Mary Clark - Nighttime Is My Time

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The definition of an owl had always pleased him: a night bird of prey…sharp talons and soft plumage which permits noiseless flight…applied figuratively to a person of nocturnal habits. 'I am The Owl', he would whisper to himself after he had selected his prey, 'and nighttime is my time.'"
Jean Sheridan, a college dean and prominent historian, sets out to her hometown to attend the twenty-year reunion of Stonecroft Academy alumni, where she is to be honored along with six other members of her class. There is something uneasy in the air: one woman in the group about to be feted, Alison Kendall, a beautiful, high-powered Hollywood agent, drowned in her pool during an early-morning swim. Alison is the fifth woman in the class whose life has come to a sudden, mysterious end.
Adding to Jean's sense of unease is a taunting, anonymous fax she received, referring to her daughter – a child she had given up for adoption twenty years ago.
At the award dinner, Jean is introduced to Sam Deegan, a detective obsessed by the unsolved murder of a young woman who may hold the key to the identity of the Stonecroft killer. Jean does not suspect that among the distinguished people she is greeting is The Owl, a murderer nearing the countdown on his mission of vengeance against the Stonecroft women who had mocked and humiliated him, with Jean as his final victim.
From The Washington Post
As pointed out in Book World's May 2 Summer Forecast, readers hardly need to be reminded that Mary Higgins Clark's latest spring offering is here. Nighttime Is My Time brings to 29 the number of novels to bear her name, novels that have routinely graced bestseller lists and earned her numerous awards and the title Queen of Suspense. It is equally significant that Clark, an icon in the mystery field, has been generous with her time and attention to numerous younger writers, as evidenced by an award she and her publisher have sponsored since 2001 to recognize new talented authors, including Barbara D'Amato, Judith Kelman, Rose Conners and M.K. Preston, who follow the vein of suspense Clark has so expertly mined.
In a recent interview, Clark attributed her popularity to readers' ability to "walk in the shoes of the character." In the guidelines for eligibility to win the award that bears her name, Clark spells out the makings of a good suspense novel: "A very nice young woman, 27-38 or so, whose life is suddenly invaded. She is not looking for trouble – she is doing exactly what she should be doing. She solves her problem by her own courage and intelligence. She's in an interesting job. She's self-made – independent – has primarily good family relationships. No on-scene violence. No four-letter words or explicit sex scenes."
Nighttime Is My Time hews to this formula by creating an admirable protagonist, Jean Sheridan, a historian and author of a well-received book on Abigail Adams, then adds other elements to which virtually every reader can relate. Jean is returning to her hometown to be honored at the 20-year reunion of her class at Stonecroft Academy, a private school in upstate New York. But one of the six other honorees won't be attending the festivities. Hollywood agent Alison Kendall has been murdered in the book's opening pages by a man who had the resources to travel repeatedly to Los Angeles to stalk her before he drowned her in her own swimming pool.
Alison's death strikes Jean hard. The two had been friends and part of a group of girls known for lunching together, their good looks and their cruelty to boys in the school. Typical high school behavior perhaps, but, like the boys of Columbine, Alison's killer has nursed a grudge over how the girls taunted him, most specifically for taking advantage of his stage fright when he played an owl in a school play. This murderer's vengeance, planned and implemented over two decades, calls for killing each lunch-table girl, and other unrelated women, and leaving no "signature" to alert law enforcement, save the little pewter owls he places undetected near their bodies, a "silent reminder of his visit, a calling card that everybody always missed." And although he readily admits to himself that Jean was the only girl who was kind to him, in fact had enough family problems of her own to have been ridiculed herself, our serial killer (who calls himself, unsurprisingly, The Owl) has decided she too must die.
A reunion saddened by the tragic loss of a friend, a loss readers know is murder; the resourceful, successful heroine who has risen to the heights of her profession but must struggle to save herself and her daughter from the killer; the disappearance of actress Laura Wilcox, another honoree, before the reunion is over; a stalking serial killer who sits among the unsuspecting as a classmate and friend – Clark enlists these and other trademark devices to ratchet up the empathy and suspense.
While her fans may be delighted as the red herrings and misdirections pile up in chapters so short that their white space consumes a hefty percentage of the novel's pages, for this reader so much exposure to the killer's habits, thoughts and actions undermines the novel's plausibility. While he may call himself The Owl and wear a frightening feathered headdress, it's unlikely that the kidnapped Laura wouldn't allow herself to say his name, even to herself, regardless of his admonitions not to speak it aloud. Implausible, too, is Sam Deegan, an about-to-retire veteran investigator in the D.A.'s office, whose inability to link past and present crimes is troubling. So is his tendency to share information with suspects and people unassociated with the case, including a nosy reporter for the high school paper whose sole purpose seems to be to move the plot along when the action gets sluggish.
Clark 's successful contributions to the genre clearly indicate that she knows, and has done, better work. And while diehard fans may not object as Nighttime Is My Time wends it way to its inexorable conclusion, others who wish for more sizzle in their suspense or more spine-tingling entertainments may want to wait for Clark's next novel or try D'Amato, Kelman or the others whom she has so graciously encouraged.

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"How did she find out?" Jean asked.

"According to the housekeeper, one night shortly before she died, something happened and she turned completely against Mark. He didn't even come to her funeral. She cut him out of her will, too; she had big bucks from her mother's family. Mark was in medical school at that time."

"But he was only thirteen years old at the time of the accident," Jean said in protest.

"And always jealous of his brother," Carter Stewart said quietly. "You can bet that. But maybe he has been in touch with the father, and maybe he still has a key to the house, and maybe he knew the father was away."

Did Mark lie about having to go back to Boston? Jean wondered. He went out of his way to stop at the table in the bar when I was with Alice and Sam to tell us about walking past his father's house. Could he still be right here in town with Laura?

I don't want to believe that, she acknowledged to herself, as Gordon Amory volunteered, "We're all assuming that Laura went with someone. It's also possible she went to someone. We're not that far from Greenwich and Bedford and Westport, where a lot of her celebrity friends have homes."

Jack Emerson had brought a list of the people who attended the reunion. In the end, they decided that each of them would take names to call, explain why they were concerned, and ask for their thoughts as to where Laura might have gone.

When they left the dining room, after promising to be in touch in the morning, Carter Stewart and Jack Emerson headed for their cars. In the lobby, Jean told Gordon Amory and Robby Brent that she was going to stop at the desk.

"Then I'll say good night," Gordon told her. "I still have some phone calls to make."

"It's Sunday night, Gordie,' Robby Brent said. "What could be so important it can't wait till morning?"

Gordon Amory stared at Robby's deceptively innocent face. "As you know, I prefer to be addressed as 'Gordon,'" he said quietly. "Good night, Jean."

"He is so full of himself," Robby said as he watched Gordon walk across the lobby and press the button for the elevator. "I bet he goes up and turns on the television. Tonight's the opening of a new series on one of his channels. Or maybe he just wants to look in the mirror at his pretty new face. Honest to God, Jeannie, that plastic surgeon must be a genius. Remember what a dorky-looking kid Gordie used to be?"

I don't care why he's going up to his room, Jean thought. I just want to check to see if by any chance Laura has phoned and then go up to bed myself. "More power to Gordon that he was able to turn his life around. He had a pretty nasty time growing up."

"Like all of us," Robby said dismissively. "Except of course, for our missing beauty queen." He shrugged. "I'm going to grab a jacket and go out for a while. I'm a health nut and except for a couple of walks, I haven't had any exercise all weekend. The gym in this place is the pits."

"Is there anything about this town or this hotel or the people you've been meeting that isn't the pits in your opinion?" Jean asked, not caring if her voice sounded sharp.

"Very little," Robby said cheerfully, "except for you, of course, Jeannie. I was sorry to see that you looked kind of upset when we talked about Mark hanging around Laura this weekend. For the record, I could see that Mark was playing up to you, too. He's a hard guy to figure out, but then most psychiatrists are more nuts than their patients. If Mark did release the brake on the car that killed his brother, I wonder if consciously or unconsciously it was deliberate. After all, it was his brother's new car, a gift from Mommy and Daddy for graduation from Stonecroft. Think about that."

With a wink and a wave of his hand he was on his way to the bank of elevators. Furious and humiliated that he had so correctly diagnosed her reaction to the comments about Mark and Laura, Jean walked over to the desk. The clerk on duty was Amy Sachs, a small soft-voiced woman with short graying hair and oversized glasses that hung loosely over the bridge of her nose.

"No, we definitely have not heard from Ms. Wilcox," she told Jean. "But a fax came in for you, Dr. Sheridan." She turned and reached for an envelope on the shelf behind the desk.

Jean felt her mouth go dry. As she told herself that she should wait and read the contents upstairs, she ripped open the envelope.

The message it contained consisted of eight words: lilies that FESTER SMELL FAR WORSE THAN WEEDS.

Lilies that fester, Jean thought. Dead lilies . "Is anything wrong, Dr. Sheridan?" the mousy clerk asked anxiously. "I hope that isn't bad news."

"What? Oh… no… it's quite all right, thank you." In a daze, Jean made her way upstairs, went to her room, opened her purse, and ransacked her wallet for Sam Deegan's cell phone number. His terse, "Sam Deegan" made her realize that it was nearly ten o'clock and that he might have been asleep. "Sam, I probably woke you up-"

"No, you didn't," he interrupted. "What is it, Jean? Did you hear from Laura?"

"No, it's Lily. Another fax."

"Read it to me."

Her voice trembling, she read the eight words to him. "Sam, that's a quote from a Shakespeare sonnet. He's referring to dead lilies. Sam, whoever sent this is threatening to kill my child." Jean heard the rising hysteria in her voice as she cried, "What can I do to stop him? What can I do ?"

37

She probably had the fax by now. He still didn't know why he enjoyed taunting Jean, especially now that he had decided he was going to kill her. Why twist the knife by threatening Meredith, or Lily, as Jean called the girl? For nearly twenty years his secret knowledge of her birth and of her adoptive parents had been one of those little facts that seem useless, like gifts that cannot be returned but will never be taken from the shelf.

It was only when he met her parents at a luncheon last year and realized who they were that he had made it his business to be friendly with them. In August he had even invited them to spend a long weekend with him and to bring Meredith who was home on vacation with them. That was when the idea of taking something that would be proof of her DNA occurred to him.

The opportunity to steal her brush had been handed to him on a platter. They were all at the pool, and her cell phone rang while she was brushing her hair after a swim. She answered the call and walked away to talk privately. He slipped the brush into his pocket and then began circulating among his other guests. The next day he sent the brush and the first message to Jean.

The power of life and death-so far he had exercised it over five of the lunch room girls as well as over many other women, chosen at random. He wondered how soon it would be before they found the body of Helen Whelan. Had it been a mistake to leave the owl in her pocket? Until now he had left his symbol hidden, unobtrusive, unnoticeable. Like last month, when he had slipped one of them into a kitchen drawer in the pool house where he had waited for Alison.

***

The lights in the house were off. He took the night vision glasses from his pocket, put them on, put his key in the lock, opened the back door, and went inside. He closed and locked the door and walked through the kitchen to the back staircase, then padded noiselessly up the stairs.

Laura was in the bedroom that had been hers before her family moved to Concord Avenue when she was sixteen. He had tied her hands and feet and put a gag on her mouth. She was lying on top of the bed, her gold evening gown glittering in the dark.

She had not heard him come into the room, and when he bent over her, he could hear her terrified gasp. "I'm back, Laura," he whispered. "Aren't you glad?"

She tried to shrink away from him.

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