Sue Grafton - P is for Peril

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From Publishers Weekly
PI Kinsey Millhone's trademark dry sense of humor is largely absent in the first half of the 15th book in this justifiably popular series, though it resurfaces as the suspense finally begins to build in the second half. In the bleak November of 1986, Kinsey looks into the disappearance of Dr. Dowan Purcell, who's been missing for nine weeks. Dr. Purcell is an elderly physician who runs a nursing home that's being investigated for Medicare fraud. His ex-wife, Fiona, hires Kinsey when it seems as though the police have given up on the search. Fiona thinks that he could be simply hiding out somewhere, especially since he's pulled a disappearance stunt twice before. However, Purcell's current wife, Crystal, believes that he may be dead. Kinsey is dubious about finding any new leads after so much time has elapsed. She's also worried about having to move out of the office space she now occupies in the suite owned by her lawyer, and between her interviews with suspects she tries to rent a new office from a pair of brothers whose mysterious background begins to make her suspicious. Grafton's Santa Teresa seems more like Ross Macdonald's town of the same name than ever before, with dysfunctional families everywhere jostling for the private eye's attention. The novel has a hard-edged, wintry ambience, echoed in Fiona Purcell's obsession with angular art deco furniture and architecture. Unfortunately, Grafton's evocation of the noir crime novels and styles of the 1940s, although atmospheric, doesn't make up for a lack of suspense and lackluster characters. (June 4)Forecast: With a 600,000-copy first printing and a national author tour, this Literary Guild Main Selection is sure to shoot well up the bestseller lists.

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Leila and Paulie exchanged a look. Paulie said something to Leila under her breath; co-conspirators, trying to make the best of the fact they'd been caught. Paulie eased the backpack from her shoulders and passed it to Leila. After a few murmured words, Paulie took off toward the highway at a pace meant to convey nonchalance.

Leila leaned closer to the half-opened window. Her eyes were heavily lined, the lids shadowed with turquoise blue. Her lipstick was dark brown, too harsh a shade for her fragile blond coloring. "You can't make me go home."

"I'm not here to make you do anything," I said. "You might consider getting out of the rain."

"I will if you promise not to tell Mom who was with me."

"I'm assuming that's Paulie." Leila said nothing, which I took as assent. "Come on. Get in. I'll drop you off at your dad's.", She thought about it briefly, then opened the car door and slid into the passenger seat, shoving her backpack into the cramped space at her feet. Her hair had been bleached so many times it looked synthetic, still arranged in the odd mix of dreadlocks and tufts that must have made the boarding school authorities wring their hands in dismay. Or maybe Fitch was progressive, a school where students were allowed to "express themselves" through outlandish appearances and oddball behaviors. In the body-heated confines of the car, I could smell eau-de-marijuana and the feminine musk of undergarments worn several days too long.

I glanced over my shoulder, checking the flow of traffic behind me, and pulled onto the road once the passing cars had cleared. In my rearview mirror, I could see Paulie's departing figure, reduced by now to the size of a toy soldier. "How old is Paulie?"

"Sixteen."

"I take it your mom's not that fond of her. What's the problem?"

"Mom doesn't like anything I do."

"Why'd you leave school without permission?"

"How'd you know where I was going?" she asked, bypassing the issue of truancy.

"Your mother figured it out. When we get to a phone, I want you to call and tell her where you are. She's been worried sick." I didn't mention royally pissed off as well.

"Why don't you do it? You'll turn around and talk to her, anyway."

"Of course I will. You're a minor. I'm not going to contribute to your bad behavior." We drove for a block in silence. Then I said, "I don't get what's bugging you."

"I hate Fitch. That's what's bugging me, if it's any of your business."

"I thought you got sent to Fitch because you screwed up in public school."

"I hated it up here, too. Bunch of goof-offs and retards. Everybody was so dumb-I was bored to death. Classes were a joke. I've got better things to do."

We crossed State at the intersection and headed into a residential area called South Rockingham. "What's wrong with Fitch?"

"The girls are such snobs. All they care about is how much money their fat-ass daddies make."

"I thought you had friends."

"Well, I don't."

"What about Sherry?"

Leila stole a look at me. "What about her?"

"I'm just wondering how you enjoyed yourself in Malibu."

"Fine. It was fun."

"What about Emily?"

"Why are you asking me all these questions?"

"Your mom said you liked riding horses at her place."

"Emily's okay. She's not as bad as some."

"What else did you do?"

"Nothing. We made grilled cheese sandwiches."

The arrow on my bullshit meter zinged up into the red zone. I was much better at lying when I was Leila's age. "Here's my best guess. I'll bet you skipped both those visits and spent the weekend with Paulie."

She said, "Ha ha ha."

"Come on. 'Fess up. What difference does it make?"

"I don't have to respond if I don't want to."

"Leila, you asked me to keep my mouth shut. The least you could do is tell me the truth."

"So what if I saw Paulie? What's the big deal about that?"

"What about all the other weekends you were supposed to be off visiting classmates?"

Another sullen silence. I tried another tack. "How'd you two meet?"

"In Juvie."

"You were in Juvenile Hall? When was this?"

"A year ago July. Bunch of us got picked up."

"Doing what?"

"The cops said loitering and trespass, which is crap. We weren't doing anything, just hanging around."

"Where was this?"

"I don't know," she said, crossly. "Just some boarded-up old house."

"What time of day?"

"What are you, a district attorney? It was late, like two o'clock in the morning. Half the kids ran. Cops were all bent out of shape and took the rest of us in. Mom and Dow came and picked me up and they were pissed."

"What about Paulie? Was she in trouble with the law?"

Leila said, "You just missed my dad's street."

I slowed and pulled into the next driveway, then backed out. I retraced the half block to Gramercy and turned left. This section was only a block and a half long, a jumble of cheap cottages that might have once served as housing for itinerant pickers in the nearby avocado groves. The road here was unpaved and there were no sidewalks. I spotted one streetlight along the entire block. Leila pointed at a weathered A-frame sitting on a small dirt rise. It was the only structure of its kind-a funky wooden chalet among shacks. I pulled into the driveway and killed the engine. "You want to see if he's there? I'd like to talk to him."

"What about?"

"Dr. Purcell, if it's all the same to you," I said.

Leila snatched open the door and reached for her backpack, which I snagged with one hand. "Leave that with me. I'll be happy to bring it in if he's home."

"Why can't I have it?"

"Insurance. I don't want to see you taking off on me. You're in enough trouble as it is."

She sighed, exasperated, but did as she was told. I decided to ignore the vigor with which she slammed the car door. I watched her hurry to the house along a gravel path. Rainwater streamed down the hillside, flattening the long strands of uncut grass. She reached the porch, which was protected by no more than a narrow inverted V of wood. She knocked on the door and then huddled with folded arms, staring back at me while she waited for him to respond. The place looked dark to me. She knocked again. She moved over to a front window, cupped her hands, and peered in. She knocked one more time and then splashed her way back to the car and let herself in. "He's probably coming right back. I know where he keeps the key so I can wait for him here."

"Good. I'll wait with you. The two of us can visit here in the car until he gets home."

The suggestion didn't seem to fill the child with joy. She kicked at the backpack with her muddy hiking boots. "I want to go in. I have to pee."

"Good suggestion. Me, too."

We got out of the car. I locked the car doors and followed her along the path. Once we reached the house, Leila shifted a pot of dead geraniums and removed the house key from its terribly original hiding place. I waited while she unlocked the door and let us in.

"Does he rent this?"

"Nuhn-uhn. He's house-sitting for a friend. Some guy went off to Florida, but he's coming back next week."

The interior was basically one big room. The ceiling soared to a peak. To the right, a narrow staircase led to a sleeping loft. In the living area below, the wood furniture was clumsily constructed, covered with imitation Indian rugs. The wood floors were bare. I could hear grit popping under the soles of my shoes. There was an old black pot-bellied stove exuding the scent of cold ash. At the rear, a counter separated the kitchen, which looked dirty even at this distance.

I spotted the phone sitting on a small side table. "You want to call your mom or should I?"

"You do it. I'm going to the bathroom and don't worry-I'm not going to run away."

While she availed herself of the facilities, I put in the requisite call to Crystal. Temporarily honor-bound, I omitted any mention of Paulie. "I'm going to stay here until Lloyd gets home. If it gets too late, I'll try to talk Leila into coming back to your place."

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