?”

“Her car was vandalized.”

I followed his gaze, which had shifted to Solana’s convertible, parked two cars down from mine. Someone had taken a sharp instrument-a screwdriver or a chisel-and scratched the word DEAD in deep gouges on the driver’s-side door. The paint was stripped and the metal had been dented by the force of the tool.

“Oh, wow. When did that happen?”

“Some time between six o’clock last night when she parked the vehicle and six forty-five this morning. She caught a glimpse of someone passing the house and came out to check. Were you aware of any activity out here?”

Over his shoulder, I saw that the neighbor from across the street had come out in her robe to get the paper and she’d engaged Solana in much the same conversation I was having with the officer. I could tell from Solana’s gestures she was agitated. I said, “That was probably me she saw this morning. Weekdays, I jog up State, starting at six ten or so and returning thirty minutes later.”

“Anyone else out and about?”

“Not that I saw, but I did hear a skateboarder in the middle of the night, which seemed odd. It was two fifteen because I remember looking at the clock. Sounded like he was riding back and forth on the sidewalk, up the curb and down, some in the street. It went on so long I got up to take a look, but I didn’t see a soul. One of the other neighbors might have heard him.”

“One kid or more.”

“I’d say, one.”

“That’s your place?”

“The studio, yes. I rent from a gentleman named Henry Pitts, who occupies the main house. You can ask, but I don’t think he’ll be able to contribute much. His bedroom’s on the ground floor rear so he’s not subjected to the same street noises that I catch upstairs.” I was babbling, giving Pearce more information than he needed, but I couldn’t help myself.

“When you heard the skateboarder, you came out to the street?”

“Well, no. It was cold out and pitch dark so I stood in my downstairs bathroom and looked out the window. He was gone by then so I went back to bed. It’s not like I heard him gouging and bashing away out here.” I meant it as a bit of levity, but the look he turned on me was flat.

“You and your neighbor have a good relationship?”

“Solana and me? Uh, not really. I wouldn’t go that far.”

“You’re on the outs?”

“I guess you could put it that way.”

“And what’s that about?”

I waved the question aside, already at a loss for words. How was I supposed to summarize the weeks of covert cat-and-mouse we’d played. “Long story,” I said. “I’d be happy to explain, but it would take a while and it’s irrelevant.”