Nora Roberts - Tribute

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Tribute: краткое содержание, описание и аннотация

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Virginia 's Shenandoah Valley is a long way from Hollywood. And that's exactly how Cilla McGowan wants it. Cilla, a former child star who has found more satisfying work as a restorer of old houses, has come to her grandmother's farmhouse, tools at her side, to rescue it from ruin. Sadly, no one was able to save her grandmother, the legendary Janet Hardy. An actress with a tumultuous life, Janet entertained glamorous guests and engaged in decadent affairs – but died of an overdose in this very house more than thirty years earlier. To this day, Janet haunts Cilla's dreams. And during waking hours, Cilla is haunted by her melodramatic, five-times-married mother, who carried on in the public spotlight and never gave her a chance at a normal childhood. By coming east, rolling up her sleeves, and rehabbing this wreck of a house, Cilla intends to find some kind of normalcy for herself.
Plunging into the project with gusto, she's almost too busy to notice her neighbor, graphic novelist Ford Sawyer – but his lanky form, green eyes, and easy, unflappable humor (not to mention his delightfully ugly dog, Spock) are hard to ignore. Determined not to perpetuate the family tradition of ill-fated romances, Cilla steels herself against Ford's quirky charm, but she can't help indulging in a little fantasy.
But love and a peaceful life may not be in the cards for Cilla. In the attic, she has found a cache of unsigned letters suggesting that Janet Hardy was pregnant when she died – and that the father was a local married man. Cilla can't help but wonder what really happened all those years ago. The mystery only deepens with a series of intimidating acts and a frightening, violent assault. And if Cilla and Ford are unable to sort out who is targeting her and why, she may – like her world-famous grandmother – be cut down in the prime of her life.

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“I’m not Janet,” she stated, and tossed the remaining contents in her glass into Cathy’s face.

The action had Spock leaping up, the grumbling going to a snarl. As his head rammed against Cathy, Cilla grabbed for the bottle, saw herself smash it against Cathy’s head. But, impaired by the pills, she swung wide and barely grazed her temple.

It was enough to have Cathy tipping in the stool. Cilla lurched forward, shoved while the dog jumped against the teetering stool. The gun went off, plowing a bullet into the ceiling as the stool toppled.

Fight or flight. She feared she had little of either in her. As her knees buckled, she let herself fall on Cathy, raked her nails down Cathy’s face. The scream was satisfying, but more was the certainty that even if she died, they’d know. She had Cathy Morrow under her nails. She grabbed Cathy’s hair, yanked, twisted for good measure. Plenty of DNA, she thought vaguely as her vision dimmed at the edges. And Spock’s snarling barks went tinny in her ears.

She swung out blindly. She heard shouting, another scream. Another shot. And simply slid away.

FORD’S HEART SKIDDEDwhen he saw Cathy’s car in his drive. He wouldn’t be too late. He couldn’t be. He slammed to a stop behind the Volvo and ran halfway to his door before his instincts stopped him.

Not here. The farm. He spun around, began to run. It had to be at the farm. He cursed, as he’d cursed for miles, the fact that his phone sat on Brian’s bar.

When he heard the shot, the fear he thought he knew, the fear he thought he tasted, paled against a wild and mindless terror.

He threw himself against the door, shouting for Cilla as he heard Spock’s manic barks. Someone screamed like an animal. He flew into the kitchen. It flashed in front of him, etched itself forever in his memory.

Cilla sprawled over Cathy, fists flailing as if they were almost too heavy to lift. Cathy with blood running down her face, her eyes mad with pain and hate as Spock snapped and growled. The gun in her hand. Turning, turning toward Cilla.

He leaped, grabbing Cathy’s wrist with one hand, shoving Cilla clear with the other. He felt something, a quick bee sting at his biceps, before he wrenched the gun from Cathy’s hand.

“Ford! Thank God!” Cathy reached for him. “She went crazy. I don’t know what happened. I don’t know what she’s on. She had the gun, and I tried-”

“Shut up,” he said coldly, clearly. “If you move, I swear to God, for the first time in my life, I’ll hit a woman. Spock, knock it off! And I’ll make it count,” he told Cathy. “So shut the fuck up.” He aimed the gun at her as he edged toward Cilla. “Or I may do worse than knock you out. Cilla. Cilla.”

He checked for wounds, then lifted her eyelid as Spock bathed her face frantically with his tongue. “Wake up!” He slapped her, lightly at first. “Move one more inch,” he warned Cathy in a voice he barely recognized himself. “Just one more. Cilla!” He slapped her again, harder, and watched her lids flutter. “Sit up. Wake up.” One-handed, he pulled her up to sit. “I’m calling for an ambulance, and the cops. You’re all right. Do you hear me?”

“Seconal,” she managed, then braced herself with one hand. And shoved her fingers ruthlessly down her throat.

LATER, A LONG TIME LATER, Cilla sat under the blue umbrella. Spring had gone, and summer nearly, she thought. She’d be here when the leaves changed and burned across the mountains. And when the first snow of the season fell, and the last. She’d be here, she thought, in all the springs to come, and the seasons to follow.

She’d be home. With Ford. And with Spock. Her heroes.

“You’re still pale,” he said. “Lying down might be a better idea than fresh air.”

“You’re still pale,” she countered. “You were shot.”

He glanced down at his bandaged arm. “Grazed” was the more accurate word. “Yeah. Eventually, that’ll be cool. I got shot once, I’ll say, rushing in-just a little too late again-to save the love of my life before she saved herself.”

“You did save me. I’d lost it. I CSI’d her,” she added, wiggling her fingers. “But I was done. You and Spock-fierce doggie,” she murmured as she bent down to nuzzle him. “You saved my life. Now you have to keep it.”

He reached over, took her hand. “That’s the plan. I nearly went in the wrong house. That’s it, Cilla. No more two households for us. I nearly went to the wrong one. Then I would’ve been too late.”

“You figured it out, and you came for me. You can draw all the heroes you want. You’re mine.”

“Hero, goddess and superdog. We’re pretty lucky, you and me.”

“I guess we are. Ford, I’m so sorry, I’m so sorry for Brian.”

“We’ll help him get through it.” No question there, Ford thought, no choice. “We’ll find a way to help him get through it.”

“She carried that betrayal with her all these years. And couldn’t stand what I came here to do. In a way, this house was a symbol for both of us.” She studied it-her pretty home, the fresh paint, the windows glinting in the early morning sun.

“I needed to bring it back; she needed to watch it die. Every fresh board, every coat of paint, a slap in the face to her. The party? Can you imagine how that must have gnawed at her? Music and laughter, food and drink. And wedding talk. How could she stand it?”

“I knew them both all my life and never saw through it. So much for the writer’s power of observation.”

“They put it away. Locked it in a closet. She watched Janet die.” That still twisted in her heart. “She had it in her to watch. And she had it in her to put it away, to remake herself. To raise her family, to shop with her friends, to bake cookies and make the beds. And to drive by here, every once in a while, so she could let it out.”

“Like a pressure valve.”

“I’d say so. And I locked down the valve. My grandmother didn’t commit suicide. That’s going to be major news. Cameras, print, movie of the week-perhaps a major motion picture. More books, talk shows. Much.”

“I think I’ve got the picture by now. No warning necessary. Your grandmother didn’t commit suicide,” he repeated.

“No, she didn’t.” When her eyes filled, the tears felt like redemption. “She didn’t leave my mother, not in the way Mom always thought. She bought a lipstick-pink couch with white satin cushions. She grieved for a lost child and prepared for another.

“Not a saint,” Cilla continued. “She slept with another woman’s husband, and would have broken up his family without a qualm. Or much of one.”

“Cheating’s a two-way street. Tom betrayed his wife, his family. And even when he claimed he’d broken it off, he slept with Janet again. He had a pregnant wife and a child at home, and slept with the image-and refused to take responsibility for the consequences.”

“I wonder if it was the brutality of that last letter that snapped Janet’s feeling for him, had her come back, face him down with the facts. ’I’m pregnant, the baby’s yours, but we don’t want or need you.’”

She let out a breath. “I like to think so.”

“Plays, doesn’t it? Sure jibes with what Tom told me. Cathy took and destroyed the pregnancy results, but she didn’t know about the letters. She didn’t know about Gatsby .”

“Janet kept the letters, I think, to remind her that the child was conceived in at least the illusion of love. And to remind herself why it would belong to only her. I think, too, she made certain the farm couldn’t be sold because she wanted the child to have it one day. Johnnie was gone, and she knew my mother had no real ties to it. But she had another chance.

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