Sue Grafton - N Is For Noose

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Amazon.com Review
"Suppose we could peer through a tiny peephole in time and chance upon a flash of what was coming up in the years ahead?" The questioner is Kinsey Millhone, middle-aged, two-time divorcee detective and junk food junkie star of Sue Grafton's popular "alphabet" mysteries; the book is 'N' Is for Noose. If Kinsey had had just a smidgen of foresight, she would never have taken her current case, handed down to her from her on-again, off-again flame and comrade in arms, Robert Dietz. We encounter the two this time out after Deitz's knee surgery, as Kinsey drives his "snazzy little red Porsche" back to Carson City, where she checks out his digs for the first time. To her surprise, he lives in a palatial penthouse, which-under the unspoken bylaws of investigative etiquette-she qualmlessly snoops through. They sit around for a fortnight playing gin rummy and eating peanut butter and pickle sandwiches together, but perennially single Kinsey grows wary: "It was time to hit the road before our togetherness began to chafe."
She heads off to meet Dietz's former client, Mrs. Selma Newquist, a devastated widow whose makeup tips seem to come from Tammy Faye Baker. Her husband Tom Newquist, a detective himself, had been working on a mysterious case when he abruptly died of a heart attack. Selma suspects foul play, but bless her, she isn't the brightest star in the sky and can't figure out what Tom was working on even though he's left behind enough paper to fill a recycling truck. Kinsey digs right in and roams the sleepy, one-horse town of Nota Lake for clues, interviewing a colorful cast of in-laws and locals. Beneath the quaint, quiet, country veneer, she unearths a bubbling hotbed of internal strife and familial double-dealing. Was Tom covering up for his partner? Is Selma protecting someone? Grafton's knack for gritty details and realistic characters ("[Selma's] skin tones suggested dark coloring, but her hair was a confection of white-blond curls, like a cloud of cotton candy"), coupled with the fast-paced, believable story line, makes for another delightful, entertaining read.

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I put the gun on the kitchen table. "I'll be right back," I said. With extraordinary effort, I propelled myself into Tom's den, hand to the wall to steady my yawning gait. 8, 12, 1, 11, and 26. I sat down at his desk and looked at the calendar Tom had drawn. I could see the month of February, twenty-eight days penned in with the First falling on a Sunday and the last two Saturdays, the Twenty-first and the Twenty-eighth, crossed out, leaving twenty-six numbers. I'd suspected the code was simple. If Tom encrypted his notes, he had to have an uncomplicated means by which to convert letters to numbers.

I found a pencil. I turned to the calendar grid that he'd drawn on the corner of his blotter. I wrote the letters of the alphabet, inserting one letter per day, using vertical rows this time. If my theory was correct, then the code would confirm what I already knew: 8 would represent the letter B. The number 12 would stand in for the letter R. The number 1 would be A, and 11 would represent an N, and the 26 would be T.

B-R-A-N-T.

Brant.

I could feel a laugh billow up. I was stuck in the house with him. He would have had easy access to his father's notes. The search of the den-the broken window-both had been a cover, suggesting to the rest of us that someone from the outside had entered the house in hopes of finding the notes. It wasn't Barrett at all. Pinkie hadn't raped and sodomized Barrett. It was Brant he'd humiliated and degraded.

"What are you doing?"

I jumped. Brant was standing in the doorway. I was standing in horseshit up to my underpants. The sight of him wavered, shimmering, image moving side to side. I couldn't think of a way to answer. Nystagmus. Something in brownies, possibly PCP. Aggression, paranoia. I was smarter than him. Oh, much smarter. I was smarter than anyone that day.

"What are you looking at?"

"Tom's notes."

"Why?"

"I can't make heads or tails of them. The code."

He stared at me. I could tell he was trying to determine if what I'd said was true. I kept my mind empty. I don't think I'd ever seen him looking so lean and young and handsome. Death is like that, a lover whose embrace you sink into without warning. Instead of flight or resistance, voluptuous surrender. He held out his hand. "I'll take the notes."

I passed the notebook across to him, picturing the Smith Wesson. Where had I heard about a gun like that before? I could feel my brain crackling, thoughts popping like kernels banging against the lid of a popcorn pan. There was no way in the world he would give me a gun unless he intended to see that I was killed with it. Rafer LaMott wasn't outside and neither was anybody else. This was a charade, setting me up in some way. I envisioned the scene-the two of us skulking through the house, ostensibly waiting for an attack that would never come. Brant could shoot me anytime he chose, claiming later he'd mistaken me for an intruder, claiming self-defense, claiming I was stoned out of my gourd, which I was. Even as the thought formed, I felt the drugs kick up a notch. I could feel myself expanding. I could outsmart him. He was strong, but I had more experience than he did. I knew more about him than he knew about me. I'd been a cop once. I knew everything he knew, plus some.

"Is the car still out there?" I asked.

Brant dropped back into his fantasy. He moved to the window and put his face close to the glass, peering off to the right. "Down half a block. You can barely see it from here."

"I think we should turn the lights out. I don't like standing here in plain view."

He studied me for a second, picturing the house black as pitch. "You're right. Hit the switch. I'll take care of all the other lights in the house."

"Good." I turned the den light out. I waited until I heard him moving down the hall toward the front. Then I eased to the window, flipped the lock, and pushed the sash up about six inches. I dropped down to the floor, felt my way across the room to the cabinet, and slid myself feet-first into the space beneath the bookshelves.

Birth in reverse. I was hidden from view. Moments went by, the house becoming darker by the minute as lamps were being switched off in every room Brant entered.

"Kinsey?" Brant was back.

Silence.

I heard him come to the den. He must have stood in the doorway, allowing his eyes to adjust to the black. He crossed to the window, bumping into cardboard boxes. I heard him force the window open and look out. I was gone. There was no sign of me running across the grass. "Shit!" He slammed the window shut and said, "Shit, shit, shit!" He must have had a gun because I heard him rack one into the chamber.

He left the den, hollering my name as he went. Now he was mad. Now he didn't care if I knew he was coming. I pulled myself out of the cabinet, hanging on to the shelf as I staggered to my feet. I crossed to the desk and opened the bottom drawer as quietly as possible. I took out Tom's handcuffs and tucked them in my back pocket. I could feel myself swell with power. I was suddenly larger than life, far beyond fear, luminous with fury. As I turned right out of the den into the darkness of the hallway, I could see him moving ahead of me, his body mass blacker than the charcoal light surrounding him. I began to run, picking up speed, my Reeboks making no sound on the carpet. Brant sensed my presence, turning as I lifted myself into the air. I snapped a hard front kick to his solar plexus, taking him down with one pop. I heard his gun thump dully against the wall, banging against wood as it flew out of his hand. I kicked him again, catching him squarely on the side of the head. I scrambled to my feet and stood over him. I could have crushed his skull, but as a courtesy, I refrained from doing so. I pulled the handcuffs from my pocket. I grabbed the fingers of his right hand and bent them backward, encouraging compliance. I lay the cuff on his right wrist and snapped downward, smiling grimly to myself as the swinging arm of the cuff locked in place. I put my left foot on the back of his neck while I yanked his right arm behind him and I grabbed for his left. I would have stomped down on his face, pulverizing his nose if he'd so much as whimpered. He was out cold. I double-locked both handcuffs in place. All of this without hesitation. All of this in the dark.

The light in the kitchen was snapped on. Selma appeared in the doorway, still wearing her fur coat. She stood as still as a soldier and took in the sight before her. Brant was now moaning. Blood was pouring from his nose and he was struggling for breath. "Mom, watch out. She's stoned," he croaked.

Selma backed into the kitchen. I was moving away from her down the corridor, looking for Brant's gun when she showed up again, this time with the Smith Wesson in her right hand. I had no idea where Brant's gun had gone. I remembered the telltale thump at the end of its airborne journey.

"Stop right there," she said. She was now holding the gun with two hands, arms extended stiffly at shoulder height. I went about my business, ignoring her little drama. She had no way of knowing I'd been sanctified by Angel Dust. I was higher than a kite on PCP, methamphetamines, whatever it was-some amazing mix of excitation and immortality. The unpleasant side effects were now gone and I was detached from all feeling, secure in the sense that I would prevail over this bitch and anyone else who came after me.

"You're not going to take my son away from me."

As much as anything, I was annoyed with her. "I told you to forget it. You should have left well enough alone. Now you've not only lost Tom, you've lost Brant as well," I said, conversationally. I got down on my hands and knees and felt under the chair. Where the hell was Brant's gun?

"You are completely mistaken. I haven't lost Brant at all," she said. "Now get up right this minute! Do as I say!"

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