Sue Grafton - E Is for Evidence

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From Publishers Weekly
While private detective and former cop Kinsey Millhone ("D" Is for Deadbeat) is investigating a possible case of industrial arson involving a company owned by the family of a former schoolmate, someone tries to make it look as if she's on the take. A mysterious $5000 appears in her bank account. She sets out to clear herself, while two or possibly more cases of murder occur, including one by bombing. A Christmas spent alone and the reappearance of her second ex-husband, Daniel, who had deserted her, add to Kinsey's depression. Grafton has an accurate, wicked eye for California lifestyle and wise-cracking Kinsey is an appealing, nonhackneyed female detective. Particularly illuminating are the descriptions of document searches, which make up much of real detective work today. This fifth entry in the series, however, is not quite up to the standards of its predecessors because the motivation for the crimes seems weak. That caveat notwithstanding, readers will be glad that further letters of the alphabet await Grafton's imagination.

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I gathered up his guitar, the transmitter, and the tape recorder, shoving everything in the back seat of the car, and then I started cruising the neighborhood, looking for his Rent-A-Ruin. I live one block from the beach in an area made up of motels and vintage California bungalows. I started at Cabana Boulevard and circled each block, checking the cars at every motel, scanning the restaurant parking lots along the beach. There was no sign of him. He'd probably lied about where he was staying, along with everything else.

At 5:00, I finally gave up and went home. As usual, I was forced to park several doors away. The intense heat of day was yielding to balminess and it felt like we were in for a warm night ahead. The sun had begun to drop and the combination of January twilight and the summery temper-ature was disconcerting and set my teeth on edge. I was turning in at my gate when I picked up the smell. Dead dog, I thought. Something fetid and rotten. I looked back at the street, thinking I'd spot some poor flattened crea-ture on the pavement. Instead my attention was caught by the vehicle shrouded by the blue cotton car cover right out in front. I hesitated for a moment and then retraced my steps. The smell was stronger. Saliva began to collect invol-untarily on the floor of my mouth. I swallowed, tears well-ing briefly, a fear reaction of mine. Gingerly, I lifted the car cover, pulling it up off the hood so that I could peer in through the windshield.

I jerked my hand away, making one of those sounds that has no translation in human speech.

Leaning against the window on the passenger side was the bloated face of Lyda Case, eyes bulging, tongue as fat and round and dark as a parakeet's, protruding slightly beyond puffy darkened lips. A scarf gaily printed with a surfing motif was nearly buried in the swollen flesh of her neck. I pulled the cover back over the windshield and went straight to my phone where I dialed 911 and re-ported the body. My voice sounded low and emotionless, but my hands were shaking badly. The sight of Lyda's face still danced in the air, a vision of death, wed to the smell of putrescence. The dispatcher assured me someone was on the way.

I went back out to the street. I sat on the curb to wait for the cops, guarding Lyda's body like some old loyal pooch. I don't think four minutes had passed before the black-and-white came barreling around the corner. I got up and moved to the street, holding an arm up like a crossing guard.

The two uniformed police who emerged were famil-iar, Pettigrew and Gutierrez, male and female. I knew they'd seen worse than Lyda Case… what beat cop hasn't?… but there was something repellent about the spectacle of this death. It looked like she'd been positioned so as to maximize the horror. The message was for me… mockery and macabre arrogance, an escalation of the terms between this killer and me. I hadn't taken Olive's death personally. I'd felt the loss, but I didn't believe I'd been targeted in any way. My presence there when the bomb went off was purely circumstantial. This was differ-ent. This was aimed at me. Someone knew where I lived. Someone had made very special arrangements to get her here.

The next two hours were filled with police routine, comforting procedures, as formalized as a dance. All of the responsibility belonged to someone else. Lieutenant Do-lan appeared. I answered questions. The car turned out to be another rental, Hertz this time instead of Rent-A-Ruin. I'd first seen it this morning, as nearly as I could remem-ber. No, I'd never seen it before. No, I hadn't seen any strangers in the area. Yes, I knew who she was, but she hadn't been in touch. No, I had no idea when or why she'd come to town except that she'd told Terry Kohler she had information for him. Dolan had waited with us at the bird refuge so he knew she hadn't showed up. She was probably already dead by then, her flesh beginning to bake in the toaster oven of the locked car.

Out of the corner of my eye, I watched the medical examiner do his preliminary examination of the body. The car doors were hanging open, the neighborhood perfumed by the stink of the corpse. By that time it was fully dark and neighbors were giving the crime scene a wide berth, watching from porches all up and down the street. Some were still in work clothes. Many held handkerchiefs to their faces, filtering the smell. The police personnel work-ing directly with the body wore protective masks. Lights had been set up and the fingerprint technicians were go-ing over every inch of the dark-blue car with white pow-der and brushes. Door handles, windows, dash, steering wheel, steering column, plastic seat covers. Since the rental car was probably cleaned up between uses, there was a good chance that any prints lifted would be signifi-cant. Easy to match, at any rate.

Pettigrew had gone into my apartment to contact the Hertz manager by phone.

Lyda was zipped into a body bag. The gases that had collected under her skin made her look like she'd suddenly gained fifty pounds, and for a moment, grotesquely, I wor-ried she would burst. I got up abruptly and went inside. I poured myself a glass of wine and chugged it down like water. Officer Pettigrew finished his conversation and hung up the phone.

"I'm going in to take a shower if no one objects." I didn't wait for an answer. I grabbed a plastic garbage bag from the kitchen, closed myself into the bathroom and stripped, dropping every article of clothing, including my shoes, into the bag. I tied it shut and set it outside the bathroom door. I showered. I shampooed my hair. When I was done, I wrapped myself in a towel, searching my face in the mirror for reassurance. I couldn't shake the images. Lyda's features seemed to be superimposed on my own, the stench of her competing with the scent of shampoo and soap. Never had my own mortality seemed so immedi-ate. My ego recoiled, incapable of contemplating its own surcease. There's nothing so astonishing or insulting to a soul as the suggestion that a day might come when it would not "be." Thus springs religion with comforts I couldn't accept.

By 9:00 the neighborhood had cleared again. Several prints, including a partial palm, had been lifted from the car, which had then been towed to the impound lot. The Hertz manager had appeared on the scene and the finger-print technician had taken a set of his prints, as well as mine, for comparison. The crime-scene investigators would dust and vacuum the car like a crew of charwomen and then they'd begin the painstaking business of analyz-ing trace evidence.

In the meantime, I was too restless to stay at home. Any sense of refuge and safety I felt had been obliterated by the angle of Lyda's face, tilted so she seemed to be watching my gate. I hunched myself into a windbreaker and grabbed my handbag, depositing the sackful of fouled clothes in Henry's trash can on my way out. I cruised the neighborhood again, looking for Daniel's car, covering the same restaurant parking lots, the same motels. I still had his guitar in the back seat and I didn't think he'd skip out of town without retrieving it.

I hit pay dirt at the Beach View, which in fact only had a view of the backside of the adjacent motel. Daniel's ratty rented vehicle was parked in front of room 16, ground floor, rear. Parked beside it was a little red Alfa-Romeo convertible. Uneasily I turned to stare at it as I pulled in. I locked my car, pausing to check the glove compartment in the Alfa for the owner registration slip. Not surprisingly, the car belonged to Ashley Wood. My, my, my.

I knocked on Daniel's door. I could see that the lights were on, but there was a long wait. I was beginning to think they might have gone off somewhere on foot when the door opened and Daniel peered out. He was barefoot and shirtless, but he'd pulled on a pair of faded jeans. He looked slim-hipped and bronzed, his blond hair tousled as if he'd been asleep. His cheeks were flushed and the lines had been eased from around his eyes. He looked ten years younger, the haggard cast to his face magically erased. If he was surprised to see me, he gave no indication of it.

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