Mary Clark - Nighttime Is My Time

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The definition of an owl had always pleased him: a night bird of prey…sharp talons and soft plumage which permits noiseless flight…applied figuratively to a person of nocturnal habits. 'I am The Owl', he would whisper to himself after he had selected his prey, 'and nighttime is my time.'"
Jean Sheridan, a college dean and prominent historian, sets out to her hometown to attend the twenty-year reunion of Stonecroft Academy alumni, where she is to be honored along with six other members of her class. There is something uneasy in the air: one woman in the group about to be feted, Alison Kendall, a beautiful, high-powered Hollywood agent, drowned in her pool during an early-morning swim. Alison is the fifth woman in the class whose life has come to a sudden, mysterious end.
Adding to Jean's sense of unease is a taunting, anonymous fax she received, referring to her daughter – a child she had given up for adoption twenty years ago.
At the award dinner, Jean is introduced to Sam Deegan, a detective obsessed by the unsolved murder of a young woman who may hold the key to the identity of the Stonecroft killer. Jean does not suspect that among the distinguished people she is greeting is The Owl, a murderer nearing the countdown on his mission of vengeance against the Stonecroft women who had mocked and humiliated him, with Jean as his final victim.
From The Washington Post
As pointed out in Book World's May 2 Summer Forecast, readers hardly need to be reminded that Mary Higgins Clark's latest spring offering is here. Nighttime Is My Time brings to 29 the number of novels to bear her name, novels that have routinely graced bestseller lists and earned her numerous awards and the title Queen of Suspense. It is equally significant that Clark, an icon in the mystery field, has been generous with her time and attention to numerous younger writers, as evidenced by an award she and her publisher have sponsored since 2001 to recognize new talented authors, including Barbara D'Amato, Judith Kelman, Rose Conners and M.K. Preston, who follow the vein of suspense Clark has so expertly mined.
In a recent interview, Clark attributed her popularity to readers' ability to "walk in the shoes of the character." In the guidelines for eligibility to win the award that bears her name, Clark spells out the makings of a good suspense novel: "A very nice young woman, 27-38 or so, whose life is suddenly invaded. She is not looking for trouble – she is doing exactly what she should be doing. She solves her problem by her own courage and intelligence. She's in an interesting job. She's self-made – independent – has primarily good family relationships. No on-scene violence. No four-letter words or explicit sex scenes."
Nighttime Is My Time hews to this formula by creating an admirable protagonist, Jean Sheridan, a historian and author of a well-received book on Abigail Adams, then adds other elements to which virtually every reader can relate. Jean is returning to her hometown to be honored at the 20-year reunion of her class at Stonecroft Academy, a private school in upstate New York. But one of the six other honorees won't be attending the festivities. Hollywood agent Alison Kendall has been murdered in the book's opening pages by a man who had the resources to travel repeatedly to Los Angeles to stalk her before he drowned her in her own swimming pool.
Alison's death strikes Jean hard. The two had been friends and part of a group of girls known for lunching together, their good looks and their cruelty to boys in the school. Typical high school behavior perhaps, but, like the boys of Columbine, Alison's killer has nursed a grudge over how the girls taunted him, most specifically for taking advantage of his stage fright when he played an owl in a school play. This murderer's vengeance, planned and implemented over two decades, calls for killing each lunch-table girl, and other unrelated women, and leaving no "signature" to alert law enforcement, save the little pewter owls he places undetected near their bodies, a "silent reminder of his visit, a calling card that everybody always missed." And although he readily admits to himself that Jean was the only girl who was kind to him, in fact had enough family problems of her own to have been ridiculed herself, our serial killer (who calls himself, unsurprisingly, The Owl) has decided she too must die.
A reunion saddened by the tragic loss of a friend, a loss readers know is murder; the resourceful, successful heroine who has risen to the heights of her profession but must struggle to save herself and her daughter from the killer; the disappearance of actress Laura Wilcox, another honoree, before the reunion is over; a stalking serial killer who sits among the unsuspecting as a classmate and friend – Clark enlists these and other trademark devices to ratchet up the empathy and suspense.
While her fans may be delighted as the red herrings and misdirections pile up in chapters so short that their white space consumes a hefty percentage of the novel's pages, for this reader so much exposure to the killer's habits, thoughts and actions undermines the novel's plausibility. While he may call himself The Owl and wear a frightening feathered headdress, it's unlikely that the kidnapped Laura wouldn't allow herself to say his name, even to herself, regardless of his admonitions not to speak it aloud. Implausible, too, is Sam Deegan, an about-to-retire veteran investigator in the D.A.'s office, whose inability to link past and present crimes is troubling. So is his tendency to share information with suspects and people unassociated with the case, including a nosy reporter for the high school paper whose sole purpose seems to be to move the plot along when the action gets sluggish.
Clark 's successful contributions to the genre clearly indicate that she knows, and has done, better work. And while diehard fans may not object as Nighttime Is My Time wends it way to its inexorable conclusion, others who wish for more sizzle in their suspense or more spine-tingling entertainments may want to wait for Clark's next novel or try D'Amato, Kelman or the others whom she has so graciously encouraged.

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"I ammmm an owwlllll annnnd I livwwe in in in a tree," he whispered. "You thought it was funny to mimic me, didn't you? Do you think it's funny now, Laura? Do you?"

With the night glasses, he could see the terror in her eyes. Whimpering sounds came from her throat as she shook her head from side to side.

"That's not the right answer, Laura. You do think it's funny. All of you girls think it's funny. Show me you think it's funny. Show me."

She began to shake her head up and down. In a quick movement, he untied the gag. "Don't raise your voice, Laura," he whispered. "No one will hear you, and if you do cry out, I will hold this pillow over your face. Do you understand me?"

"Please," Laura whispered. "Please…"

"No, Laura I don't want you to say 'please.' I want you to mimic me, giving my line onstage, and then I want you to laugh."

"I… I ammmm an owl annnd I lllivwe livwwe innnnn aaaa treeee."

He nodded approvingly. "That's the way. You're a very good mimic. Now pretend that you're with the girls at the lunch table and giggle and snicker and cackle and laugh. I want to see how amused all of them were after you ridiculed me."

"I can't… I'm sorry…"

He lifted the pillow and held it over her face.

Desperately, Laura began to laugh, shrill, high-pitched, hysterical bleating sounds. "Ha… ha… ha…" Tears spilled from her eyes. "Please…"

He put his hand over her mouth. "You were about to use my name. That is forbidden. You may only call me The Owl.' You will have to practice imitating the girls being amused. Now I am going to untie your hands and let you eat. I brought you soup and a roll. Wasn't that good of me? Then I will permit you to use the bathroom.

"After that, when you are back in a safe sleep position, I am going to dial the hotel on my cell phone. You will tell the desk clerk that you are with friends, that your plans are indefinite, and to hold your room for you.

"Do you understand that, Laura?"

Her answer was barely audible: "Yes."

"If you attempt in any way to seek help, you will die immediately. You do understand that?"

"Y-e-s."

"Very well."

Twenty minutes later the computerized answering system at the Glen-Ridge House was responding to a caller who had pushed "3" for reservations.

The phone at the front desk rang. The clerk picked it up and identified herself. "Front desk, Amy speaking." Then she gasped. "Ms. Wilcox, how good to hear from you. We've all been so concerned about you. Oh, your friends will be so happy to hear that you've called. Of course we'll hold the room for you. Are you sure you're all right?"

The Owl broke the connection. "You did that very well, Laura. Some stress in your voice, but that's natural, I suppose. Maybe you do have the makings of an actress." He tied the gag over her mouth. "I'll be back eventually. Try to get some sleep. You have my permission to dream about me."

38

Jake Perkins knew that the clerk who had booted him out of the Glen-Ridge went off duty at 8:00 p.m. That meant he could go back to the hotel anytime after eight and hang around the desk with the other clerk, Amy Sachs, to see if anything had developed.

After dinner with his parents, who were enthralled with his account of what was going on at the hotel, he went over the notes he would be giving to the Post. He had decided to wait until the morning to call the newspaper. By then Laura Wilcox would have been missing a full day.

At ten o'clock he was back at the Glen-Ridge, entering the deserted hotel lobby. You could fly a plane through this place and not hit anyone, he thought as he walked to the front desk. Amy Sachs was there.

Amy liked him. He knew that. Last spring when he had been covering a luncheon for Stonecroft she had said he reminded her of her kid brother. "The only difference is Danny is forty-six and you're sixteen," she'd said, then she'd laughed. "He always wanted to be in publishing, too, and in a way I guess he is. He owns a trucking company that delivers newspapers."

Jake wondered how many people realized that under her timid, anxious-to-please exterior, Amy had a good sense of humor and was pretty sharp.

She welcomed him with a timid smile. "Hi, Jake."

"Hi, Amy. Just thought I'd stop by and see if you'd heard from Laura Wilcox."

"Not a word." Just then the phone at her elbow rang, and she picked up the receiver. "Front desk, Amy speaking," she whispered.

Then as Jake watched, Amy's face changed and she gasped, "Oh, Ms. Wilcox…"

Jake leaned over the desk and motioned to Amy to hold the receiver away from her ear so that he could listen, too. He caught Laura saying that she was with friends, her plans were indefinite, and to please hold her room for her.

She doesn't sound like herself, he thought. She's upset. Her voice is trembling.

The conversation lasted only twenty seconds. When Amy replaced the receiver, she and Jake looked at each other. "Wherever she is, she's not having a good time," he said flatly.

"Or maybe she's just hung over," Amy suggested. "I read an article about her in People magazine last year, and it said she'd been in rehab for a drinking problem."

"That would explain it, I guess," Jake agreed. He shrugged. So much for my big story , he thought. "Where do you think she went, Amy?" he asked. "You were on duty all weekend. Did you notice her hanging around with anyone specially?"

Amy Sachs' oversized glasses wiggled when she frowned. "I saw her arm in arm with Dr. Fleischman a couple of times," she said. "And he was the first to check out Sunday morning, even before that brunch at Stonecroft. Maybe he'd left her sobering up somewhere and was anxious to get back to her."

She opened a drawer and took out a card. "I promised that detective, Mr. Deegan, that I'd phone him if we heard from Ms. Wilcox."

"I'm on my way," Jake said. "I'll see you, Amy." With a wave of his hand he started for the front door as she dialed. He went outside, stood indecisively on the pavement, walked halfway to his car, and then returned to the desk.

"Did you reach Mr. Deegan?" he asked.

"Yes. I told him that I'd heard from her. He said that was good news and to let him know when she actually comes back for her bags."

"That's what I was afraid of. Amy, give me Sam Deegan's number."

She looked alarmed. "Why?"

"Because I think Laura Wilcox sounded scared rather than hung-over, and I think Mr. Deegan should know that."

"If anyone finds out I let you listen in on her call, I'll lose my job."

"No, you won't. I'll say I grabbed the receiver when you mentioned her name and turned it so I could hear, too. Amy, five of Laura's friends are dead. If she's being held against her will, she may not have much time, either."

***

Sam Deegan had barely hung up after speaking to Jean when he received the telephone call from the Glen-Ridge clerk. His immediate reaction was that Laura Wilcox was a remarkably selfish woman to have missed her friend's memorial service, worried her other friends, and cost the limousine driver another fare by not canceling. But even that reaction had been tempered by the unsettling fact that there was something suspicious about the vague story she had told the clerk and the clerk's assessment that she had sounded either nervous or hungover.

Jake Perkins' follow-up phone call cemented that impression, especially since Jake was emphatic that he thought Wilcox sounded frightened. "Do you agree with Ms. Sachs that it was exactly ten-thirty when Laura Wilcox called the hotel?" Sam asked him.

"At exactly ten-thirty," Jake confirmed. "Are you thinking of tracing it, Mr. Deegan? I mean, if she used her cell phone, you'd be able to trace the area where the call was made, isn't that right?"

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