Lawrence Block - Hit Parade

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Hit Parade: краткое содержание, описание и аннотация

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The New York Times bestselling author and master of the modern mystery returns with a fierce and poignant new novel featuring his acclaimed killer-for-hire, Keller
John Keller is everyone's favorite hit man: a new kind of hero for a new, uncertain age. He's cool. Reliable. A real pro: the hit man's hit man. The inconvenient wife, the aging sports star, the business partner, the retiree with a substantial legacy. He's taken care of them all, quietly and efficiently.
Keller's got a code of honor, though he'd never call it that. And he keeps the job strictly business. "What happens is you wind up thinking of each subject not as a person to be killed but as a problem to be solved. Now there are guys doing this who cope with it by making it personal. They find a reason to hate the guy they have to kill. I don't know what's a sin and what isn't, or if one person deserves to go on living and another deserves to have his life ended. Sometimes I think about stuff like that, but as far as working it all out in my mind, well, I never seem to get anywhere."
But while Keller might be a pragmatic and crack assassin, he's also prone to doubts and loneliness just like everybody else. There was a psychotherapist once. A dog. Even a woman. And though he's got Dot, his wisecracking contact and sometimes confidante, and his precious stamp collection, these days, it doesn't seem to be enough.
Keller's been at this business a long while. Just maybe it's time to pack it in and find a nice little house in the desert. Only problem is, retirement takes money. And to get money, he's got to go to work…
Hit Parade, the third novel featuring the fascinating Keller, displays the hallmarks that distinguish Lawrence Block's award-winning fiction: the intelligence, the clever plotting, the humor, the tricky twists and ironic turns, the darkness and emotional complexity – and, above all else, the humanity.

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“Oh?”

“I’d better come in.”

There was a pause. “I’m not alone,” she said at length.

“I know.”

“But…”

“We’ve got a real problem here,” he said, “and it’s going to get a lot worse if you don’t open the door.”

30

It was almost threewhen he picked up the phone. He wasn’t sure how good an idea it was to use the Tannen telephone. The police, checking the phone records, would know the precise time the call was made. Of course it would in all likelihood be just one of many calls made from the Tannen apartment to the Augenblick household across the street, and in any event all it could do was tie the two sets of people together, and what difference could that make to him?

Evelyn Augenblick answered on the first ring.

“Paul,” he said. “Across the street.”

“Oh, God.”

“I think you should come over here.”

“Are you sure?”

“It’s all taken care of,” he said, “but there are some things I really need your input on.”

“Oh.”

“You don’t have to look at anything, if you don’t want to.”

“It’s done?”

“It’s done.”

“And they’re both…”

“Yes, both of them.”

“Oh, good,” she said. “I’ll be right over. But you’ve got the key.”

“Ring the bell,” he said. “I’ll buzz you in.”

It didn’t take her long. Time passed slowly in the Tannen apartment, but it was only ten minutes before the bell sounded. He poked the buzzer to unlock the door downstairs, and waited for her in the hallway while she climbed four flights of stairs. She was breathing hard from the effort, and the sight of her husband and her friend did nothing to calm her down.

“Oh, this is perfect,” she said. “ Myra ’s in her nightgown, sprawled on her back, with two bulletholes in her chest. And George-he’s barefoot, and wearing his pants but no shirt. The gun’s still in his hand. What did you do, stick the gun in his mouth and pull the trigger? That’s wonderful, it blew the whole back of his head off.”

“Well, not quite, but-”

“But close enough. God, you really did it. They’re both gone, I’ll never have to look at either one of them again. And this is the way I get to remember them, and that’s just perfect. You’re a genius for thinking of this, getting me to see them like this. But…”

“But what?”

“Well, I’m not complaining, but why did you want me to come over here?”

“I thought it might be exciting.”

“It is, but-”

“I thought maybe you could take off all your clothes.”

Her jaw dropped. “My God,” she said, “and here I thought I was kinky. Paul, I never even thought you were interested.”

“Well, I am now.”

“So it’s exciting for you, too. And you want me to take my clothes off? Well, why not?”

She made a rather elaborate striptease of it, which was a waste of time as far as he was concerned, but it didn’t take her too long. When she was naked he picked up her husband’s gun, muffled it with the same throw pillow he’d used earlier, and shot her twice in the chest. Then he put the gun back in her husband’s hand and got out of there.

It was hardto believe that they charged two dollars for a Good Humor. Keller wasn’t positive, but it seemed to him he could remember paying fifteen or twenty cents for one. Of course that had been many years ago, and everything had been cheaper way back when, and cost more nowadays.

But you really noticed it when it involved something you hadn’t bought in years, and a Good Humor, ice cream on a stick, was not something he’d often felt a longing for. Now, though, walking in the park, he’d seen a vendor, and the urge for a chocolate-coated ice cream bar, with a firm chocolate center and assorted gook embedded in the chocolate coating, was well nigh irresistible. He’d paid the two dollars-he probably would have paid ten dollars just then, if he’d had to-and went over to sit on a bench and enjoy his Good Humor.

If only.

Because he couldn’t really characterize his own humor as particularly good, or even neutral. He was, in fact, in a fairly dismal mood, and he wasn’t sure what to do about it. There were things he liked about his work, but its immediate aftermath had never been one of them; whatever feeling of satisfaction came from a job well done was mitigated by the bad feeling brought about by the job’s nature. He’d just killed three people, and two of them had been his clients. That wasn’t the way things were supposed to go.

But what choice had he had? Both of the women had met him and seen his face, and one of them had tracked him to his apartment. He could leave them alive, but then he’d have to relocate to Chicago; it just wouldn’t be safe to stay in New York, where there’d be all too great a chance of running into one or the other of them.

Even if he didn’t, sooner or later one or the other would talk. They were amateurs, and if he did just what he was supposed to do originally-send Fluffy to that great dog run in the sky-either Evelyn or Myra would have an extra drink one night and delight in telling her friends how she’d managed to solve a problem in a sensible Sopranos-style way.

And of course if he executed the extra commission from one of them by killing the other, well, sooner or later the cops would talk to the survivor, who would hold out for about five minutes before spilling everything she knew. He’d have to kill Myra, because she’d followed him home and thus knew more than Evelyn, and that’s what he’d done, thinking he might be able to leave it at that, but with George dead the cops would go straight to Evelyn, and…

He had to do all three of them. Period, end of story.

And the way he left things, the cops wouldn’t really have any reason to look much further. A domestic triangle, all three participants dead, all shot with the same gun, with nitrate particles in the shooter’s hand and the last bullet fired through the roof of his mouth and into his brain. (And, as Evelyn had observed with delight, out the back of his skull.) It’d make tabloid headlines, but there was no reason for anyone to go looking for a mystery man from Chicago or anywhere else.

Usually, after he’d finished a piece of work, the next order of business was for him to go home. Whether he drove or flew or took a train, he’d thus be putting some substantial physical distance between himself and what he’d just done. That, plus the mental tricks he used to distance himself from the job, made it easier to turn the page and get on with his life.

Walking across the park wasn’t quite the same thing.

He centered his attention on his Good Humor. The sweetness helped, no question about it. Took the sourness right out of his system. The sweetness, the creaminess, the tang of the chocolate center that remained after the last of the ice cream was gone-it was all just right, and he couldn’t believe he’d resented paying two dollars for it. It would have been a bargain at five dollars, he decided, and an acceptable luxury at ten. It was gone now, but…

Well, couldn’t he have another?

The only reason not to, he decided, was that it wasn’t the sort of thing a person did. You didn’t buy one ice cream bar and follow it with another. But why not? He wouldn’t miss the two dollars, and weight had never been a problem for him, nor was there any particular reason for him to watch his intake of fat or sugar or chocolate. So?

He found the vendor, handed him a pair of singles. “Think I’ll have another,” he said, and the vendor, who may or may not have spoken English, took his money and gave him his ice cream bar.

He was just finishing the second Good Humor when the woman showed up. Aida Cuppering walked briskly along the path, wearing her usual outfit and flanked by her usual companion. She stopped a few yards from Keller’s bench, but Fluffy strained at his leash, making a sound that was sort of an angry whimper. Keller looked in the direction the dog was pointing, and fifty yards or so up the path he saw what Fluffy saw, a Jack Russell terrier who was lifting a leg at the base of a tree.

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