Sue Grafton - N Is For Noose

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Amazon.com Review
"Suppose we could peer through a tiny peephole in time and chance upon a flash of what was coming up in the years ahead?" The questioner is Kinsey Millhone, middle-aged, two-time divorcee detective and junk food junkie star of Sue Grafton's popular "alphabet" mysteries; the book is 'N' Is for Noose. If Kinsey had had just a smidgen of foresight, she would never have taken her current case, handed down to her from her on-again, off-again flame and comrade in arms, Robert Dietz. We encounter the two this time out after Deitz's knee surgery, as Kinsey drives his "snazzy little red Porsche" back to Carson City, where she checks out his digs for the first time. To her surprise, he lives in a palatial penthouse, which-under the unspoken bylaws of investigative etiquette-she qualmlessly snoops through. They sit around for a fortnight playing gin rummy and eating peanut butter and pickle sandwiches together, but perennially single Kinsey grows wary: "It was time to hit the road before our togetherness began to chafe."
She heads off to meet Dietz's former client, Mrs. Selma Newquist, a devastated widow whose makeup tips seem to come from Tammy Faye Baker. Her husband Tom Newquist, a detective himself, had been working on a mysterious case when he abruptly died of a heart attack. Selma suspects foul play, but bless her, she isn't the brightest star in the sky and can't figure out what Tom was working on even though he's left behind enough paper to fill a recycling truck. Kinsey digs right in and roams the sleepy, one-horse town of Nota Lake for clues, interviewing a colorful cast of in-laws and locals. Beneath the quaint, quiet, country veneer, she unearths a bubbling hotbed of internal strife and familial double-dealing. Was Tom covering up for his partner? Is Selma protecting someone? Grafton's knack for gritty details and realistic characters ("[Selma's] skin tones suggested dark coloring, but her hair was a confection of white-blond curls, like a cloud of cotton candy"), coupled with the fast-paced, believable story line, makes for another delightful, entertaining read.

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She put her keys back in her purse, moving into the utility room with me close behind. She closed the door after us. "Why not tell the truth?"

"I will where I can, but I gather Tom was a highly respected member of the community. If I start asking about his personal business, nobody's going to say a word. I may try another tack. It won't be far off, but I may bend the facts a bit."

"What about Cecilia? What will you say to her?"

"I don't know yet. I'll think of something."

"She'll fill your ear. She's never really liked me. Whatever Tom's problems, she'll blame me if she can. Same with his brother. Macon was always coming after Tom for something-a loan, advice, good word in the department, you name it. If I hadn't stepped in, he'd have sucked Tom dry. You can do me a favor: Take anything they say with a grain of salt."

The disgruntled are good. They'll tell you anything, I thought.

Once in the kitchen, Selma hung her fur coat on the back of a chair. I watched while she unloaded the groceries and put items away. I would have helped, but she waved aside the offer, saying it was quicker if she did it herself. The kitchen walls were painted bright yellow, the floor a spatter of seamless white-and-yellow linoleum. A chrome-and-yellow-plastic upholstered dinette set filled an alcove with a bump-out window crowded with… I peered closer… artificial plants. She indicated a seat across the table from hers as she folded the bag neatly and put it in a rack bulging with other grocery bags.

She moved to the refrigerator and opened the door. "What do you take in your coffee? I've got hazelnut coffee creamer or a little half-and-half." She took out a small carton and gave the pouring spout an experimental mental sniff. She made a face to herself and set the carton in the sink.

"Black's fine."

"You sure?"

"Really. It's no problem. I'm not particular," I said. I took off my jacket and hung it on the back of my chair while Selma rounded up two coffee mugs, the sugar bowl, and a spoon for herself.

She poured coffee and replaced the glass carafe on the heating element of the coffee machine, heels taptap-tapping on the floor as she crossed and recrossed the room. Her energy was ever so faintly tinged with nervousness. She sat down again and immediately flicked a small gold Dunhill to light a fresh cigarette. She inhaled deeply. "Where will you begin?"

"I thought I'd start in Tom's den. Maybe the answer's easy, sitting right up on the surface."

THREE

I spent the rest of the afternoon working my way through Tom Newquist's insufferably disorganized home office. I'm going to bypass the tedious list of documents I inspected, the files I sorted, the drawers I emptied, the receipts I scrutinized in search of some evidence of his angst. In reporting to Selma, I did (slightly) exaggerate the extent of my efforts so she'd appreciate what fifty bucks an hour was buying in the current market place. In the space of three hours, I managed to go through about half the mess. Up to that point, whatever Tom was fretting about, he'd left precious little in the way of clues.

He was apparently compulsive about saving every scrap of paper, but whatever organizational principle he employed, the accumulation he left behind was chaotic at best. His desk was a jumble of folders, correspondence, bills paid and unpaid, income tax forms, newspaper articles, and case files he was working on. The layers were twelve to fifteen inches deep, some stacks toppling sideways into the adjacent piles. My guess was he knew how to put his hands on just about anything he needed, but the task I faced was daunting.

Maybe he imagined that any minute he'd have the clutter sorted and subdued. Like most disorganized people, he probably thought the confusion was temporary, that he was just on the verge of having all his papers tidied up. Unfortunately, death had taken him by surprise and now the cleanup was mine. I made a mental note to myself to straighten out my underwear the minute I got home. In the bottom drawer of his desk, I found some of his equipment-handcuffs, nightstick, the flashlight he must have carried. Maybe his brother, Macon, would like them. I'd have to remember to ask Selma later.

I went through two big leaf bags of junk, taking it upon myself to throw away paid utility stubs from ten years back. I kept a random sampling in case Selma wanted to sell the house and needed to average her household expenses for prospective buyers. I kept the office door open, conducting an ongoing conversation with Selma in the kitchen while I winnowed and pitched. "I'd like to have a picture of Tom."

"What for?"

"Not sure yet. It just seems like a good idea."

"Take one of those from the wall by the window."

I glanced over my shoulder, spotting several blackand-white photographs of him in various settings. "Right," I said. I set aside the lapful of papers I was sorting and crossed to the closest grouping. In the largest frame, an unsmiling Tom Newquist and the sheriff, Bob Staffer, were pictured together at what looked to be a banquet. There were several couples seated at a table, which was decorated with a handsome centerpiece and the number 2 on a placard in the middle. Staffer had signed the photograph in the lower right-hand corner: "To the best damn detective in the business! As Ever, Bob Staffer." The date was April of the preceding year. I lifted the framed photo from the hook and held it up to the fading light coming in the window.

Tom Newquist was a youthful sixty-three years old with small eyes, a round bland face, and dark thinning hair trimmed close to his head. His expression was one I'd seen on cops ever since time began-neutral, watchful, intelligent. It was a face that gave away nothing of the man within. If you were being interrogated as a suspect, make no mistake about it, this man would ask tough questions and there would be no hint from him about which replies might relieve you of his attention. Make a joke and his smile in response would be thin. Presume on his goodwill and his temper would flash in a surprising display of heat. If you were questioned as a witness, you might see another side of him-careful, compassionate, patient, conscientious. If he was like the other law enforcement officers of my acquaintance, he was capable of being implacable, sarcastic, and relentless, all in the interest of getting at the truth. Regardless of the context, the words "Impulsive"' and "passionate" would scarcely spring to mind. On a personal level, he might be very different, and part of my job here was determining just what those differences might consist of. I wondered what he'd seen in Selma. She seemed too brassy and emotional for a man skilled' at camouflage.

I glanced up to find her standing in the doorway, watching me. Despite the fact that her clothes looked expensive, there was something indescribably cheap about her appearance. Her hair had been bleached to the texture of a doll's wig, and I wondered if up close I could see individual clumps like the plugs of a hair transplant. I held up the picture. "Is this one okay? I'd like to have it cropped and copies made. If I'm backtracking his activities for the past couple of months, the face could trigger something where a name might not."

"All right. I might like to have one myself. That's nice of him."

"He didn't smile much?"

"Not often. Especially in social situations. Around his buddies, he relaxed… the other deputies. How's it coming.

I shrugged. "So far there's nothing but junk." I went back to the masses of paper in front of me. "Too bad you weren't in charge of the bills," I remarked.

"I'm not good with numbers. I hated high school math," she said. And then after a moment, "I'm beginning to feel guilty having you snoop through his things."

"Don't worry about it. I do this for a living. I'm a diagnostician, like a gynecologist when you have your feet in the stirrups and your fanny in the air. My interest isn't personal. I simply look to see what's there."

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