Mary Clark - Nighttime Is My Time

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The definition of an owl had always pleased him: a night bird of prey…sharp talons and soft plumage which permits noiseless flight…applied figuratively to a person of nocturnal habits. 'I am The Owl', he would whisper to himself after he had selected his prey, 'and nighttime is my time.'"
Jean Sheridan, a college dean and prominent historian, sets out to her hometown to attend the twenty-year reunion of Stonecroft Academy alumni, where she is to be honored along with six other members of her class. There is something uneasy in the air: one woman in the group about to be feted, Alison Kendall, a beautiful, high-powered Hollywood agent, drowned in her pool during an early-morning swim. Alison is the fifth woman in the class whose life has come to a sudden, mysterious end.
Adding to Jean's sense of unease is a taunting, anonymous fax she received, referring to her daughter – a child she had given up for adoption twenty years ago.
At the award dinner, Jean is introduced to Sam Deegan, a detective obsessed by the unsolved murder of a young woman who may hold the key to the identity of the Stonecroft killer. Jean does not suspect that among the distinguished people she is greeting is The Owl, a murderer nearing the countdown on his mission of vengeance against the Stonecroft women who had mocked and humiliated him, with Jean as his final victim.
From The Washington Post
As pointed out in Book World's May 2 Summer Forecast, readers hardly need to be reminded that Mary Higgins Clark's latest spring offering is here. Nighttime Is My Time brings to 29 the number of novels to bear her name, novels that have routinely graced bestseller lists and earned her numerous awards and the title Queen of Suspense. It is equally significant that Clark, an icon in the mystery field, has been generous with her time and attention to numerous younger writers, as evidenced by an award she and her publisher have sponsored since 2001 to recognize new talented authors, including Barbara D'Amato, Judith Kelman, Rose Conners and M.K. Preston, who follow the vein of suspense Clark has so expertly mined.
In a recent interview, Clark attributed her popularity to readers' ability to "walk in the shoes of the character." In the guidelines for eligibility to win the award that bears her name, Clark spells out the makings of a good suspense novel: "A very nice young woman, 27-38 or so, whose life is suddenly invaded. She is not looking for trouble – she is doing exactly what she should be doing. She solves her problem by her own courage and intelligence. She's in an interesting job. She's self-made – independent – has primarily good family relationships. No on-scene violence. No four-letter words or explicit sex scenes."
Nighttime Is My Time hews to this formula by creating an admirable protagonist, Jean Sheridan, a historian and author of a well-received book on Abigail Adams, then adds other elements to which virtually every reader can relate. Jean is returning to her hometown to be honored at the 20-year reunion of her class at Stonecroft Academy, a private school in upstate New York. But one of the six other honorees won't be attending the festivities. Hollywood agent Alison Kendall has been murdered in the book's opening pages by a man who had the resources to travel repeatedly to Los Angeles to stalk her before he drowned her in her own swimming pool.
Alison's death strikes Jean hard. The two had been friends and part of a group of girls known for lunching together, their good looks and their cruelty to boys in the school. Typical high school behavior perhaps, but, like the boys of Columbine, Alison's killer has nursed a grudge over how the girls taunted him, most specifically for taking advantage of his stage fright when he played an owl in a school play. This murderer's vengeance, planned and implemented over two decades, calls for killing each lunch-table girl, and other unrelated women, and leaving no "signature" to alert law enforcement, save the little pewter owls he places undetected near their bodies, a "silent reminder of his visit, a calling card that everybody always missed." And although he readily admits to himself that Jean was the only girl who was kind to him, in fact had enough family problems of her own to have been ridiculed herself, our serial killer (who calls himself, unsurprisingly, The Owl) has decided she too must die.
A reunion saddened by the tragic loss of a friend, a loss readers know is murder; the resourceful, successful heroine who has risen to the heights of her profession but must struggle to save herself and her daughter from the killer; the disappearance of actress Laura Wilcox, another honoree, before the reunion is over; a stalking serial killer who sits among the unsuspecting as a classmate and friend – Clark enlists these and other trademark devices to ratchet up the empathy and suspense.
While her fans may be delighted as the red herrings and misdirections pile up in chapters so short that their white space consumes a hefty percentage of the novel's pages, for this reader so much exposure to the killer's habits, thoughts and actions undermines the novel's plausibility. While he may call himself The Owl and wear a frightening feathered headdress, it's unlikely that the kidnapped Laura wouldn't allow herself to say his name, even to herself, regardless of his admonitions not to speak it aloud. Implausible, too, is Sam Deegan, an about-to-retire veteran investigator in the D.A.'s office, whose inability to link past and present crimes is troubling. So is his tendency to share information with suspects and people unassociated with the case, including a nosy reporter for the high school paper whose sole purpose seems to be to move the plot along when the action gets sluggish.
Clark 's successful contributions to the genre clearly indicate that she knows, and has done, better work. And while diehard fans may not object as Nighttime Is My Time wends it way to its inexorable conclusion, others who wish for more sizzle in their suspense or more spine-tingling entertainments may want to wait for Clark's next novel or try D'Amato, Kelman or the others whom she has so graciously encouraged.

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When the pictures were developed, he viewed them with intense pleasure. From different angles he had caught the starkness of the car with its sides dented from hitting a rock pile in the river and its open trunk, dripping water. He also had gotten a good shot of the meat wagon, its lights flashing as it backed away.

The pictures he had taken in the morning of the Mountain Road house were still clipped and hanging on the line. His gaze fell on the last one, the out-of-focus picture of the front of the house. As he looked closely at it, his eyes widened.

He grabbed the magnifying glass, studied the picture, then un-clipped it and rushed out of the darkroom. Jill Ferris was still there, grading papers. He dropped the picture in front of her and handed her the magnifying glass.

"Jake," she protested.

"This is important, really important. Look at this picture and tell me if something looks out of place or different. Please, Ms. Ferris, really look."

"Jake, you'd drive anyone crazy," she said with a sigh, taking the magnifying glass from him to study the print. "I guess you mean that the shade on that window on the second floor in the corner is kind of lopsided. Is that it?"

"That's exactly it," Jale exulted. "It wasn't lopsided yesterday. I don't care how empty that kitchen looks-somebody's living in that house!"

91

Sam had returned to the Glen-Ridge House rather than go back to the office in Goshen because he was beginning to feel certain that one of the honorees, or perhaps Jack Emerson or Joel Nieman, was responsible for the threats to Lily. All of them had worked in the building where Dr. Connors' office was located. At some point over the weekend, one of them had referred to Jean as having been his patient. But which one he hadn't yet determined.

Fleischman had insisted he heard one of those other men mention that Jean was Connors' patient. Of course, he could be lying, Sam thought. Stewart denied ever hearing the remark. And he could be lying, too. But at least at the Glen-Ridge he could keep an eye on Fleischman and Gordon Amory, who were still checked in there. The fact that Jean was missing would be picked up by reporters and be broadcast, and he'd bet anything that the news would bring Jack Emerson rushing there as well.

He'd already asked Rich Stevens to put surveillance on all of them. That would kick in soon.

At ten after twelve he got the call he was hoping to receive from the technical guys. "Sam, we have a fix on Jean Sheridan's phone."

"Where is it?"

"In a moving car."

"Can you tell where the car is?"

"Near Storm King, heading toward the Cornwall area."

"He's coming from West Point /' Sam said. "He has the cadet. Don't lose him. Don't lose him."

"We don't intend to."

92

"Please turn the car around," Meredith said. "I am not permitted to leave the grounds. When you asked me to sit in the car, I thought you meant just to talk for a minute. I'm sorry you left the letter about my mother in your other pocket, but I'll have to wait to get it. Please, I must go back, Mr. – "

"You were about to use my name, Meredith. I don't want you to do that. You must refer to me as Owl or The Owl."

She stared at him, fear suddenly gripping her. "I don't understand. Please take me back." Meredith grasped the handle of the passenger door. If he stops for a light, I'll jump out, she thought. He's different. He even looks different. No, not just different-crazy! Questions of doubt, unanswerable questions, flitted through her mind. Why did Dad ask me to promise I wouldn't leave the grounds? Why did he ask me about the hairbrush that I lost? What does this have to do with my birth mother?

The car was speeding north along Route 218. He's going way over the speed limit, Meredith thought. Please, God, let us pass a cop. Let a cop see us. She considered grabbing the steering wheel, but there were cars coming in the other direction; somebody in one of them might get killed. "Where are you taking me?" she demanded. Something was pressing into her back. She moved forward in the seat, but it was still there. What was it?

"Meredith, I lied when I said I met your mother's friend at the reunion. I met your mother there. I'm taking you to see her."

"My mother! Jean! You're taking me to see her?"

"Yes, I am. And then the two of you are going to join your birth father in heaven. You'll have a wonderful reunion, I'm sure. You look a lot like him, you know. At least you look as he did before I smashed into him on the road. You know where that happened, Meredith? On the road near the picnic grounds at West Point. That's where your real daddy died. I wish you'd had a chance to visit his grave. His name is on the tombstone: Carroll Reed Thornton,}r. He would have graduated one week later. I wonder if they'll bury you and Jeannie beside him. Wouldn't that be nice?"

"My father went to West Point, and you killed him?"

"Of course I did. Do you think it was fair for him and Jean to be so happy and leave me out in the cold? Do you think that was fair, Meredith ?"

He turned his head and glared at her. His eyes were flashing. His lips were pressed together so tightly that his mouth seemed to have disappeared beneath flaring nostrils.

He's crazy, she thought. "No, sir. It doesn't seem fair," she replied, trying to keep her voice steady. I can't show him how scared lam.

He seemed mollified. "Your West Point training. 'Yes, ma'am.' 'No, sir.' I didn't ask you to call me sir. I told you to call me 'Owl.'"

They had passed the cutoff for Storm King Mountain and were on the outskirts of Cornwall. Where are we going? Meredith wondered. Is he really taking me to my mother? Did he really kill my father and is he planning to kill us now? What can I do to stop him? Don't panic, she warned herself. Look around. See if there's anything you can use to defend yourself. Maybe there's a bottle of water somewhere. I could hit him in the face with it. It might give me enough time to reach the ignition key and stop the car. We're passing enough cars now that somebody might notice a struggle. But as she glanced around, she saw absolutely nothing she could use to defend herself.

"Meredith, I can read your thoughts. Don't even think about trying to attract attention to yourself, because if you do, you will not live to get out of this car. I have a gun, and I will use it. At least I am offering you a chance to meet your mother. Don't be foolish and throw it away."

Meredith's hands were gripped together. What was pressing against her back? Maybe, maybe it was something that would give her a chance to save herself and save her mother. With infinite care she unclasped her hands and moved her right hand slowly to her side. She sat up straighter in the seat as she slid her hand behind her back. Her fingers touched the edge of a narrow object that felt familiar.

It was a cell phone. She had to tug to get it loose, but The Owl didn't seem to notice. They were driving through Cornwall now, and he was looking from side to side as though afraid he'd be stopped.

Meredith moved her hand slowly back, the phone cupped in it. She flipped it open, glanced down, and her finger pressed 91-

She did not see his hand shoot across the car seat, but she felt it as he grabbed her neck. She slumped forward, unconscious, as The Owl grabbed the phone, lowered his window, and threw it onto the road.

Less than ten seconds later, a mail truck rumbled over it, breaking it into bits of plastic.

***

"Sam, we've lost him," Eddie Zarro said. "He's in Cornwall, but we're not getting any more signals."

"How did you lose him?" Sam shouted. It was a stupid, useless question. He knew the answer-the phone had been discovered and destroyed.

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