Nora Roberts - Tribute

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Tribute: краткое содержание, описание и аннотация

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Virginia 's Shenandoah Valley is a long way from Hollywood. And that's exactly how Cilla McGowan wants it. Cilla, a former child star who has found more satisfying work as a restorer of old houses, has come to her grandmother's farmhouse, tools at her side, to rescue it from ruin. Sadly, no one was able to save her grandmother, the legendary Janet Hardy. An actress with a tumultuous life, Janet entertained glamorous guests and engaged in decadent affairs – but died of an overdose in this very house more than thirty years earlier. To this day, Janet haunts Cilla's dreams. And during waking hours, Cilla is haunted by her melodramatic, five-times-married mother, who carried on in the public spotlight and never gave her a chance at a normal childhood. By coming east, rolling up her sleeves, and rehabbing this wreck of a house, Cilla intends to find some kind of normalcy for herself.
Plunging into the project with gusto, she's almost too busy to notice her neighbor, graphic novelist Ford Sawyer – but his lanky form, green eyes, and easy, unflappable humor (not to mention his delightfully ugly dog, Spock) are hard to ignore. Determined not to perpetuate the family tradition of ill-fated romances, Cilla steels herself against Ford's quirky charm, but she can't help indulging in a little fantasy.
But love and a peaceful life may not be in the cards for Cilla. In the attic, she has found a cache of unsigned letters suggesting that Janet Hardy was pregnant when she died – and that the father was a local married man. Cilla can't help but wonder what really happened all those years ago. The mystery only deepens with a series of intimidating acts and a frightening, violent assault. And if Cilla and Ford are unable to sort out who is targeting her and why, she may – like her world-famous grandmother – be cut down in the prime of her life.

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“It’s a nice spot you’ve got here.” The second cop pulled a glazed with sprinkles out of the box. “Heck of a bathroom up there on the second floor. My wife’s been wanting to update ours.”

“If you decide to, give me a call. Free consult.”

“Might do that. We’ll be going off shift pretty soon. Do you want us to call in and request another car?”

“I think we’ll be fine now. Thanks for looking out for me.”

Inside, she set up to finish her run of baseboard. By eight, the hive of activity buzzed. Grouting, drywall mudding, consults on driveway pavers and pond work. Turning her attention to the third bedroom, Cilla checked her closet measurements. As she removed the door, Matt stepped in.

“Cilla, I think you’d better take a look outside.”

“What? Is there a problem?”

“I guess you need to look, decide that for yourself.”

She propped the door against the wall, hustled after him. One look out the front window of the master bedroom had her gasping.

Six reporters had been a nuisance, and not unexpected. Sixty was a disaster.

“They just started showing up, kind of all at once,” Matt told her. “Kinda like there was a signal. Brian called me out, said some of them are yelling questions at his crew. Jesus, there’s TV cameras and everything.”

“Okay, okay, I need to think.” She had at least a dozen crew working between the house and the grounds. A dozen people she couldn’t possibly censor or control.

“There shouldn’t be this kind of interest in me being in a wreck, even with the circumstances. A few blips on the entertainment news maybe, reports locally. I need to make a call. Matt, if you could try to keep the men from talking to them, at least for now. I need a few minutes to…” She trailed off as the gleaming black limo streamed through her entrance.

“Man, look at that.”

“Yes, look at that,” Cilla echoed. She didn’t have to see Mario climb out of the back to know who’d arrived. Or why.

By the time Cilla reached the veranda, Bedelia Hardy stood under the supportive protection of her husband’s arm. She tilted her face out at the perfect angle, Cilla thought with burning resentment, so those long lenses could capture her poignant expression. She wore her hair loose so it shone in the sun over the linen jacket the same color as her eyes.

As Cilla let the screen door slam behind her, Dilly threw open her arms, keeping her body angled for the profile shots. “Baby!”

She came forward in rather spectacular Jimmy Choo sandals with three-inch heels. Trapped, Cilla walked down the steps in her work boots and into the maternal arms and clouds of Soir de Paris. Janet’s signature scent that had become her daughter’s.

“My baby, my baby.”

“You did this,” Cilla whispered in Dilly’s ear. “You leaked to the press you were coming.”

“Of course I did. All press is good press.” She leaned back, and through the amber lenses of Dilly’s sunglasses, Cilla saw the calculatedly misted eyes widen in genuine concern. “Oh, Cilla, your face. You said you weren’t hurt. Oh, Cilla .”

It was that, that moment of sincere shock and worry, Cilla supposed, that dulled the sharpest edge of resentment. “I got some bumps, that’s all.”

“What did the doctor say? Oh, that horrible man, that Hennessy. I remember him. Pinched-faced bastard. My God, Cilla, you’re hurt .”

“I’m fine.”

“Well, why don’t you at least put on some makeup? No time for that now, and it’s probably better this way. Let’s go. I’ve worked it all out. You’ll just follow my lead.”

“You sicced them on me, Mom. You know this is exactly what I didn’t want.”

“It’s not all about you, and what you want.” Dilly looked past Cilla to the house, then turned away. And again, Cilla saw genuine feeling. Pain. “It never has been. I need the column inches, the airtime. I need the exposure, and I’m going to take it. What happened, happened. Now you can let them keep pushing on that, on you, or you can help spin some of it, maybe most of it, around to me.

“Jesus! What is that?”

Cilla glanced down and saw Spock sitting patiently, paw out, big, bulbous eyes latched onto Dilly.

“That’s my neighbor’s dog. He wants you to shake.”

“He wants… Does it bite?”

“No. Just shake his paw, Mom. He’s decided you’re friendly because you hugged me.”

“All right.” She leaned over carefully and, to her credit, in Cilla’s mind, gave Spock’s paw a firm shake. Then smiled a little. “He’s so ugly, but in a weirdly sweet way. Shoo now.”

Dilly turned, her arm firm around Cilla’s waist, and flung out a hand to her husband. “Mario!”

He trotted up, took her hand, kissed it.

“We’re ready,” she told him.

“You look beautiful. Only a few minutes this time, darling. You shouldn’t be out in the sun too long.”

“Stay close.”

“Always.”

Clutching Cilla, Dilly began to move toward the entrance, toward the cameras.

“Great shoes,” Cilla complimented. “Poor choice for grass and gravel.”

“I know what- Who’s this? We can’t have reporters breaking ranks.”

“He’s not a reporter.” Cilla watched Ford shove through the lines. “Keep going,” she told him when he reached them. “You don’t want any part of this.”

“This would be your mother? It’s unexpected to meet you here, Miss Hardy.”

“Where else would I be when my daughter’s been hurt? The new love interest?” She scoped him head to toe. “I’ve heard a little about you. Not from you,” she said with a glance at Cilla. “We’ll have to talk. But now, just wait with Mario.”

“No. He’s no Mario, and he won’t be hanging back at heel like a trained lapdog. Don’t give them that, Ford.”

“I’m going to go in and get some coffee,” he decided. “Want me to call the cops while I’m at it?”

“No. But thanks.”

“Isn’t he all southern-fried and yummy,” Dilly commented as Ford continued toward the house. “Your taste’s improved.”

“I’m so angry with you now.” Indeed, the anger vibrated and pulsed inside her chest. “Be careful, very careful, what buttons you push.”

“You think this is easy for me, coming to this place? I’m doing what I need to do.” Dilly lifted her chin, the brave mother, supporting her injured child. Questions hurled out, but Dilly walked through them, a soldier stoically braving the front line.

“Please. Please.” She held up a hand, lifting her voice. “I understand your interest, and even on some level appreciate it. I know your viewers and your readers care, and that touches me. But you must understand that our family is, once again, going through a difficult time. And this is… painful. My daughter has been through a terrible experience. I’m here for her, as any mother would be.”

“Dilly! Dilly! When did you hear about Cilla’s accident?”

“She called me as soon as she was able. No matter how grown up, a child still wants her mother when she’s hurt. Even though she told me not to come, not to break off rehearsals for my cabaret act, not to expose myself to the grief and the memories this place holds for me, of course I came to her.”

“You haven’t been back, by your own statements, to this house since shortly after Janet Hardy’s suicide. How does it feel, being here now?”

“I can’t think of it. Not yet. My daughter is my only concern. Later, when we’ve had time to be together, in private, I’ll explore those feelings. My mother…” Her voice cracked, on cue. “My mother would want me to give my daughter, her granddaughter, all my energies.”

“Cilla, what are your plans? Will you open the house to the public? There’s speculation you hope to house memorabilia here.”

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