Lee Child - Gone Tomorrow

I said, ‘Tell me the room numbers.’

And he did. Five separate rooms, not adjacent, all of them on the eighth floor. He told me which one the women were in. The men were spread out over the other four. Originally thirteen guys, and eight available beds. Five short straws.

Or five on sentry duty.

I took the roll of black duct tape out of my pocket and used about eight yards of it to bind the porter’s arms and legs. A dollar and a half from any hardware store, but as much a part of standard-issue Special Forces equipment as the thousand-dollar rifles and the satellite radios and the navigation systems. I stuck a final six-inch length across his mouth. I stole his pass card. Just tore it right off its curly cord. Then I left him out of sight on the floor behind the counter and headed for the elevator bank. Got in and pressed the highest number available, which was eleven. The doors slid shut and the car bore me upward.

At that point I unzipped my jacket.

I settled the gun at a nice angle on its strap and I took the leather glove out of my other pocket and slipped it on my left hand. The MP5SD has no core grip. Not like the stubby K variant, which has a fat little handle under the muzzle. With the SD you use your right hand on the pistol grip and your left hand supports the barrel casing. The inner barrel has thirty holes drilled in it. The powder in the round neither burns nor explodes. It does both. It deflagrates. It creates a bubble of superheated gas. Some of the gas escapes through the thirty holes, which quiets the noise and slows the bullet to a subsonic velocity. No point in silencing a gun if its bullet is going to create a supersonic snap all its own. A slow bullet is a quiet bullet. Just like the VAL Silent Sniper. The escaping gas comes through the thirty holes and expands and swirls around in the inner silencer chamber. Then it passes to the second chamber and expands some more and swirls some more. Expanding cools the gas. Basic physics. But not by much. Maybe it reduces from superheated to extremely hot. And the outer barrel casing is metal. Hence the glove. No one uses an MP5SD without one. Springfield was the kind of guy who thinks of everything.

On the left side of the gun was a combined safety and fire selector switch. The older versions of the SD that I remembered had a three-position lever. S, E, and F. S for safe, E for single shots, and F for automatic fire. German abbreviations, presumably. E for ein , and so on and so forth, even though Heckler amp; Koch had been owned by a British corporation for many years. I guessed they decided that tradition counts. But Springfield had given me a newer model. The SD4. It had a four-position selector switch. No abbreviations. Just pictograms. For foreign convenience, or illiterate users. A plain white dot for safe, one little white bullet shape for single shots, three bullet shapes for three-round bursts, and a long string of bullet shapes for continuous automatic fire.

I chose three-round bursts. My favourite. One pull of the trigger, three nine-millimetre rounds inside a quarter of a second. An inevitable degree of muzzle climb, minimized by careful control and the weight of the silencer, resulting in a neat little stitch of three fatal wounds climbing a vertical line maybe an inch and a half high.

Works for me.

Thirty rounds. Ten bursts. Eight targets. One burst each, plus two over for emergencies.

The elevator chimed open on the eleventh floor, and I heard Lila Hoth’s voice in my head, talking about old campaigns long ago in the Korengal: you must save the last bullet for yourself because you do not want to be taken alive, especially by the

women.

I stepped out of the elevator into a silent corridor.

Standard tactical doctrine for any assault: attack from the high ground. The eighth floor was three below me. Two ways down: stairs or elevator. I preferred the stairs, especially with a silenced weapon. The smart defensive tactic would be to put a man in the stairwell. Early warning for them. Easy pickings for me. He could be dealt with quietly and at leisure.

The stairwell had a battered door set next to the elevator core.

I eased it open and started down. The stairs were dusty concrete.

Each floor was marked with a large number painted by hand in green paint. I was quiet all the way down to nine. Super-silent after that. I paused and peered over the metal rail.

No sentry in the stairwell,

The landing inside the eighth floor door was empty. Which was a disappointment. It made the job on the other side of the door twenty-five per cent harder. Five men in the corridor, not four. And the way the rooms were distributed meant that some of them would be on my left, and some on my right. Three and two, or two and three. A long second spent facing the wrong way, and then a crucial spin. Not easy.

But it was four in the morning. The lowest ebb. A universal truth. The Soviets had studied it, with doctors.

I paused on the stairwell side of the door and took a deep breath. Then another. I put my gloved hand on the handle. I took the slack out of the MP5’s trigger,

I pulled the door.

I held it at forty-five degrees with my foot. Cradled the MP5’s barrel in my glove. Looked and listened. No sound. Nothing to see. I stepped into the corridor. Whipped one way. Whipped the other.

No one there.

No sentries, no guards, no nothing. Just a length of dirty matted carpet and dim yellow light and two rows of closed doors. Nothing to hear, except the subliminal hum and shudder of the city and muted faraway sirens.

I closed the stairwell door behind me.

I checked numbers and walked quickly to Lila’s door. Put my ear on the crack and listened hard.

I heard nothing.

I waited. Five whole minutes. Ten. No sound. No one can stay still and silent longer than me.

I dipped the porter’s pass card into the slot. A tiny light flashed red. Then green. There was a click. I smashed the handle down and was inside a split second later.

The room was empty.

The bathroom was empty.

There were signs of recent occupation. The toilet roll was loose and ragged. The sink was wet. A towel was used. The bed was rucked. The chairs were out of position.

I checked the other four rooms. All empty. All abandoned. Nothing left behind. No evidence pointing towards an imminent return.

Lila Hoth, one step ahead.

Jack Reacher, one step behind.

I took my glove off and zipped up again and rode down to the lobby. I hauled the night porter into a sitting position against the back of his counter and tore the tape off his mouth.

He said, ‘Don’t hit me again.’

I said, ‘Why shouldn’t I?’

‘Not my fault,’ he said. ‘I told you the truth. You asked what rooms I put them in. Past tense.’

‘When did they leave?’

‘About ten minutes after you came the first time.’

‘You called them?’

‘I had to, man.’

‘Where did they go?’

‘I have no idea.’

‘What did they pay you?’

‘A thousand,’ he said.

‘Not bad.’

‘Per room.’

‘Insane,’ I said. Which it was. For that kind of money they could have gone back to the Four Seasons. Except they couldn’t. Which was the point.

I paused in the shadows on the Seventh Avenue sidewalk. Where did they go? But first, how did they go? Not in cars. On the way in they had fifteen people. They would have needed three cars, minimum. And faded old piles with night porters working alone don’t have valet parking.

Taxis? Possible, on the way in, late in the evening from midtown. Going out again, at three in the morning on Seventh Avenue? Eight people would have required at least two simultaneous empty cabs.

Unlikely.