Michael Connelly - The Concrete Blonde

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When maverick LAPD Harry Bosch shot and killed Norman Church, the police were convinced it marked the end of the search for the Dollmaker, one of the city's most bizarre serial killers. But now, Church's widow is accusing Bosch of killing the wrong man, and to make things worse, Bosch has just received a taunting message apparently from the Dollmaker.

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“The tape put the lie to all of ’em. Your task-”

“You’re not answering the question.”

“Yes I am, you show the lie on one of the cases, it puts a lie to the whole shooting match, you ask me.”

“We’re not asking you, Mr. Wieczorek. Now, uh, you said you never saw Norman Church wear a hairpiece, correct?”

“That’s what I said, yes.”

“Did you know he kept that apartment, using a false name?”

“No, I did not.”

“There was a lot you didn’t know about your friend, wasn’t there?”

“I suppose.”

“Do you suppose it is possible that just as he had that apartment without you knowing, that he occasionally wore a hairpiece without you knowing?”

“I suppose.”

“Now, if Mr. Church was the killer police claim him to be, and used disguises as police said the killer did, wouldn’t it be-”

“Objection,” Chandler said.

“-expected that there would be something such-”

“Objection!”

“-as a toupee in the apartment?”

Judge Keyes sustained Chandler’s objection to Belk’s question as seeking a speculative answer, and chastised Belk for continuing the question after the objection was lodged. Belk took the berating and said he had no further questions. He sat down, sweat lines gliding out of his hairline and running down his temples.

“Best you could do,” Bosch whispered.

Belk ignored it, took out a handkerchief and wiped his face.

After accepting the videotape as evidence, the judge broke for lunch. After the jury was out of the courtroom a handful of reporters quickly moved up to Chandler. Bosch watched this and knew it was the final arbiter of how things were going. The media always gravitated to the winners, the perceived winners, the eventual winners. It’s always easier to ask them questions.

“Better start thinking of something, Bosch,” Belk said. “We could have settled this six months ago for fifty grand. Way things are going, that would have been nothing.”

Bosch turned and looked at him. They were at the railing behind the defense table.

“You believe it, don’t you? The whole thing. I killed him, then we planted everything that connected him to it.”

“Doesn’t matter what I believe, Bosch.”

“Fuck you, Belk.”

“Like I said, you better start thinking of something.”

He pushed his wide girth through the gate and headed out of the courtroom. Bremmer and another reporter approached him but he waved them away. Bosch followed him out a few moments later and also brushed the reporters off. But Bremmer kept stride with him as he took the hallway to the escalator.

“Listen, man, my ass is on the line here, too. I wrote a book about the guy and if it was the wrong guy, I want to know.”

Bosch stopped and Bremmer almost bumped into him. He looked closely at the reporter. He was about thirty-five, overweight, with brown, thinning hair. Like many men, he made up for this by growing a thick beard, which only served to make him look older. Bosch noticed that the reporter’s sweat had stained the underarms of his shirt. But body odor wasn’t his problem; cigarette breath was.

“Look, you think it’s the wrong guy, then write another book and get another hundred thousand advance. What do you care if it’s the wrong guy or not?”

“I have a reputation in this town, Harry.”

“So did I. What are you going to write tomorrow?”

“I have to write what’s going down in there.”

“And you’re also testifying? Is that ethical, Bremmer?”

“I’m not testifying. She released me from the subpoena yesterday. I just had to sign a stipulation.”

“To what?”

“That said that to the best of my knowledge the book I wrote contained true and accurate information. The source of that information was almost wholly from police sources and police and other public records.”

“Speaking of sources, who told you about the note for yesterday’s story?”

“Harry, I can’t reveal that. Look at how many times I’ve kept you confidential as a source. You know I can never reveal sources.”

“Yeah, I know that. I also know somebody is setting me up.”

Bosch stepped onto the escalator and went down.

10

Administrative Vice is located on the third floor of the Central Division station in downtown. Bosch got there in ten minutes and found Ray Mora behind his desk in the squad room, with the telephone held to his ear. Open on his desk was a magazine with color photographs of a couple engaged in sex. The girl in the photos looked very young. Mora was glancing at the photos and turning the pages while listening to the caller. He nodded to Bosch and pointed to a seat in front of his desk.

“Well, that was all I was checking,” Mora said into the phone. “Just trying to put a line in the water. Ask around and let me know what you come up with.”

Then there was more listening. Bosch looked at the vice cop. He was about Harry’s size, with deep bronze skin and brown eyes. His straight brown hair was trimmed short and he had no facial hair. Like most vice cops, he affected a casual appearance. Blue jeans and black polo shirt, open at the neck. If Bosch could see under the desk he knew he’d find cowboy boots. Bosch could see a gold medallion hanging high on his chest. Imprinted on it was a dove, its wings open, the symbol of the Holy Spirit.

“You think you can get me the shoot location?”

Silence. Mora finished with the magazine, wrote something on the front cover and picked up another and began paging through it.

Bosch noticed the Adult Film Performers Guild calendar taped to the side of a vertical file on his desk. There was a photo of a porn star named Delta Bush lounging nude above the days of the week. She had become well known in recent years because she was linked romantically in the gossip tabs to a mainline movie star. On the desk below the calendar was a religious statue Bosch identified as the Infant of Prague.

He knew this because one of his foster mothers had given him a similar statue when he was a boy and was being sent back to McClaren. He hadn’t been what the fosters had in mind. Giving him the statue and saying good-bye, the woman had explained to him that the infant was known as the Little King, the saint who took special care to hear the prayers of children. Bosch wondered if Mora knew that story, or if the statue was there as some kind of joke.

“All I’m saying is try,” Mora said into the phone. “Get me the shoot. Then you’ll be in line for the snitch fund… Yeah, yeah. Later.”

He hung up.

“Hey, Harry, whereyat?”

“Edgar’s been here, huh?”

“Just left a little while ago. He talk to you?”

“No.”

Mora noticed Bosch looking at the spread on the page he had the magazine open to. It was two women kneeling in front of a man. He put a yellow Post-it on the page and closed it.

“Lord, I gotta look through all this shit. Got a tip that this publisher is using underage models. You know how I check?”

Bosch shook his head.

“It’s not the face or the tits. It’s ankles, Harry.”

“Ankles.”

“Yeah, ankles. Something about them. They are just smoother on younger chicks. I can usually tell, over or under eighteen, by the ankles. Then, of course, I go out and confirm with birth certificates, DLs, etc. It’s crazy but it works.”

“Good for you. What did you tell Edgar?”

The phone rang. Mora picked up, said his name and listened a few moments.

“I can’t talk now. I have to get back to you. Whereyat?”

He hung up after making a note.

“Sorry. I gave Edgar the ID. Maggie Cum Loudly. I had prints, photos, the whole thing. I got some stills of her in action, if you want to see.”

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