Nora Roberts - Tribute

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Tribute: краткое содержание, описание и аннотация

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Virginia 's Shenandoah Valley is a long way from Hollywood. And that's exactly how Cilla McGowan wants it. Cilla, a former child star who has found more satisfying work as a restorer of old houses, has come to her grandmother's farmhouse, tools at her side, to rescue it from ruin. Sadly, no one was able to save her grandmother, the legendary Janet Hardy. An actress with a tumultuous life, Janet entertained glamorous guests and engaged in decadent affairs – but died of an overdose in this very house more than thirty years earlier. To this day, Janet haunts Cilla's dreams. And during waking hours, Cilla is haunted by her melodramatic, five-times-married mother, who carried on in the public spotlight and never gave her a chance at a normal childhood. By coming east, rolling up her sleeves, and rehabbing this wreck of a house, Cilla intends to find some kind of normalcy for herself.
Plunging into the project with gusto, she's almost too busy to notice her neighbor, graphic novelist Ford Sawyer – but his lanky form, green eyes, and easy, unflappable humor (not to mention his delightfully ugly dog, Spock) are hard to ignore. Determined not to perpetuate the family tradition of ill-fated romances, Cilla steels herself against Ford's quirky charm, but she can't help indulging in a little fantasy.
But love and a peaceful life may not be in the cards for Cilla. In the attic, she has found a cache of unsigned letters suggesting that Janet Hardy was pregnant when she died – and that the father was a local married man. Cilla can't help but wonder what really happened all those years ago. The mystery only deepens with a series of intimidating acts and a frightening, violent assault. And if Cilla and Ford are unable to sort out who is targeting her and why, she may – like her world-famous grandmother – be cut down in the prime of her life.

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Boxes, chests, a scarred dresser, old furniture, old pole lamps with yellowed shades stood blanketed with dust. Dingy ghosts. Books, probably full of silverfish, and old record albums likely warped from decades of summer heat jammed an old open bookcase.

She’d come up here before, taken one wincing look, then had designated the attic to Someday.

But now.

Go through the junk, she thought, writing quickly. Sort the wheat from the chaff. Clean it up. Bring the stairwell and the stairs up to code. Enlarge window openings. Outdoor entrance-and that meant outdoor stairs, with maybe an atrium-style door. Insulate, sand and seal the rafters and leave them exposed. Wiring, heat and AC. Plumbing, too, because there was plenty of room for a half bath. Maybe skylights.

Oh boy, oh boy. She’d just added a ton to her budget.

But wouldn’t it be fun?

Sitting cross-legged on the dusty floor, she spent a happy hour drawing out various options and ideas.

How much of the stuff up here had been her great-grandfather’s? Had he, or his daughter or son, actually used the old white bowl and pitcher for washing up? Or sat and rocked a fretful baby in the spindly rocker?

Who read the books, listened to the music, hauled up the boxes in which she discovered a rat’s nest of Christmas lights with fat, old-fashioned colored bulbs?

Toss, donate or keep, she mused. She’d have to start piles. More boxes revealed more Christmas decorations, scraps of material she imagined someone had kept with the idea of sewing something out of them. She found three old toasters with cords frayed and possibly gnawed on by mice, broken porcelain lamps, chipped teacups. People saved the weirdest things.

She bumped up the mice quotient on discovering four traps, mercifully uninhabited. Curious, and since she was already filthy, she squatted down to pull out some of the books. Some might be salvageable.

Who read Zane Grey? she wondered. Who enjoyed Frank Yerby and Mary Stewart? She piled them up, dug out more. Steinbeck and Edgar Rice Burroughs, Dashiell Hammett and Laura Ingalls Wilder.

She started to pull out a copy of The Great Gatsby , and her fingers depressed the sides. Fearing the pages inside had simply deteriorated, she opened it carefully. Inside, in a depression framed by the raw edges of cut pages, sat a stack of letters tied with a faded red ribbon.

“Trudy Hamilton,” Cilla read. “Oh my God.”

She sat with the open book on her lap, her palms together as if in prayer, and her fingertips pressed to her lips. Letters to her grandmother, sent to a name Janet hadn’t used since childhood.

The address on the top envelope was a post office box in Malibu. And the postmark…

Reverently, Cilla lifted the stack, angled it toward the light.

“Front Royal, Virginia, January 1972.” A year and a half before she died, Cilla thought.

Love letters. What else could they be, tied with a ribbon, hidden away? A secret of a woman who’d been allowed precious few under the microscope of fame, and surely concealed by her own hands before, like Gatsby, she died young, tragically.

Romanticizing it, Cilla told herself. They could be chatty letters from an old friend, a distant relative.

But they weren’t. She knew they weren’t. Laying them back in the book, she closed it and carried it downstairs.

She showered first, knowing she didn’t dare handle the treasure she’d unearthed until she’d scrubbed off the attic dirt.

Scrubbed, dressed in flannel pants and a sweatshirt, her wet hair pulled back, she poured a glass of Ford’s wine. Standing in the hard fluorescent light-and boy, did that have to go-she sipped the wine, stared at the book.

The letters were hers now, Cilla had no qualms about that. Oh, her mother would disagree-and loudly. She’d weep about her loss, her right to anything that had been Janet’s. Then she’d sell them, auction them off as she had so many of Janet’s possessions over the years.

For posterity, Dilly would claim. For the public who adored her. But that was so much crap, Cilla thought. It would be for the money, and for the reflected glow of fame, the spread in People with photos of Dilly holding the stack of letters, her eyes sheened with tears, with inserts of her and Janet.

But she’d believe her own spin, Cilla thought. That was one of Dilly’s finest skills, as innate as her ability to call up those tear-sheened eyes on cue.

What should be done with them? Should they be hidden away again, returned to sender? Framed like a signed record and hung in the parlor?

“Have to read them first.”

Cilla blew out a breath, set the wine aside, then dragged a stool to the counter. With great care, she untied the faded ribbon, then slipped the top letter out of its envelope. The paper whispered as she unfolded it. Dark, clear handwriting filled two pages.

My Darling,

My heart beats faster knowing I have the right to call you that. My darling. What have I done in my life to earn such a precious gift? Every night I dream of you, of the sound of your voice, the scent of your skin, the taste of your mouth. I tremble inside as I remember the sheer glory of making love to you.

And every morning I wake, afraid it’s all just a dream. Did I imagine it, how we sat by the fire on that cold, clear night, talking as we had never talked before?

Only friends, as I knew what I felt for you, what I wanted with you, could never be. How could such a woman ever want someone like me? Then, then, did it happen? Did you come into my arms? Did your lips seek mine? Did we come together like madness while the fire burned and the music played? Was that the dream, my darling? If it was, I want to live in dreams forever.

My body aches for yours now that we are so far from each other. I long for your voice, but not only on the radio or the record player. I long for your face, but not only in photographs or on the movie screen. It’s you I want, the you inside. The beautiful, passionate, real woman I held in my arms that night, and the nights we were able to steal after.

Come to me soon, my darling. Come back to me and to our secret world where only you and I exist.

I send you all my love, all my longing in this new year.

I am now and forever,

Only Yours

Here? Cilla wondered, carefully folding the letter again. Had it been here in this house, in front of the fire? Had Janet found love and happiness in this house in the final eighteen months of her life? Or was it another fling, another of her brief encounters?

Cilla counted out the envelopes, noting they were all addressed the same way and by the same hand, though some of the postmarks varied. Forty-two letters, she thought, and the last postmarked only ten short days before Janet took her life in this house.

Fingers trembling a bit, she opened the last letter.

Only one page this time, she noted.

This stops now. The calls, the threats, the hysteria stop now. It’s over, Janet. The last time was a mistake, and will never be repeated. You must be mad, calling my home, speaking to my wife, but then I’ve seen the sickness in you time and time again. Understand me, I will not leave my wife, my family. I will not endanger all I’ve built, and my future, for you. You claim you love me, but what does a woman like you know about love? Your whole life is built on lies and illusions, and for a time I was seduced by them, by you. No longer.

If you are pregnant, as you claim, there’s no proof the responsibility is mine. Don’t threaten me again with exposure, or you will pay for it, I promise you.

Stay in Hollywood where your lies are currency. They’re worth nothing here. You are not wanted.

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