Nora Roberts - Tribute

“I will, thanks.”

After Brian tossed the toaster into the Dumpster, he shot a finger at Ford. “Later, Rembrandt.”

On a short laugh, Ford waved. “Around and about, Picasso.”

“Rembrandt?”

“Short story. Wait. Jesus.” After she’d handed him the envelope and started to push the wheelbarrow up the Dumpster’s ramp, Ford nudged her aside. “Flex your muscles all you want, but not while I’m standing here holding paper and guys are around.”

He shoved the envelope back at her, then rolled the wheelbarrow up to dump. “Brian and I could both draw, and somehow or other got into a sex-parts-and-positions drawing contest. We got busted passing sketches back and forth in study hall. Earned us both a three-day pass.”

“Pass to what?”

He looked down as he dumped. “Suspension. I guess you didn’t go to regular school.”

“Tutors. How old were you?”

“About fourteen. I got my ears burned all the way home when my mother picked me up, and got grounded for two weeks. Two weeks, and it was my first and last black mark in school. Talk about harsh. Hmm.”

“I bet they still have them,” she said when he rolled the barrow down again. “And future generations will find them in the attic.”

“You think? Well, they did show considerable promise and a very healthy imagination. Want to go for a ride?”

“A ride?”

“We can go get some dinner somewhere, catch a movie.”

“What’s playing?”

“Couldn’t say. I’m thinking of the movie as a vehicle for popcorn and necking.”

“Sounds good,” she decided. “You can put the wheelbarrow back in the barn while I wash up.”

WITH HER NEW WIRING APPROVED, Cilla watched Dobby and his grandson replaster the living room walls. Art came in many forms, she decided, and she’d found herself a pair of artists. It wouldn’t be quick, but boy, it would be right.

“You do fancy work, too?” she asked Dobby. “Medallions, trim?”

“Here and there. Not much call for it these days. You can buy pre-made cheaper, so most people do.”

“I’m not most people. Fancy work wouldn’t suit this area.” Hands on hips, she turned a circle in the drop-clothed, chewed-up living space.“But simple and interesting might. And could work in the master bedroom, the dining room. Nothing ornate,” she said, thinking out loud. “No winged cherubs or hanging grapes. Maybe a design. Something Celtic… that would address the McGowan and the Moloney branches.”

“Moloney?”

“What? Sorry.” Distracted, she glanced back at Dobby. “Moloney would have been my grandmother’s surname-except her mother changed it to Hamilton just after Janet was born, then the studio changed it to Hardy. Gertrude Moloney to Trudy Hamilton to Janet Hardy. They called her Trudy as a girl,” she added and thought of the letters.

“Is that so?” Dobby shook his head, dipped his trowel. “Pretty, old-fashioned name Trudy.”

“And not shiny enough for Hollywood, at least when she came up in it. She said in an interview once that no one ever called her Trudy again, once they’d settled on Janet. Not even her family. But sometimes she’d look at herself in the mirror and say hello to Trudy, just to remind herself. Anyway, if I came up with some designs, we could talk about working them in upstairs.”

“We sure could do that.”

"I’ll do some research. Maybe we could… Sorry,” she said when the phone in her pocket rang. She pulled it out, stifled a sigh when she saw her mother’s number on the display. "Sorry,” she repeated, then stepped outside to take the call.

“Hello, Mom.”

“Did you think I wouldn’t hear about it? Did you think I wouldn’t see?”

Cilla leaned against the veranda column, stared across the road at Ford’s pretty house. “I’m good, thanks. How are you?”

“You have no right to criticize me, to judge me. To blame me.”

“In what context?”

“Save your sarcasm, Cilla. You know exactly what I’m talking about.”

“I really don’t.” What was Ford doing? Cilla wondered. Was he writing? Drawing? Was he turning her into a warrior goddess? Someone who would face down evil instead of calculating how to stretch the budget to accommodate handcrafted plaster medallions, or handle a motherly snit long-distance.

“The article in the paper. About you, about the farm. About me. AP picked it up.”

“Did they? And that bothers you? It’s publicity.”

“‘McGowan’s goal is to restore and respect her neglected heritage. Speaking over the busy sounds of banging hammers and buzzing saws, she states: “My grandmother always spoke of the Little Farm with affection, and related that she was drawn to it from the first moment. The fact that she bought the house and land from my paternal great-grandfather adds another strong connection for me.” ’ ”

“I know what I said, Mom.”

“‘My purpose, you could even say my mission, is to pay tribute to my heritage, my roots here, by not only restoring the house and the land, but making them shine. And in such a way that respects their integrity, and the community.’”

“Sounds a little pompous,” Cilla commented. “But it’s accurate.”

“It goes on and on, a showcase during Janet Hardy’s visits for the luminaries of her day. A pastoral setting for her children, now peeling paint, rotted wood, overgrown gardens through a generation of neglect and disinterest as Janet Hardy’s daughter, Bedelia Hardy, attempted to fill her mother’s sparkling footsteps. How could you let them print that?”

“You know as well as I do you can’t control the press.”

“I don’t want you giving any more interviews.”

“And you should know you can’t control what I do, or don’t. Not anymore. Spin it, Mom. You know how. Grief kept you away, and so on. Whatever happy times you spent here were overshadowed, even smothered, by your mother’s death here. It’ll get you some sympathy and more press.”

The long pause told Cilla her mother was considering the angles. “How could I think of that place as anything but a tomb?”

“There you go.”

“It’s easier for you, it’s different for you. You never knew her. She’s just an image for you, a movie clip, a photograph. She was flesh and blood for me. She was my mother.”

“Okay.”

“It would be better, for everyone, if you vetted interviews with me or Mario. And I’d think any reporter who works for a legitimate paper would have contacted my people for a comment or quote. Be sure they do, next time.”

“You’re up early,” Cilla said by way of evading.

“I have rehearsals, costume fittings. I’m exhausted before I begin.”

“You’re a trouper. I wanted to ask you something. The last year or so, before Janet died, do you know who she was involved with?”

“Romantically? She could barely get out of bed by herself half the time in the first weeks after Johnnie. Or she’d bounce off the walls and demand people and parties. She’d cling to me one minute, and push me away the next. It scarred me, Cilla. I lost my brother and my mother so close together. And really, I lost them both the night Johnnie died.”

Because she believed that, if nothing else, that was deeply and painfully true, Cilla’s tone softened. “I know. I can’t imagine how terrible it was.”

“No one can. I was alone. Barely sixteen, and I had no one. She left me, Cilla. She chose to leave me. In that house you’re so determined to turn into a shrine.”

“That’s not what I’m doing. Who was she involved with, Mom? A secret affair, a married man. An affair that went south.”

“She had affairs. Why wouldn’t she? She was beautiful and vital, and she needed love.”