Sue Grafton - P is for Peril

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From Publishers Weekly
PI Kinsey Millhone's trademark dry sense of humor is largely absent in the first half of the 15th book in this justifiably popular series, though it resurfaces as the suspense finally begins to build in the second half. In the bleak November of 1986, Kinsey looks into the disappearance of Dr. Dowan Purcell, who's been missing for nine weeks. Dr. Purcell is an elderly physician who runs a nursing home that's being investigated for Medicare fraud. His ex-wife, Fiona, hires Kinsey when it seems as though the police have given up on the search. Fiona thinks that he could be simply hiding out somewhere, especially since he's pulled a disappearance stunt twice before. However, Purcell's current wife, Crystal, believes that he may be dead. Kinsey is dubious about finding any new leads after so much time has elapsed. She's also worried about having to move out of the office space she now occupies in the suite owned by her lawyer, and between her interviews with suspects she tries to rent a new office from a pair of brothers whose mysterious background begins to make her suspicious. Grafton's Santa Teresa seems more like Ross Macdonald's town of the same name than ever before, with dysfunctional families everywhere jostling for the private eye's attention. The novel has a hard-edged, wintry ambience, echoed in Fiona Purcell's obsession with angular art deco furniture and architecture. Unfortunately, Grafton's evocation of the noir crime novels and styles of the 1940s, although atmospheric, doesn't make up for a lack of suspense and lackluster characters. (June 4)Forecast: With a 600,000-copy first printing and a national author tour, this Literary Guild Main Selection is sure to shoot well up the bestseller lists.

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"Honestly, I'm so mad at her I really don't want to see her. I'll be better in a bit, as soon as I have a drink. Anica's calling the school. I have no idea what she'll tell them. It would serve Leila right if she were suspended or expelled."

"I hear you," I said. "I'll keep you posted on our progress. Wish me luck."

I heard the toilet flush and Leila emerged from the tiny bathroom located under the stairs.

"What'd she say?"

"Nothing much. She's not real happy with you."

Leila moved over to the lumpy sofa. Ignoring me, she opened her backpack and removed a zippered pouch filled with her makeup. She took out a compact and opened it so she could study her face. She cleaned up the smeared mascara and then peered closer at herself. "Crap. A fuckin' zit," she said. She put the compact away. She picked up the remote control and turned on the television set, muting the sound with a glance at me.

I said, "I used to be just like you when I was your age."

"Great. Can I smoke?"

"No."

"Why? They're only clove cigarettes."

"Don't push me, Leila. The place smells bad enough without throwing in clove smoke. Tell me about Dow. And don't get all huffy. I'm bored with that shit."

"Like what do you want to know?"

"When did you see him last?"

"I don't remember stuff like that."

"Here, I'll help. September 12 was a Friday. Emily was sick and she canceled so you must have been home. Were you at the beach house?"

"Nuhn-uhn. I was here."

"Do you remember what you did that night?"

"Probably watched a video. That's what I usually do. Why?"

"I'm wondering when you last talked to Dow."

"How should I know? I try not to talk to him at all if I can help it."

"You must talk occasionally. After all, he's your stepdad."

"I know who he is," she said. "I thought you weren't allowed to question a kid without a parent present."

"That's only true if you're detained by the police."

"What are you?"

"A private eye. Phillip Marlowe in drag." From her expression, I could tell she thought Phillip Marlowe was a rock band, but she was smart enough not to commit herself on that score. I said, "How old were you when Dow and your mom got married?"

"Eleven."

"You like him?"

"He's all right."

"You two get along?"

"About as well as you'd expect. He's old. He wears dentures. His breath smells all moldy and he has a bunch of really stupid rules: 'I want you home and in bed by ten. I don't want you sleeping late. Help your mother with your brother,'" she said, mimicking him. "I told him, 'Hey, that's what Rand's for. I'm not her fucking maid.' My grades have to be perfect or I'm grounded for weeks. He won't even let me have my own phone."

"The bastard," I said. "Where do you think he is?"

"In Canada."

"Interesting. What makes you say that?"

She stared at the television screen, flipping from channel to channel.

"Leila?"

"What!"

"I asked why you thought he was in Canada?"

"Because he's a shit," she said. "All he ever cared about was looking good. I heard him talking to some woman on the phone. I guess six months ago these people came into the clinic and picked up financial records and a lot of patient files. He was shitting bricks. Whatever it was, I guess he could have gone to jail for it, so I think he skipped."

"Who was he talking to?"

"I don't know. He never said her name and I didn't recognize her voice. Just about then, he figured out I was on the line so he waited 'til I got off before he said anything else."

"You were listening in?"

"I was up in my room. I wanted to make a phone call. How was I supposed to know he was on the line?"

"When was this?"

"Couple weeks before he went."

"Did you tell the police?"

"Nobody asked and besides, it's just a guess. Can I watch this now?"

"Sure."

She hit the mute button again and the sound came blasting back. MTV.

I went into the bathroom, which wasn't as tacky as I thought it'd be. I closed the door. It looked like Lloyd had made a modest effort to keep the sink and the bathtub clean. The toilet water was rendered a permanent blue from a pungent smelling cake of something hung in the tank. Once I peed and flushed, I checked the medicine cabinet and sorted through his dirty clothes basket.

When I got back to the main room, Leila had sunk into that hypnotic state television generates. The A-frame was getting dark. I turned on some lights. Since she was paying absolutely no attention, I took advantage of the moment to search the desktop and the contents of the drawers. Most seemed to be filled with the other fellow's junk. I wasn't looking for anything in particular. I simply couldn't resist the urge to stick my nose in where it didn't belong. I sifted through a handful of Lloyd's bills, all overdue. Restlessly, I moved into the kitchen. The refrigerator didn't yield much, but the pantry turned out to be better stocked than mine. Dried pasta, jars of sauce, canned soups, condiments, peanut butter, the strange orange macaroni and cheese in a box that only kids and dogs will eat. I was bored and getting hungry.

I moved across the great room and climbed the stairs to the loft, peering over the rail. Below I could see Leila, still engrossed in the flickering images on the screen. I couldn't believe she was leaving me to snoop at will. Lloyd's bed was unmade. On the bed table there was a framed eight-by-ten photograph of Lloyd and Leila. I picked it up and studied it. The picture must have been taken at a birthday celebration. The two were sitting at a kitchen table, a wobbly-looking chocolate cake festooned with candles in front of them. Lloyd and Leila had leaned their heads close together, grinning and clowning for the photographer. Lloyd's right ear was pierced. A newly opened package was visible and Lloyd was holding one of a pair of earrings to his ear-a tiny dangling gold skull and crossbones-apparently a gift from her. Hard to tell how long ago this was; sometime within the past year, judging from her hair.

A check of the dresser drawers revealed nothing except a wide array of flashy-looking boxer shorts. I turned and surveyed the area. There was a telescope on a tripod standing by the window and that interested me. I crossed and studied the view with my naked eye at first, orienting myself to my surroundings. This was not a neighborhood I knew and I had no idea what Lloyd could see from here. Startled, I realized his current digs were located just across the reservoir from Fiona Purcell. Through the haze of mist and rain, I could see the barren outline of her house, jutting out from the far hill like a fortress. Lloyd's view was toward the mountains while Fiona's view stretched in the opposite direction taking in the ocean and the islands twenty-six miles out. I bent to the eyepiece on the telescope and squinted through the lens. Everything was black. I removed the lens cap, which improved the visibility, though at first, all I saw was the surface of my own eye. The landscape was reduced to a big yawning blur: objects distorted by the magnification.

I lifted my face and found the focus mechanism, then peered through the lens again and adjusted the knob. Abruptly, the far shore came into sharp relief. I could see the scarring on a boulder standing out in such sharp contrast it looked as if it rested just a foot away from me. The water in the reservoir was ragged where the raindrops hit. The sky was reflected in hammered silver on its surface. I caught movement to the right and shifted my view a hair.

There was Trudy, the German shepherd, barking at a stick-one of those brainless behaviors dogs seem to thrive on. I could see her mouth open and shut like a doggie hand puppet. The enthusiasm of her barking caused her whole body to shake, but the sound was reduced by the window glass to the faintest report. Her legs and feet were muddy and I could clearly see the raindrops beading on her coat. Behind her, a wide path through the undergrowth had been flattened and I could see white where a line of saplings had been snapped off at ground level. Maybe a boat trailer had been backed down close to the water's edge to launch an outboard. Faintly, I heard Trudy's owner whistle and then her barely audible call. "Trudy! Truuudy!"

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