Sue Grafton - N Is For Noose

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Amazon.com Review
"Suppose we could peer through a tiny peephole in time and chance upon a flash of what was coming up in the years ahead?" The questioner is Kinsey Millhone, middle-aged, two-time divorcee detective and junk food junkie star of Sue Grafton's popular "alphabet" mysteries; the book is 'N' Is for Noose. If Kinsey had had just a smidgen of foresight, she would never have taken her current case, handed down to her from her on-again, off-again flame and comrade in arms, Robert Dietz. We encounter the two this time out after Deitz's knee surgery, as Kinsey drives his "snazzy little red Porsche" back to Carson City, where she checks out his digs for the first time. To her surprise, he lives in a palatial penthouse, which-under the unspoken bylaws of investigative etiquette-she qualmlessly snoops through. They sit around for a fortnight playing gin rummy and eating peanut butter and pickle sandwiches together, but perennially single Kinsey grows wary: "It was time to hit the road before our togetherness began to chafe."
She heads off to meet Dietz's former client, Mrs. Selma Newquist, a devastated widow whose makeup tips seem to come from Tammy Faye Baker. Her husband Tom Newquist, a detective himself, had been working on a mysterious case when he abruptly died of a heart attack. Selma suspects foul play, but bless her, she isn't the brightest star in the sky and can't figure out what Tom was working on even though he's left behind enough paper to fill a recycling truck. Kinsey digs right in and roams the sleepy, one-horse town of Nota Lake for clues, interviewing a colorful cast of in-laws and locals. Beneath the quaint, quiet, country veneer, she unearths a bubbling hotbed of internal strife and familial double-dealing. Was Tom covering up for his partner? Is Selma protecting someone? Grafton's knack for gritty details and realistic characters ("[Selma's] skin tones suggested dark coloring, but her hair was a confection of white-blond curls, like a cloud of cotton candy"), coupled with the fast-paced, believable story line, makes for another delightful, entertaining read.

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My brain worked lickety-cut. It was my mouth that fumbled, thoughts crashing against my teeth like rocks. I had to clamp my jaw shut, barely moving my lips. "I talked to Barrett. She was with Tom in the truck just before he died," I said.

"What did they talk about? Why did he do that?"

"Something. I can't remember."

"Didn't you press her for answers? You had the girl right there in the palm of your hand," he said. His words appeared in the air, written in big capital letters.

"Quit yelling."

"I'm not yelling. What's the matter with you?"

"Barrett never said a word about Rafer." I remembered then. She did say Tom had asked about her father.

"Why would she? She doesn't know you from Adam. She's not going to confide. She wouldn't tell you something like that. Her own father? For god's sake, she'd have to be nuts," he shrilled.

"But why give me the notes? Wouldn't she assume they'd be incriminating?"

"Barrett doesn't have a clue. She has no idea."

"How do you know what he did?"

"Because I can add," he said, exasperated. "I put two and two together. Listen, Tom met with Barrett. He was probably trying to find out about Rafer's whereabouts when Pinkie was murdered. Same with Alfie Toth. He saw the connection. He was worried someone in the department would get wind of his suspicions, didn't you say that? Someone had already ripped him off for the information about Toth. Who do you think it was? Rafer."

"Rafer," I said. I was nodding. I could see what he was saying. I'd been thinking the same thing. Tom's friendship with Rafer was such that he'd think long and hard before he turned him in to the authorities, betraying their friendship. A conflict of that magnitude would have caused him extreme distress. My brain was clicking and buzzing. Click, click, click. Rafer. It was like a pinball game. Thoughts ricocheted around, setting off bells, bouncing against the rails. I thought about the clerk at the Gramercy. Why didn't he tell me the phony plainclothes detective was black? You'd think he'd remember something so obvious. My mind kept veering. I couldn't hold a thought in one place and follow it to its conclusion. Click, click. Like pool balls. The cue ball would break and all the other balls on the table would fly off in separate directions. I wished I'd talked to Leland Peck before I left Santa Teresa. I was feeling very weird. So anxious. Sound fading in and out. I could see it undulate through space, sentences like surfers cresting on the waves of air.

Brant was still talking. He seemed to be speaking gibberish, but it all made a peculiar sense. "Pinkie went after Barrett. She was hiking in the mountains and stumbled across their fishing camp."

On and on he went, creating word pictures so vivid I thought it was happening to me.

"Barrett was assaulted. He put a gun to her head.

She was raped. She was attacked and sexually abused. Pinkie sodomized and hurt her. He forced her to perform unspeakable acts. Alfie did nothing-offered her no assistance-ran off, leaving her to Pinkie's mercy. Barrett came back hysterical, in a state of shock. Rafer went after Pinkie and took him down. He strung him up, hung him from the limb of a tree and let him die slowly for what he had done to her. He would have killed Alfie, too, but Alfie escaped and blew town. Rafer thought he was safe all these years and then Pinkie's body turned up and Dad found the link between the two men. He drove all the way to Santa Teresa to talk to him, but Rafer got there first. He hung Toth the same way he hung Pinkie." Brant was looking at me earnestly. "What's wrong with your eyes?"

"My eyes?" Once he mentioned it, I realized my field of vision had begun to oscillate, images sliding side to side, like bad camera work. I felt giddy, as if I was on the verge of fainting. I sat down. I put my head between my knees, a roaring in my ears.

"Are you okay?"

"Fine." Lights seemed to pulsate and sounds came and went. I couldn't keep it straight. I knew what he was saying, but I couldn't make the words stand still. I saw Rafer with the noose. I saw him tighten it on Pinkie's neck. I saw him hang Alfie in the wilderness. I felt his rage and his pain for what they'd done to his only daughter. I said, "How do you know all this?"

"Because Barrett told me when it happened. Jesus, Kinsey. That's why I broke up with her. I was twenty years old. I couldn't handle it," he said, anguished.

"I'm sorry. I'm sorry," I said, but immediately forgot who was more deserving of my pity-Barrett for being raped, Brant for not having the maturity to deal with it.

Brant's tone became accusatory. "You're loaded. I don't believe it. What the hell are you high on?"

"I'm high?" Of course. Daniel playing the piano. My ex-husband. So beautiful. Eyes like an angel, a halo of golden curls and how I'd loved him. He'd given me acid once without telling me and I watched the floor recede into the mouth of hell.

Brant's head came up. "What's that?" he hissed.

"What?"

"I heard something." His agitation washed over me. His fear was infectious, as swift as an airborne virus. I could smell corruption and death. I'd been in situations like this before.

"Hang on." Brant strode down the hall. I saw him look out of the small ornamental window in the front door. He pulled back abruptly and then gestured urgently in my direction. "A car cruised by with its lights doused. He's parked across the street about six doors down. You have a gun?"

"I told you someone stole it. Whoever broke in. I don't have a gun. What's happening?"

"Rafer," he said, grimly. He crossed to the drawer in his mother's kitchen desk where she did her menu planning. He pulled out a gun and thrust it in my hand. "Here. Take this."

I stood and stared at it with bewilderment. "Thanks," I whispered. The gun was a basic police revolver, Smith Wesson. I'd nearly bought one like it once,.357 Magnum, four-inch barrel, checkered walnut stocks. I studied the grooves in the stock. Some of them were so deep, I couldn't see to the bottom.

"Rafer will come in with guns blazing," Brant was saying. "No deals. He's told everyone that you're a killer, that you do drugs, and here you are stoned on something."

"I didn't do anything," I said, mouth dry. The brownies. I was higher than he knew. I racked back through my memory, classes at the police academy, my years in uniform on the street, trying to remember symptoms; phencyclidines, stimulants, hallucinogens, sedative-hypnotics, narcotics. What had I ingested? Confusion, paranoia, slurred speech, nystagmus. I could see the columns marching across the pages of the text. PCP vocabulary. Rocket Fuel, DOA, KJ, Super Joint, Mint Weed, Gorilla Biscuits. I was out of my brain on speed.

"You found him out. He'll have to kill you. We'll have to shoot it out," Brant said.

"Don't leave me. You talk to him. I can get away," I burbled.

"He's thought of that. He'll have help. Probably Macon and Hatch. They both hate you. We better get down to business."

When Brant peeled off his outer jacket, I smelled stress sweat, the scent as acrid and piercing as ammonia. I glanced at his hands. Given any visual field, the eye tends to stray to the one different item in a ground of like items. Even bombed, I caught sight of a blemish on his right wrist, a dark patch… a tattoo or a birthmark… shaped like the prow of a ship. The blot stood out like a brand on the clean white surface of his skin. Sizzling, my brain zapped through the possibilities: scar, hickey, smudge, scab. I was slow on the uptake. I looked back and then I saw it for what it was. The mark was a burn. The healing discoloration was a match for the tip of the ticking hot iron I'd pressed on him. Adrenaline rushed through me. Something close to euphoria filled my flesh and bones. My mind made an odd leap to something else altogether. I'd been struggling to break the code with logic and analysis when the answer was really one of spatial relationships. Vertical, not horizontal. That's how the numbers worked. Up and down instead of back and forth across the lines.

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