Nora Roberts - Dance Upon the Air

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Amazon.com Review
Setting: Three Sisters Island, coast of New England, present day
Sensuality rating: 6
Perennial New York Times bestselling author Nora Roberts's new Three Sisters Island trilogy is pure magic! No, I mean really magic. An intriguing combination of The Witches of Eastwick and Sleeping With the Enemy, Dance Upon the Air introduces readers to the idyllic town of Three Sisters Island. Reputedly conjured by a trio of sisters seeking to escape the Salem witch-hunts, the island remains a place of quiet refuge for one and all, including pretty Nell Channing who arrives in town afraid of her own shadow, with few possessions and no past. But the warm, sunny days and cool, windswept nights, as well as the loving concern of new friends-especially hunky sheriff Zack Todd-soon lure skittish Nell into a much-welcome fresh life. Nell's new boss, the captivatingly lovely bookstore owner Mia Devlin (look for Mia's story, hopefully, in the not-too-distant future), wonders from what or whom Nell is running. Mia treats Nell as she would a sister, which isn't too far off the mark, helping Nell discover and explore her inner resources while Zack's romantic attentions bring a rosy glow to Nell's cheeks and to her future. But something wicked this way comes… Will Nell be ready to face and conquer her past? Even with the love and support of Mia, Zack, and Zack's fellow police officer, his peppery, down-to-earth sister Ripley, Nell has the fight of her life-the fight for her life-on her hands. Roberts continues to delight fans and create new believers with her talent and imagination.
From Publishers Weekly
The first installment of Roberts's newest trilogy set on Three Sisters island invokes the sensitive characterizations and magic that distinguished her previous trilogy (Jewels of the Sun; Tears of the Moon; Heart of the Sea). An enchanted island off the coast of Massachusetts, Three Sisters was formed as a sanctuary by three frightened witches fleeing persecution. Although the witches found peace on the island, each of them entered into an ill-fated relationship and died tragically. Now their descendants Nell Channing, Ripley Todd and Mia Devlin have to break the pattern set by their foremothers, or the island will sink. This first book focuses on Nell, a newcomer to the island who escaped her abusive husband by staging her death. Nell is unaware that she's a witch, but she is instinctively drawn to the island and secures a job as a chef in the caf‚ owned by Mia. Between coping with her bleak memories and deciding whether she can give her heart to Zach Todd, Ripley's brother and the island sheriff, Nell has little time to digest the discovery that she's a witch. In the end, however, Nell will have to come to terms with her newfound powers so that she can fight her all-too-demented husband. It's probably witchcraft that Roberts can turn out so many books and still create something that's sexy and charming, but in this tale, it's evident that she hasn't lost her fairy touch. (June 5)Forecast: No stranger to bestseller lists, Roberts triumphed in 2000 with the release of two hardcovers and eight mass market paperbacks, seven of which sold in the millions. National radio advertising and print advertisements in USA Today will ensure that her latest hits the big time as well.

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***

"The goddess doesn't require sacrifice," Mia said. "She's a mother. Like a mother, she requires respect, love, discipline, and wants happiness for her children."

The evening was cool. Mia could already scent the end of summer. Soon her woods would change from green and lush to wild color. She'd already seen the woolly caterpillars, watched the busy squirrel hoarding nuts. Signals, she thought, of a long, cold winter.

But for now, her roses bloomed, and the most tender of her herbs trailed fragrantly among her garden stones.

"Magic springs from the elements, and from the heart. But its rituals are best served with tools, even visual aids, if you will. Any craft depends on certain routines and implements."

She walked through her garden to her kitchen door, opened it for Nell. "I have some for you."

The room was as fragrant as the garden. Hanks of herbs dried on hooks. Pots of flowers that Mia had chosen for indoor company stood on the long line of smooth counter. What could only be described as a cauldron sat on the stove, simmering away with the strong sweetness of heliotrope.

"What are you cooking?"

"Oh, just a little charm for someone who has a job interview later in the week. She's nervous." Mia passed a hand through the steam. "Heliotrope for success, sunflower for career, a bit of hazel to assist in communication-and this and that. I'll empower some suitable crystals for her that she can carry in a pouch in her purse."

"Will she get the job?"

"That's up to her. The Craft doesn't promise us everything we desire, nor is it a crutch for weak spines to lean on. Now, your tools," she continued, gesturing to the table.

She'd selected them carefully, with an image of Nell in her mind.

"You should, once you're home, cleanse them. No one should touch them without your permission. They require your energy. The wand is made from a birch branch pruned from a living tree on the winter solstice. The crystal on its tip is clear quartz. It was a gift to me from the one who trained me."

It was lovely, slim and smooth, and felt almost silky when Nell trailed a finger over it. "You can't give me something that was a gift."

"It was meant to be passed on. You'll want to have others, too; copper is good. This is your broom," she continued, lifting a brow as Nell stifled a laugh.

"Sorry, I just never thought… a broom?"

"You won't be riding on it. Hang it at the door of your home for protection, use it to sweep out negative energy. A cup-again, one day you'll want to select your own, but for now this will serve. I bought it at Island Market, glassware section. Sometimes the simple works best. The pentacle is from a maple bur. It must always stand upright. The athame isn't used for physical cutting, but for directing energy."

She didn't touch it, but told Nell to do so.

"Some prefer swords, but I don't think you will," she added as Nell explored the carved handle with a fingertip. "The blade's dull, and meant to be. The bolline, on the other hand, is meant to cut in the physical. The handle's curved, which will give you a good grip for harvesting your herbs and plants, carving wands, inscribing candles, and so on. There are those, kitchen witches, who use it to cut food. The choice is yours, of course."

"Of course," Nell agreed.

"I assume you can handle the purchase and selection of your own cauldron. Cast iron's best. You can find an incense burner that appeals to you at one of the gift shops, and the incense as well-cones and sticks are more accessible locally. When you've time you can make your own incense powder. You'll need some straw baskets, some swatches of silk. Do you want to write this down?"

Nell blew out a breath. "Maybe I'd better."

"Candles," Mia continued after handing Nell a pad and pencil. "I'll explain the purpose of colors and symbols. I have some crystals for you, but you'll want more, of your own selection. A couple dozen canning jars, with lids, a mortar and pestle, sea salt. I have a Tarot deck you can borrow, and some wooden boxes, though I'll want them back as well. This will get you started."

"It's more involved than I thought. Before-the day in the garden-all I did was stand there."

"There are things you'll be able to do with your mind and heart, and others that require things-as an extension of power, and as a respect for tradition. Now that you have a computer, you'll want to keep a record of spells."

"A record of spells, on my computer?"

"Why not be practical and efficient? Nell, have you spoken to Zack about any of this?"

"No."

"Are you worried about his reaction?"

She touched the wand again, and wondered. "That's part of it, but before we even get there, I don't know how I'd begin to tell him. I haven't resolved it completely for myself."

"Fair enough. What you share or don't is your choice, just as what you give or what you take."

"With Ripley feeling the way she does, I thought he might feel the same. 1 guess I don't want to hit any hitches so soon."

"Who could blame you? Let's take a walk."

"I really should be getting back. It's nearly dark."

"He'll wait." Mia opened a carved box, took out her wand. The tip was a round of quartz as smoky as her eyes. "Take yours. It's time you learned how to cast a circle. We'll keep it simple," she promised, nudging Nell through the door. "And after what I have in mind, I can almost guarantee the sex will be sensational."

"It's not all sex," Nell began. "But that's a definite plus."

As they walked toward the woods, a light mist swirled to hug the ground. Long shadows spilled out of the trees, black lines over pale gray.

"The weather's changing," Mia said. "The last weeks of summer always make me melancholy. It's odd, because I love the autumn, the smells and the colors of it, that slice in the air when you step out first thing in the morning."

You're lonely. Nell nearly said it before she checked her tongue. How could such a statement help but sound smug and self-satisfied coming from a woman who'd just taken a lover?

"Maybe a holdover from childhood," she suggested. "End of summer means back to school." She followed Mia down a well-beaten path, through mist and shadow. "I always hated those first couple of weeks of school, not so much if my father had a second year on the same base, but at those times when I was the new kid and everyone else was already picked off in groups."

"How did you handle it?"

"I learned how to talk to people, to make friends even though they were transient. Lived in my own head a lot. I guess some of that made me a perfect target for Evan. He promised to love, honor, and cherish, forever. I really wanted forever with someone."

"And now?"

"Now I just want to carve out my own space, and stick."

"Something else we have in common. This is one of my spaces."

They stepped into a clearing where the mist was white from the quiet light of the rising moon. The full ball of it shimmered between the trees, teased the dark summer leaves, spilled through at the edges of a stand of three stones. From the branches that ringed the clearing hung hanks of herbs. The glitter of strung crystals rang gently together in the light wind.

And the sound of the wind, the stones, the nearby sea, was music.

There was a primitive, essential feel to the place.

"It's beautiful here," Nell began, "and… I want to say eerie, but not in a frightening way. You almost expect to see ghosts, or headless horsemen. And if you did, it would seem absolutely natural, not frightening at all."

She turned, her steps shredding the mist like gray silk, and caught the scents of verbena, rosemary, and sage carried on the breeze from the tree branches.

Caught something else as well-a quiet hum that was almost like music.

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