Nora Roberts - Tribute

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Tribute: краткое содержание, описание и аннотация

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Virginia 's Shenandoah Valley is a long way from Hollywood. And that's exactly how Cilla McGowan wants it. Cilla, a former child star who has found more satisfying work as a restorer of old houses, has come to her grandmother's farmhouse, tools at her side, to rescue it from ruin. Sadly, no one was able to save her grandmother, the legendary Janet Hardy. An actress with a tumultuous life, Janet entertained glamorous guests and engaged in decadent affairs – but died of an overdose in this very house more than thirty years earlier. To this day, Janet haunts Cilla's dreams. And during waking hours, Cilla is haunted by her melodramatic, five-times-married mother, who carried on in the public spotlight and never gave her a chance at a normal childhood. By coming east, rolling up her sleeves, and rehabbing this wreck of a house, Cilla intends to find some kind of normalcy for herself.
Plunging into the project with gusto, she's almost too busy to notice her neighbor, graphic novelist Ford Sawyer – but his lanky form, green eyes, and easy, unflappable humor (not to mention his delightfully ugly dog, Spock) are hard to ignore. Determined not to perpetuate the family tradition of ill-fated romances, Cilla steels herself against Ford's quirky charm, but she can't help indulging in a little fantasy.
But love and a peaceful life may not be in the cards for Cilla. In the attic, she has found a cache of unsigned letters suggesting that Janet Hardy was pregnant when she died – and that the father was a local married man. Cilla can't help but wonder what really happened all those years ago. The mystery only deepens with a series of intimidating acts and a frightening, violent assault. And if Cilla and Ford are unable to sort out who is targeting her and why, she may – like her world-famous grandmother – be cut down in the prime of her life.

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Better, Cilla thought, to be alone on a quiet night than to be alone in a crowd. Much better.

She stepped back inside, closed and locked the door.

And let the house sigh around her.

THREE

Ford spent two full hours watching Cilla through his binoculars, sketching her from various angles. After all, the way she moved jump-started the concept every bit as much as the way she looked. The lines, the curves, the shape, the coloring-all part of it. But movement, that was key. Grace and athleticism. Not balletic, no, not that. More… the sort of grace of a sprinter. Strength and purpose rather than art and flow.

A warrior’s grace, he thought. Economical and deadly.

He wished he could get a look at her with her hair down and loose instead of pulled back in a tail. A good look at her arms would help and her legs. And hell, any other parts of her that might pop into view wouldn’t hurt his feelings any.

He’d Googled her, and studied several photographs, and he’d NetFlixed her movies, so he’d have those to study. But the last movie she’d done- I’m Watching,Too! -was about eight years old.

He wanted the woman, not the girl.

He already had the story line in his head, crammed in there and shoving to get out. He’d cheated the night before, taking a couple hours away from his latest Seeker novel to draft the outline. And maybe he was cheating just a little bit more today, but he wanted to do a couple of pencils, and he didn’t want to do those until he had more detailed sketches.

The trouble was, his model had too many damn clothes on.

“I’d really like to see her naked,” he said, and Spock gave a kind of smart-assed snort. “Not that way. Well, yeah, that way, too. Who wouldn’t? But I’m speaking professionally.”

There came growlings and groanings now, with Spock rolling to his side. “I am a professional. They pay me and everything, which is why I can buy your food.”

Spock snagged the small, mangled bear he carted around, rolled again and dropped it on Ford’s foot. Then began to dance hopefully in place. “We’ve been through this before. You’re responsible for feeding him.”

Ignoring the dog, Ford thought of Cilla again. He’d pay another “Hi, neighbor” call. See if he could talk her into posing for him.

Inside, he loaded up his sketch pad, his pencils, tucked in a copy of The Seeker: Vanished , then considered what he might have around the house to serve as a bribe.

He settled on a nice bottle of cabernet, shoved that into the bag, then started the hike across the road. Spock deserted the bear and scrambled up to follow.

SHE SAW HIM COMING as she hauled another load of trash and debris out to the Dumpster she’d rented. Inside the house she’d started piles of wood and trim she hoped to salvage. The rest? It had to go. Sentiment didn’t magically restore rotted wood.

Cilla tossed the pile, then set her gloved hands on her hips. What did her hot-looking neighbor and appealingly ugly dog want now?

He’d shaved, she noted. So the scruffy look might’ve been laziness rather than design. She preferred laziness. Over one shoulder he carried a large leather satchel, and as he came down her drive, he lifted a hand in a friendly greeting.

Spock sniffed around the Dumpster and seemed happy to lift his leg.

“Hey. You’ve had a lot going on here the last couple of days.”

“No point wasting time.”

His grin spread slow and easy. “Wasting time can be the point.” He glanced at the Dumpster. “Are you gutting the place?”

“Not entirely, but more than I’d hoped. Neglect takes longer to damage than deliberation, but it does the job just as well. Hello, Spock.” At the greeting the dog walked over, offered a paw. Okay, Cilla thought as they shook. Ugly but charming. “What can I do for you, Ford?”

“I’m working up to that. But first, I brought you this.” He dug into the satchel, came out with the bottle of red.

“That’s nice. Thanks.”

“And this.” He drew out the graphic novel. “A little reading material with your wine at the end of the day. It’s what I do.”

“Drink wine and read comic books?”

“Yeah, actually, but I meant I write them.”

“So my father told me, and I was being sarcastic.”

“I got that. I speak sarcasm, as well as many other languages. Do you ever read them?”

Funny guy, she thought, with his funny dog. “I crammed in a lot of Batman when they were casting Batgirl for the Clooney version. I lost out to Alicia Silverstone.”

“Probably just as well, the way that one turned out.”

Cilla cocked an eyebrow. “Let me repeat. George Clooney.”

Ford could only shake his head. “Michael Keaton was Batman. It’s all about the I’m-a-little-bit-crazy eyes. Plus they lost the operatic sense after the Keaton movies. And don’t get me started on Val Kilmer.”

“Okay. Anyway, I prepped for the audition by studying the previous movies-and yes, Keaton was fabulous-reading some of the comics, boning up on the mythology. I probably overprepped.”

She shrugged off what had been a major blow to her at sixteen. “You do your own art?”

“Yeah.” He studied her as she studied the cover. Look at that mouth, he thought, and the angle of her chin. His fingers itched for his pad and pencil. “I’m territorial and egotistical. Nobody can do it the way I do it, so nobody gets the chance.”

She flipped through as he spoke. “It’s a lot. I always think of comics as about twenty pages of bright colors and characters going BAM! ZAP! Your art’s strong and vivid, with a lot of dark edges.”

“The Seeker has a lot of dark edges. I’m finishing up a new one. It should be done in a few days. It would’ve been done today, probably, if you hadn’t distracted me.”

The wine tucked in the curve of her arm took on another level of weight. “How did I do that?”

“The way you look, the way you move. I’m not hitting on you on a personal level.” He slid his gaze down. “Yet,” he qualified. “It’s a professional tap. I’ve been trying to come up with a new character, the central for another series, apart from the Seeker. A woman-female power, vulnerabilities, viewpoints, problems. And the duality… Not important for today’s purposes,” he said. “You’re my woman.”

“I beg your pardon?”

“Dr. Cass Murphy, archaeologist, professor of same. Cool, quiet, solitary woman whose heart really lies in the field work. The discovery. Prodigy. Nobody gets too close to Cass. She’s all business. That’s the way she was raised. She’s emotionally repressed.”

“I’m emotionally repressed?”

“I don’t know yet, but she is. See.” He pulled out his sketchbook, flipped to a page. Angling her head, Cilla studied the drawing, studied herself if she wore conservative suits, sensible pumps and glasses.

“She looks boring.”

“She wants to look boring. She doesn’t want to be noticed. If people notice her, they might get in the way, and they might make her feel things she doesn’t want to feel. Even on a dig, she… See?”

“Hmm. Not boring but efficient and practical. Maybe subtly sexy, given the mannish cut of the shirt and pants. She’s more comfortable this way.”

“Exactly. You’ve got a knack for this.”

“I’ve read my share of storyboards. I don’t know your field, but I can’t see much of a story with this character.”

“Oh, Cass has layers,” he assured her. “We just have to uncover them the way she uncovers artifacts at a dig. The way she’ll uncover an ancient weapon and symbol of power when she’s trapped in a cave on a mythical island I have to create, after she discovers the dastardly plans of the billionaire backer of the project, who’s also an evil sorcerer.”

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