Mary Clark - Nighttime Is My Time

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The definition of an owl had always pleased him: a night bird of prey…sharp talons and soft plumage which permits noiseless flight…applied figuratively to a person of nocturnal habits. 'I am The Owl', he would whisper to himself after he had selected his prey, 'and nighttime is my time.'"
Jean Sheridan, a college dean and prominent historian, sets out to her hometown to attend the twenty-year reunion of Stonecroft Academy alumni, where she is to be honored along with six other members of her class. There is something uneasy in the air: one woman in the group about to be feted, Alison Kendall, a beautiful, high-powered Hollywood agent, drowned in her pool during an early-morning swim. Alison is the fifth woman in the class whose life has come to a sudden, mysterious end.
Adding to Jean's sense of unease is a taunting, anonymous fax she received, referring to her daughter – a child she had given up for adoption twenty years ago.
At the award dinner, Jean is introduced to Sam Deegan, a detective obsessed by the unsolved murder of a young woman who may hold the key to the identity of the Stonecroft killer. Jean does not suspect that among the distinguished people she is greeting is The Owl, a murderer nearing the countdown on his mission of vengeance against the Stonecroft women who had mocked and humiliated him, with Jean as his final victim.
From The Washington Post
As pointed out in Book World's May 2 Summer Forecast, readers hardly need to be reminded that Mary Higgins Clark's latest spring offering is here. Nighttime Is My Time brings to 29 the number of novels to bear her name, novels that have routinely graced bestseller lists and earned her numerous awards and the title Queen of Suspense. It is equally significant that Clark, an icon in the mystery field, has been generous with her time and attention to numerous younger writers, as evidenced by an award she and her publisher have sponsored since 2001 to recognize new talented authors, including Barbara D'Amato, Judith Kelman, Rose Conners and M.K. Preston, who follow the vein of suspense Clark has so expertly mined.
In a recent interview, Clark attributed her popularity to readers' ability to "walk in the shoes of the character." In the guidelines for eligibility to win the award that bears her name, Clark spells out the makings of a good suspense novel: "A very nice young woman, 27-38 or so, whose life is suddenly invaded. She is not looking for trouble – she is doing exactly what she should be doing. She solves her problem by her own courage and intelligence. She's in an interesting job. She's self-made – independent – has primarily good family relationships. No on-scene violence. No four-letter words or explicit sex scenes."
Nighttime Is My Time hews to this formula by creating an admirable protagonist, Jean Sheridan, a historian and author of a well-received book on Abigail Adams, then adds other elements to which virtually every reader can relate. Jean is returning to her hometown to be honored at the 20-year reunion of her class at Stonecroft Academy, a private school in upstate New York. But one of the six other honorees won't be attending the festivities. Hollywood agent Alison Kendall has been murdered in the book's opening pages by a man who had the resources to travel repeatedly to Los Angeles to stalk her before he drowned her in her own swimming pool.
Alison's death strikes Jean hard. The two had been friends and part of a group of girls known for lunching together, their good looks and their cruelty to boys in the school. Typical high school behavior perhaps, but, like the boys of Columbine, Alison's killer has nursed a grudge over how the girls taunted him, most specifically for taking advantage of his stage fright when he played an owl in a school play. This murderer's vengeance, planned and implemented over two decades, calls for killing each lunch-table girl, and other unrelated women, and leaving no "signature" to alert law enforcement, save the little pewter owls he places undetected near their bodies, a "silent reminder of his visit, a calling card that everybody always missed." And although he readily admits to himself that Jean was the only girl who was kind to him, in fact had enough family problems of her own to have been ridiculed herself, our serial killer (who calls himself, unsurprisingly, The Owl) has decided she too must die.
A reunion saddened by the tragic loss of a friend, a loss readers know is murder; the resourceful, successful heroine who has risen to the heights of her profession but must struggle to save herself and her daughter from the killer; the disappearance of actress Laura Wilcox, another honoree, before the reunion is over; a stalking serial killer who sits among the unsuspecting as a classmate and friend – Clark enlists these and other trademark devices to ratchet up the empathy and suspense.
While her fans may be delighted as the red herrings and misdirections pile up in chapters so short that their white space consumes a hefty percentage of the novel's pages, for this reader so much exposure to the killer's habits, thoughts and actions undermines the novel's plausibility. While he may call himself The Owl and wear a frightening feathered headdress, it's unlikely that the kidnapped Laura wouldn't allow herself to say his name, even to herself, regardless of his admonitions not to speak it aloud. Implausible, too, is Sam Deegan, an about-to-retire veteran investigator in the D.A.'s office, whose inability to link past and present crimes is troubling. So is his tendency to share information with suspects and people unassociated with the case, including a nosy reporter for the high school paper whose sole purpose seems to be to move the plot along when the action gets sluggish.
Clark 's successful contributions to the genre clearly indicate that she knows, and has done, better work. And while diehard fans may not object as Nighttime Is My Time wends it way to its inexorable conclusion, others who wish for more sizzle in their suspense or more spine-tingling entertainments may want to wait for Clark's next novel or try D'Amato, Kelman or the others whom she has so graciously encouraged.

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"What do we do now?" Zarro asked.

"Pray," Sam said. "We pray."

93

Jake again asked permission to leave his car outside the delicatessen, and once more it was granted, but Duke's curiosity was now at a fever pitch. "Who are you taking pictures of, sonny?" he asked.

"Just of the neighborhood. As I told you, I'm doing a little story for the Stonecroft Academy Gazette . I'll give you a copy when I finish." Jake had an inspiration. "Better yet, I'll mention you in it."

"That'd be nice. Duke and Sue Mackenzie. No capital k in Mackenzie."

"Gotcha."

Jake's cell phone rang as, camera over his arm, he was starting out the door. The call was from Amy Sachs, on duty at the hotel. "Jake," she whispered, "you should be over here. All hell is breaking loose. Dr. Sheridan is missing. They found her car abandoned at Storm King Lookout. Mr. Deegan is in the office here. I just heard him shouting about something being lost."

"Thanks, Amy. I'll be right over," Jake said. He turned to Duke. "Guess I won't need that space after all, but thanks anyhow."

"There goes that fellow from the reunion I was telling you about," Duke said, pointing to the street outside. "He's going kind of fast. He'll get a ticket if he's not careful."

Jake looked out quickly enough to see and recognize the driver. "He's been buying stuff here?" he asked.

"Yup. Didn't come in this morning, but most days he'd buy coffee and toast, and sometimes stop by for coffee and a sandwich at night."

Could he have been buying it for Laura? Jake wondered. And now Dr. Sheridan is missing. I've got to call Sam Deegan. I'm sure he'll want to check Laura's old house. Then I'll go up there and wait for him, he decided.

He dialed the hotel. "Amy, put Mr. Deegan on. It's important."

Amy didn't take long to come back. "Mr. Deegan told me to tell you to get lost."

"Amy, tell Mr. Deegan that I think I know where he can find Laura Wilcox."

94

Jean looked up as the door to the bedroom was pushed open. The Owl was standing in the doorway. In his arms he was carrying a slender figure, dressed in the dark gray uniform of a West Point cadet. With a satisfied smile he walked across the room and lay Meredith at Jean's feet. "Behold, your daughter!" he said triumphantly. "Look into her face. See the features that must be familiar to you. Isn't she beautiful? Aren't you proud?"

Reed, Jean thought, it's Reed! Lily is Reed incarnate! The narrow aquiline nose, the wide-set eyes, the high cheekbones, the pale golden hair. Oh, my God, has he killed her? No, no-she's breathing!

"Don't hurt her! Don't you dare hurt her!" she cried. When she tried to shout, her voice became muffled. From the bed she could hear Laura's frightened sobs.

"I'm not going to hurt her, Jeannie. But I am going to kill her, and you are going to watch. Then it will be Laura's turn. Then yours. By then I think I'll be doing you a favor. I can't imagine you would want to live after watching your daughter die, will you?"

At a deliberately slow pace, The Owl walked across the room, removed the hanger with the plastic bag on which he had written "Lily/Meredith," and carried it back. He knelt beside Meredith's unconscious form and slid the hanger out of the bag. "Do you want to pray, Jean?" he asked. "I think the Twenty-third Psalm is appropriate for you to recite at this time. Go ahead-'The Lord is my shepherd

Stunned and horrified, Jean watched as The Owl began to slide the plastic over Lily's head.

"No, no, no…" Before the plastic reached Lily's nostrils, she tipped the chair, falling forward, protecting her child with her body. The chair hit The Owl on his arm and pinned it. He screeched with pain. As he struggled to pull it loose, he could hear from downstairs the sound of the front door being smashed open.

95

When Sam Deegan got on the phone with Jake after Amy Sachs had explained to him that Jake thought he knew where Laura was being kept, he did not give Jake the chance to deliver the speech he had hastily prepared.

Jake wanted to say, "Mr. Deegan, notwithstanding the fact that you publicly disclaimed my assistance and made me the subject of ridicule, I am being generous enough to help you in your investigation, particularly since I am very concerned about Dr. Sheridan."

He got only as far as "Notwithstanding the fact" when Sam interrupted. "Listen, Jake. Jean Sheridan and Laura are in the hands of a homicidal maniac. Don't waste my time. Do you know where Laura is, or don't you?"

At that, Jake almost tripped over his own tongue as he rushed to tell what he knew.

"Somebody is staying in Laura's old house on Mountain Road, Mr. Deegan, even though it's supposed to be unoccupied. One of the honorees from the reunion has been buying food at the delicatessen down the street from the house almost every day. He just drove by. I think he was on his way to the house." Jake had barely spit out the name of the man before he heard the click of Sam's phone.

That sure got Deegan's attention, Jake thought as he waited on the street near Laura's old house. It wasn't more than six minutes later that Deegan and that other detective, Zarro, were screeching to a stop at the curb, followed by two patrol cars. They hadn't used the sirens to announce their arrival, which Jake had found disappointing, but he supposed they wanted to surprise the guy.

He had told Sam he was sure that whoever was in the house was in the corner front bedroom. Immediately after that, they broke down the front door and rushed in. Sam had yelled to him to stay outside.

Fat chance, Jake thought. He'd given them time to get to the bedroom, then followed, the camera slung over his shoulder. As he got to the top of the stairs, he heard a door slam. The other front bedroom, he thought. Somebody's in there.

Sam Deegan came out of the back corner bedroom, his gun drawn. "Get downstairs, Jake!" he ordered. "There's a killer hiding up here."

Jake pointed down the hall. "He's in there."

Sam and Zarro and a couple of the cops ran past him. Jake rushed to the door of the front bedroom, looked inside, and, after an instant of total shock at what he was seeing, focused his camera and began snapping pictures.

He took a photograph of Laura Wilcox. She was lying on the bed, her gown crumpled, her hair matted. A cop was supporting her head and holding a glass of water to her lips.

Jean Sheridan was sitting on the floor, holding in her arms a young woman dressed in the uniform of a West Point cadet. Jean was crying and whispering, "Lily, Lily, Lily," over and over again. At first Jake thought the girl was dead, but then he saw that she was beginning to stir.

Jake aimed his camera and was able to record for posterity the moment Lily opened her eyes and, for the first time since the day she was born, looked into the eyes of her birth mother.

96

It will be only a matter of seconds before they force open the door, The Owl thought. I came so close to completing the mission. He looked at the pewter owls he had clasped in his hand, the ones he had intended to place with the bodies of Laura and Jean and Meredith.

Now he would never have the chance.

"Give yourself up," Sam Deegan shouted. "It's over. You know you can't escape."

"Oh, but I can," The Owl thought. He sighed and took his mask out of his pocket. He slipped it on and looked into the mirror over the bureau to be sure it was properly in place. He put the pewter owls on the dresser.

"I am an owl, and I live in a tree," he said aloud.

The pistol was in his other pocket. He took it out and held it against his temple. "Nighttime is my time," he whispered. Then he closed his eyes and pulled the trigger.

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