Sue Grafton - E Is for Evidence

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From Publishers Weekly
While private detective and former cop Kinsey Millhone ("D" Is for Deadbeat) is investigating a possible case of industrial arson involving a company owned by the family of a former schoolmate, someone tries to make it look as if she's on the take. A mysterious $5000 appears in her bank account. She sets out to clear herself, while two or possibly more cases of murder occur, including one by bombing. A Christmas spent alone and the reappearance of her second ex-husband, Daniel, who had deserted her, add to Kinsey's depression. Grafton has an accurate, wicked eye for California lifestyle and wise-cracking Kinsey is an appealing, nonhackneyed female detective. Particularly illuminating are the descriptions of document searches, which make up much of real detective work today. This fifth entry in the series, however, is not quite up to the standards of its predecessors because the motivation for the crimes seems weak. That caveat notwithstanding, readers will be glad that further letters of the alphabet await Grafton's imagination.

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The small all-band receiver I bought was about the size of a portable radio. While not truly all-band, it was sufficient to cover most bugging frequencies-30-50 MHz and 88-108 MHz. If the bug in his office was wired, I was going to have to find the wire myself, but if the bug was wireless, the receiver would start emitting a high-pitched squeal when it was within range.

I drove out to Colgate with my windows rolled down, parched air whipping through the interior of the VW like a convection oven. The weather forecaster on the car radio seemed as baffled as I was. It felt like August, asphalt shim-mering in the heat. January in Santa Teresa is usually our best month. Everything is green, flowers in full bloom, the temperatures in the low seventies, mild and pleasant. The time-and-temp sign on the bank building was showing 89 degrees and it wasn't yet noon.

I parked in front of Wood/Warren and went in. Lance came out of his office in a wilted shirt with the sleeves rolled up.

"Do we need to watch what we say once we go in there?" he asked, indicating the office door.

"I don't think so. Let's let 'em know we're hot on the trail. Maybe it'll shake 'em up."

Before we started work, I did a quick check of both interior and exterior office walls on the off-chance that someone had installed a spike mike, a small probe that can be inserted between the studs, or hidden in a hollow door, the door panel itself serving as a diaphragm to transmit sound. Lance's office was located in the right-front corner of the building. The construction on those two sides was block and fieldstone, which didn't lend itself to easy instal-lation. Somebody would have had to drill through solid rock. Inside, one office wall was contiguous with the recep-tion area, where the pickup unit would have been difficult to conceal. The fourth wall was clean.

Company employees watched the two of us incuri-ously as we moved through the preliminary phases of the search. If anyone was worried about surveillance equip-ment coming to light, there was no indication of it.

We went into the office. I examined the telephone first, taking the plate off the bottom, unscrewing the mouth and ear pieces. As far as I could tell, the instrument was clean.

"I take it it's not the phone," Lance said, watching me.

"Who knows? The bug might be downstream," I said. "I don't have any way to find out if somebody's tapped into the line at the pole. We'll have to operate on the premise that the bug's somewhere in the room. It's just a matter of coming up with it."

"What exactly are" we looking for?" Lance asked.

I shrugged. "Microphone, transmitter. If you're being spied on by the FBI or the CIA, we probably won't find anything. I'm assuming those guys are good. On the other hand, if your eavesdropper's an amateur, the device might be fairly crude."

"What's that thing?"

"My handy little all-band receiver," I said. "This should pick up any sound being transmitted by the bug in a feedback loop that'll result in a high-pitched squeal. We'll try this first, and if nothing comes to light, we'll take the office apart item by item."

I flipped the receiver on and began to work my way through the popular bugging frequencies, moving around the office like someone dowsing for water. Nothing.

I tucked the debugger in the outside pocket of my handbag and started searching in earnest, working my way around the periphery of the room, then toward the center in an imaginary grid pattern that covered every square foot.

Nothing.

I stood for a moment, perplexed, my eye traveling along the ceiling, down the walls, along the baseboard. Where was the sucker? I felt my attention tugged by the phone jack just to the right of the door. There was no telephone cord coming from it

"What's that?"

"What? Oh. I had the jack moved when I changed the office around. The telephone used to be over there."

I got down on my hands and knees and inspected the jack. It looked okay. I took out my screwdriver and popped off the cover. A small section of the baseboard had been cut away. Tucked into the space was a microcassette re-corder about the size of a deck of playing cards.

"Hello," I said. The tape gave a half-turn and stopped.

I moved the microsensor button away from the voice-activated setting and placed the recorder on his desk. Lance sank heavily into his swivel chair. He and I exchanged a long look.

"Why?" he said, baffled.

"I don't know. You tell me."

He shook his head. "I can't even think where to start. I don't have enemies as far as I know."

"Apparently you do. And it isn't just you. Hugh Case is dead and Terry would have been if he'd picked up that package instead of Olive. What do the three of you have in common?"

"Nothing, I swear. We're all connected to Wood/War-ren, but none of us even do the same kind of work. We make hydrogen furnaces. That's all we do. And Hugh died two years ago. Why then? If somebody wants control of the company, why kill off the key personnel?"

"Maybe that's not the motive. It could be something wholly unrelated to the work. Give it some thought. I'll talk to Terry and have him do the same. Maybe there's something you've overlooked."

"There must be," he said, his face florid with heat and tension. He pushed at the tape recorder with one finger. "Thanks for this."

"Be careful. There could be another one. Maybe this one was planted someplace obvious to distract us from the other." I picked up my handbag and started toward the door, pausing at the threshold. "Get in touch if you think of anything. And if you hear from Lyda Case, let me know."

As I passed through the reception area, I did a detour to the right. This was the office where the engineers had their drafting tables. John Salkowitz glanced up at me from the rough diagram he was working on. "Can I help you?" "Is Ava Daugherty here someplace?"

"She just left. She had some errands to run, but she should be right back."

I took out my business card and placed it on her desk. "Have her get in touch with me, if you would."

"Will do."

I was home again by 3:00, feeling hot and grimy from crawling the perimeter of Lance's office, peering under things. I let myself into my apartment and tossed my hand-bag on the couch. A piercing shriek started up and I jumped a foot, grabbing up my bag. I snatched the debug-ger out of the outside compartment and flipped the switch off. Jesus Christ, I'd scared myself to death! The silence was wonderful. I stood there, heart pounding, enjoying the air conditioning the sudden sweat had generated. I patted myself on the chest and blew out a big breath. I shook my head and moved into the kitchenette. I felt dry, longing for a beer. The apartment was as close and muggy as a sauna. I checked the refrigerator. I didn't even have a can of Diet Pepsi.

And then I paused, my head swiveling slowly toward the room behind me. I closed the refrigerator door and moved back to the couch. I picked up the debugger and flipped it on again, sweeping the room. The high-pitched squeal cut through the silence like a burglar alarm.

I crossed to the corner and stood there, looking down. I hunkered on my heels, running a hand carefully into the sound hole in Daniel's guitar. The tiny transmitter, no bigger than a matchbox, was affixed to the body of the instrument with tape. A chill started at the base of my spine and raced up my body. Daniel was somehow con-nected to the case.

21

It took me nearly two hours to find the voice-activated tape recorder which turned out to be hidden on the sun porch that formerly connected my converted garage apartment to the main house. I wasn't sure how Daniel had gotten in. Perhaps he'd picked the lock, as I would have in his place. The tape was new, which meant he must have been there fairly recently, pulling out the old tape, in-serting this one. I couldn't even remember what was going on when he had first appeared. It was appalling now to think of all the telephone conversations he must have picked up in the last few days. Even messages coming in on my answering machine would have been recorded and passed on, not to mention the lengthy discussion I'd had with him about the case itself. He'd been so interested, so astute in the questions he asked. I'd felt so gratified by his attention. Looking back, I could see that in his own way he'd tried to warn me. All that talk about what a liar he was. Had every word he said to me been false? I sat on my back step, turning the situation over in my mind. Who had put Daniel up to it? Lyda Case perhaps, or maybe Ebony. One or the other of them might have run into Daniel, the amoral, the promiscuous, bored and at loose ends, restless and sick of life. What difference would it make to him who he betrayed? He'd done me in before. One more time couldn't matter in the grand scheme of things. It was stag-gering to think of all the information that must have been passed down the line, just by listening in, just by assem-bling my end of telephone conversations. Maybe that's how Andy Motycka had figured out Darcy and I were onto him. Something had caused him to cut and run. Olive's death hadn't hit the papers until the day after he disap-peared. Had he known what was going to happen? I had to find Daniel.

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