Sue Grafton - N Is For Noose

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Amazon.com Review
"Suppose we could peer through a tiny peephole in time and chance upon a flash of what was coming up in the years ahead?" The questioner is Kinsey Millhone, middle-aged, two-time divorcee detective and junk food junkie star of Sue Grafton's popular "alphabet" mysteries; the book is 'N' Is for Noose. If Kinsey had had just a smidgen of foresight, she would never have taken her current case, handed down to her from her on-again, off-again flame and comrade in arms, Robert Dietz. We encounter the two this time out after Deitz's knee surgery, as Kinsey drives his "snazzy little red Porsche" back to Carson City, where she checks out his digs for the first time. To her surprise, he lives in a palatial penthouse, which-under the unspoken bylaws of investigative etiquette-she qualmlessly snoops through. They sit around for a fortnight playing gin rummy and eating peanut butter and pickle sandwiches together, but perennially single Kinsey grows wary: "It was time to hit the road before our togetherness began to chafe."
She heads off to meet Dietz's former client, Mrs. Selma Newquist, a devastated widow whose makeup tips seem to come from Tammy Faye Baker. Her husband Tom Newquist, a detective himself, had been working on a mysterious case when he abruptly died of a heart attack. Selma suspects foul play, but bless her, she isn't the brightest star in the sky and can't figure out what Tom was working on even though he's left behind enough paper to fill a recycling truck. Kinsey digs right in and roams the sleepy, one-horse town of Nota Lake for clues, interviewing a colorful cast of in-laws and locals. Beneath the quaint, quiet, country veneer, she unearths a bubbling hotbed of internal strife and familial double-dealing. Was Tom covering up for his partner? Is Selma protecting someone? Grafton's knack for gritty details and realistic characters ("[Selma's] skin tones suggested dark coloring, but her hair was a confection of white-blond curls, like a cloud of cotton candy"), coupled with the fast-paced, believable story line, makes for another delightful, entertaining read.

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For my stay in Carson City, I'd packed my tweed blazer for dress up and a blue denim jacket for casual wear. Both were too light and insubstantial for this area. I cruised the streets downtown until I spotted a thrift store. I nosed the rental car into a diagonal parking space out front. The window was crowded with kitchenware and minor items of furniture: a bookcase, a footstool, stacks of mismatched dishes, five lamps, a tricycle, a meat grinder, an old Philco radio, and some red Burma-Shave signs bound together with wire. The top one in the pile read DOES YOUR HUSBAND. What, I thought. Does your husband what? Burma-Shave signs had first appeared in the 1920s and many persisted even into my childhood, always with variations of that tricky, bumping lilt. Does your husband… have a beard?… Is be really very weird?… If he's living in a cave… Offer him some… Burma-Shave. Or words to that effect.

The interior of the store smelled like discarded shoes. I made my way down aisles densely crowded with hanging clothes. I could see rack after rack of items that must have been purchased with an eye to function and festivity. Prom gowns, cocktail dresses, women's suits, acrylic sweaters, blouses, and Hawaiian shirts. The woolens seemed dispirited and the cottons were tired, the colors subdued from too many rounds in the wash. Toward the rear, there was a rod sagging under the burden of winter jackets and coats.

I shrugged into a bulky brown leather bomber jacket. The weight of it felt like one of those lead aprons the technician places across your body while taking dental Xrays from the safety of another room. The jacket lining was fleece, minimally matted, and the pockets sported diagonal zippers, one of which was broken. I checked the inside of the collar. The size was a medium, big enough to accommodate a heavy sweater if I needed one. The price tag was pinned to the brown knit ribbing on the cuff. Forty bucks. What a deal. Does your husband belch and rut? Does be scratch his hairy butt? If you want to see him bathe… tame the beast with Burma-Sbave. I tucked the jacket over my arm while I moved up and down the aisles. I found a faded blue flannel shirt and a pair of hiking boots. On my way out, I stopped and untwisted the wire connecting the Burma-Shavc signs, reading them one by one.

DOES YOUR HUSBAND

MISBEHAVE?

GRUNT AND GRUMBLE

RANT AND RAVE?

SHOOT THE BRUTE SOME

BURMA-SHAVE

I smiled to myself. I wasn't half-bad at that stuff. I went out to the street again with my purchases in hand. Let's hear it for the good old days. Lately, Americans have been losing their sense of humor.

I spotted an office supply store across the street. I crossed, stocked up on paper supplies, including a couple of packs of blank index cards. Two doors down, I found a branch of Selma 's bank and came out with a wad of twenties in my shoulder bag. I retrieved my car and pulled out, circling the block until I was headed in the right direction. The town already felt familiar, neatly laid out and clean. Main Street was four lanes wide. The buildings on either side were generally one to two stories high, sharing no particular style. The atmosphere was vaguely Western. At each intersection, I caught sight of a wedge of mountains, the snow-capped peaks forming a scrim that ran the length of the town. Traffic was light and I noticed most of the vehicles were practical: pickups and utility vans with ski racks across the tops.

When I arrived back at Selma 's, the garage door was open. The parking space on the left was empty. On the right, I spotted a late-model blue pickup truck. As I got out of my car, I noticed a uniformed deputy emerging from a house two doors down. He crossed the two lawns between us, walking in my direction. I waited, assuming this was Tom's younger brother, Macon. At first glance, I couldn't tell how much younger he was. I placed him in his late forties, but his age might have been deceptive. He had dark hair, dark brows, and a pleasant, unremarkable face. He was close to six feet tall, compactly built. He wore a heavy jacket, cropped at the waist to allow ready access to the heavy leather holster on his right hip. The wide belt and the weapon gave him a look of heft and bulk that I'm not sure would have been evident if he'd been stripped of his gear.

"Are you Macon?" I asked.

He offered me his hand and we shook. "That's right. I saw you pull up and thought I'd come on over and introduce myself. You met my wife, Phyllis, a little earlier."

"I'm sorry about your brother."

"Thank you. It's been a rough one, I can tell you," he said. He hooked a thumb toward the house. " Selma 's not home. I believe she went off to the market a little while ago. You need in? Door's open most times, but you're welcome to come to our place. It sure beats setting out in the cold."

"I should be fine. I expect she'll be home in a bit and if not, I can find ways to amuse myself. I would like to talk to you sometime in the next day or two."

"Absolutely. No problem. I'll tell you anything you want, though I admit we're baffled as to Selma 's purpose. What in the world is she worried about? Phyllis and I can't understand what she wants with a private detective, of all things. With all due respect, it seems ridiculous."

"Maybe you should talk to her about that," I said.

"I can tell you right now what you're going to learn about Tom. He's as decent a fellow as you'd ever hope to meet. Everybody in town looked up to him, including me.,,

"This may turn out to be a short stay, in that case."

"Where'd Selma put you? Some place nice, I hope."

" Nota Lake Cabins. Cecilia Boden's your sister, as I understand it. You have other siblings?"

Macon shook his head. "Just three of us," he said. "I'm the baby in the family. Tom's three years older than Cecilia and close to fifteen years my senior. I've been trailing after them two ever since I can remember. I ended up in the sheriff's department years after Tom hired on. Like that in school, too. Always following in somebody else's footsteps." His eyes strayed to the street as Selma 's car approached and slowed, pulling into the driveway. "Here she is now so I'll leave you two be. You let me know what I can do to help. You can give us a call or come knocking on our door. It's that green house with white trim."

Selma had pulled into the garage by then. She got out, of the car. She and Macon greeted each other with an almost imperceptible coolness. While she opened the trunk of her sedan, Macon and I parted company, exchanging the kind of chitchat that signals the end of a conversation. Selma lifted out a brown paper sack of groceries and two cleaner's bags, and slammed the trunk lid down. Under her fur coat, she wore smartly pressed charcoal slacks and a long-sleeved shirt of cherry-colored silk.

As Macon walked back to his house, I moved into the garage. "Let me give you a hand with that," I said, reaching for the bag of groceries, which she relinquished to me.

"I hope you haven't been out here long," she said. "I decided I'd spent enough time feeling sorry for myself. Best to keep busy."

"Whose pickup truck? Was that Tom's?" I asked.

Selma nodded as she unlocked the door leading from the garage into the house. "I had a fellow from the garage tow it the day after he died. The officer who found him took the keys out and left it locked up where it was. I can't bring myself to drive it. I guess eventually I'll sell it or pass it along to Brant." She pressed a button and the garage door descended with a rumble.

"You met Macon, I see."

"He came over to introduce himself," I said as I followed her into the house. "One thing I ought to mention. I'm going to be talking to a lot of people around town and I really don't know yet what approach I'll take. Whatever you hear, just go along with it."

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