Nora Roberts - Dance Upon the Air

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Amazon.com Review
Setting: Three Sisters Island, coast of New England, present day
Sensuality rating: 6
Perennial New York Times bestselling author Nora Roberts's new Three Sisters Island trilogy is pure magic! No, I mean really magic. An intriguing combination of The Witches of Eastwick and Sleeping With the Enemy, Dance Upon the Air introduces readers to the idyllic town of Three Sisters Island. Reputedly conjured by a trio of sisters seeking to escape the Salem witch-hunts, the island remains a place of quiet refuge for one and all, including pretty Nell Channing who arrives in town afraid of her own shadow, with few possessions and no past. But the warm, sunny days and cool, windswept nights, as well as the loving concern of new friends-especially hunky sheriff Zack Todd-soon lure skittish Nell into a much-welcome fresh life. Nell's new boss, the captivatingly lovely bookstore owner Mia Devlin (look for Mia's story, hopefully, in the not-too-distant future), wonders from what or whom Nell is running. Mia treats Nell as she would a sister, which isn't too far off the mark, helping Nell discover and explore her inner resources while Zack's romantic attentions bring a rosy glow to Nell's cheeks and to her future. But something wicked this way comes… Will Nell be ready to face and conquer her past? Even with the love and support of Mia, Zack, and Zack's fellow police officer, his peppery, down-to-earth sister Ripley, Nell has the fight of her life-the fight for her life-on her hands. Roberts continues to delight fans and create new believers with her talent and imagination.
From Publishers Weekly
The first installment of Roberts's newest trilogy set on Three Sisters island invokes the sensitive characterizations and magic that distinguished her previous trilogy (Jewels of the Sun; Tears of the Moon; Heart of the Sea). An enchanted island off the coast of Massachusetts, Three Sisters was formed as a sanctuary by three frightened witches fleeing persecution. Although the witches found peace on the island, each of them entered into an ill-fated relationship and died tragically. Now their descendants Nell Channing, Ripley Todd and Mia Devlin have to break the pattern set by their foremothers, or the island will sink. This first book focuses on Nell, a newcomer to the island who escaped her abusive husband by staging her death. Nell is unaware that she's a witch, but she is instinctively drawn to the island and secures a job as a chef in the caf‚ owned by Mia. Between coping with her bleak memories and deciding whether she can give her heart to Zach Todd, Ripley's brother and the island sheriff, Nell has little time to digest the discovery that she's a witch. In the end, however, Nell will have to come to terms with her newfound powers so that she can fight her all-too-demented husband. It's probably witchcraft that Roberts can turn out so many books and still create something that's sexy and charming, but in this tale, it's evident that she hasn't lost her fairy touch. (June 5)Forecast: No stranger to bestseller lists, Roberts triumphed in 2000 with the release of two hardcovers and eight mass market paperbacks, seven of which sold in the millions. National radio advertising and print advertisements in USA Today will ensure that her latest hits the big time as well.

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He watched Nell serve food, chat with the guests, replenish pots staying warm over little cans of sterno. What he observed, he thought, was a blooming.

He started to ask if he could lend her a hand, then realized it was laughable. Not only did he have no clue what needed to be done, but she so obviously needed no one's help.

As the crowd thinned out, he drove a few celebrants home himself, to be on the safe side. It was nearly midnight before he felt his own duties were dispatched and he could hunt Nell up in the kitchen.

Empty trays were stacked neatly on Gladys's marbled white counter. Serving bowls were nested. The sink was filled with soapy water that sent up little fingers of steam, and Nell was systematically loading the dishwasher.

"When's the last time you were off your feet?"

"I lost track." She slid plates into slots. "But the fact that they're killing me makes me incredibly happy."

"Here." He held out a glass of champagne. "I thought you deserved this."

"I certainly do." She took a quick sip before she set it aside. "All these weeks of planning, and it's done. And I have five, count them, five appointments for jobs next week. Did you know Mary Harrison's daughter is getting married next spring?"

"I heard that. To John Bigelow. Cousin of mine."

"I have a shot at catering it."

"I vote you put those meatballs of yours on the menu. They were really tasty."

"I'll make a note of it." It felt so good to be able to plan ahead. Not just a day or a week, but months ahead. "Did you see the way Gladys and Carl danced together?"

She straightened, pressing hard on the aching small of her back. "Thirty years, and they were dancing on the patio, looking at each other like it was the first time. It was the best moment of the night for me. Do you know why?"

"Why?"

She turned to him. "Because them dancing together, them looking at each other the way they were, was what this was all about. Not decorations or pretty lights or cocktail shrimp. It was about people making a connection, and believing in it. In each other. What would have happened if either one of them, all those years ago, had stepped back or turned away? They'd have missed dancing on the patio, and everything in between."

"I never got to dance with you." He reached out, skimmed his fingers over her cheek. "Nell-"

"There you are!" Eyes damp and brilliant, Gladys rushed in. "I was afraid you'd slipped out."

"No, indeed. I need to finish up here, then do a run-through of the house to make sure I have everything back in order."

"You certainly do not. You've done enough, more than I expected. I never had such a party, not in my whole life. Why, people will be talking about it for years."

She took Nell's shoulders, kissed both her cheeks. "I was a pest, and I know it." Then she hugged Nell breathless. "Oh, this was such a treat, and I'm not waiting three decades to do it again. Now, I want you to go home and get off your feet."

She pressed a crisp hundred-dollar bill into Nell's hand. "This is for you."

"Mrs. Macey, you're not supposed to tip me. Peg and-"

"I've taken care of them. You're going to hurt my feelings if you don't take this and go buy yourself something pretty. Now I want you to scat. Anything else needs to be done, it'll wait until tomorrow. Sheriff, you help our Nell out to her car with her trays."

"I'll do that."

"This was better than my wedding," Gladys said as she started to the door. She turned back briefly, winked. "Now let's see if we can improve on my wedding night."

"Looks like Carl's in for a surprise." Zack hefted a stack of trays. "We'd better move along, give the young couple some privacy."

"I'm right behind you."

It took three trips between them, with Carl pushing a bottle of champagne into Nell's hands as he nudged them along.

"Here's your hat, what's your hurry?" Zack chuckled as he loaded Nell's trunk.

"Where's your car?"

"Hmm? Oh, Ripley used it to take the last couple of semi-impaired guests home. Most people walked, which helped out."

Nell let herself look at him. He was wearing a suit, but had already rid himself of the tie. She could see the faint bulge where he'd stuffed it in his pocket.

He'd opened his collar, so she could see the clean, tanned line of his throat.

There was a faint smile on his lips as he watched the lights in the Macey house wink out, one at a time. His profile wasn't perfect. His hair hadn't been styled. And the way he stood, his thumbs tucked in the front pockets of his suit pants, was relaxed rather than posed.

When the shimmer of desire came, she didn't try to close it off. Instead she took a step forward.

"I've only had half a glass of champagne. I'm unimpaired, thinking clearly, and my reflexes are perfect."

He turned his head toward her. "As sheriff, I'm glad to know it."

Still watching him, she drew her keys out of her pocket, held them dangling. "Come home with me. You drive."

The twinkle in his eyes turned to razor-sharp intensity. "I'm not going to ask if you're sure." He took the keys. "I'm just going to tell you to get in the car."

Her knees felt a bit wobbly, but she walked to the door, slid in while he got behind the wheel.

When he yanked her across the seat, ravished her mouth, she forgot all about wobbly knees and did her best to crawl into his lap.

"Hold on, just hold on. Christ Jesus." He stabbed the keys into the ignition. The engine whimpered to life, and he swung the protesting car into a tight U-turn. It shimmied in protest, making Nell giggle nervously.

"If this heap falls apart before we get there, we'll have to run for it. Zack-" She flipped off the seat belt she'd automatically snapped on, and slithered over to bite his ear. "I feel like I'm going to explode."

"Did I ever mention I'm particularly partial to women wearing little black vests?"

"No. Really?"

"I just found out tonight." Reaching out, he snagged the vest by the center vee, tugged her back against him. Understandably distracted, he took the turn too sharp and bumped the wheels over the curb.

"One more minute," he panted. "Just one more minute."

With a squeal of brakes and a violent jerk, he stopped in front of Nell's cottage. He managed, barely, to turn off the ignition before he reached for her. Dragging her across his lap, he found her mouth with his again. And let his hands do as they pleased.

Need spurted through her, hot and welcome. Riding on it, she tugged at his jacket, arched against his hands. And thrilled at the first scrape of callus over her flesh.

"Inside." He felt as randy and impatient as a teenager, and as fumbling as he fought to open the car door. "We have to get inside."

He whipped her out, his breathing already ragged as they continued to fight with each other's clothes. They stumbled, and buttons popped off his shirt. As he half carried her toward the cottage, her delighted laughter rang in his head.

"Oh! I love your hands! I want them all over me."

"I'll take care of that. Goddamn it, what's wrong with this door?" Even as he vented his frustration by rapping his hip hard against it, it flew open.

They ended up in a heap on the floor, half in, half out.

"Right here. Right here." She chanted it while her fingers worked busily at his belt.

"Wait. Just a-let me close the-" He managed to roll, scoot, and kick the door shut.

The room was all moonlight and shadows. The floor was as hard as brick. Neither of them noticed as they tore at clothes, rolled and tugged. He caught glimpses, beautiful, erotic images of pale skin, soft curves, delicate lines.

He wanted to look. He wanted to wallow.

He had to take.

When her shirt caught at her wrists by the cuffs, he gave up, gave in and lowered his mouth to her breast.

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