Michael Connelly - The Concrete Blonde

Bosch pulled into the rear parking lot of the Hollywood station on Wilcox shortly before four. Belk had used only ten minutes of his allotted hour for his opening statement and Judge Keyes had recessed early, saying he wanted to start testimony on a separate day from openers so the jury would not confuse evidentiary testimony with the lawyers’ words.

Bosch had felt uneasy with Belk’s short discourse in front of the jurors but Belk had told him there was nothing to worry about. He walked in through the back door near the tank and took the rear hallway to the detective bureau. By four the bureau is usually deserted. It was that way when Bosch walked in, except for Jerry Edgar, who was parked in front of one of the IBMs typing on a form Bosch recognized as a 51-an Investigating Officer’s Chronological Record. He looked up and saw Bosch approaching.

“Whereyat, Harry?”

“Right here.”

“Got done early, I see. Don’t tell me, directed verdict. The judge threw Money Chandler out on her ass.”

“I wish.”

“Yeah, I know.”

“What do you have so far?”

Edgar said there was nothing so far. No identification yet. Bosch sat down at his desk and loosened his tie. Pounds’s office was dark so it was safe to light a cigarette. His mind trailed off into thinking about the trial and Money Chandler. She had captured the jury for most of her argument. She had, in effect, called Bosch a murderer, hitting with a gut-level, emotional charge. Belk had responded with a dissertation on the law and a police officer’s right to use deadly force when danger was near. Even if it turned out there was no danger, no gun beneath the pillow, Belk said, Church’s own actions created the climate of danger that allowed Bosch to act as he did.

Finally, Belk had countered Chandler’s Nietzsche by quoting The Art of War by Sun Tzu. Belk said Bosch had entered the “Dying Ground” when he kicked Church’s apartment door open. At that point he had to fight or perish, shoot or be shot. Second-guessing his actions afterward was unjust.

Sitting across from Edgar now, Bosch acknowledged to himself that it hadn’t worked. Belk had been boring while Chandler had been interesting, and convincing. They were starting in the hole. He noticed Edgar had stopped talking and Harry had not registered anything he had said.

“What about prints?” he asked.

“Harry, you listening to me? I just said we finished with the rubber silicone about an hour ago. Donovan got prints off the hand. He said they look good, came up in the rubber pretty well. He’ll start the DOJ run tonight and probably by morning we’ll have the similars. It will probably take him the rest of the morning to go through them. But, at least, they’re not letting this one drown in the backup. Pounds gave it a priority status.”

“Good, let me know what comes out. I’ll be in and out all week, I guess.”

“Harry, don’t worry, I’ll let you know what we’ve got. But try to stay cool. Look, you got the right guy? You got any doubt about that?”

“Not before today.”

“Then don’t worry. Might is right. Money Chandler can blow the judge and the whole jury, it’s not going to change that.”

“Right is might.”

“What?”

“Nothing.”

Bosch thought about what Edgar had said about Chandler. It was interesting how often a threat from a woman, even a professional woman, was reduced by cops to a sexual threat. He believed that most cops might be like Edgar, thinking there was something about Chandler’s sexuality that gave her an edge. They would not admit that she was damn good at her job, whereas the fat city attorney defending Bosch wasn’t.

Bosch stood up and went back to the file cabinets. He unlocked one of his drawers and dug into the back to pull out two of the blue binders that were called murder books. Both were heavy, about three inches thick. On the spine of the first it saidBIOS. The other was labeledDOCS. They were from the Dollmaker case.

“Who’s testifying tomorrow?” Edgar called from across the squad room.

“I don’t know the order. The judge wouldn’t make her say. But she’s got me subpoenaed, also Lloyd and Irving. She’s got Amado, the ME coordinator, and even Bremmer. They all gotta show up and then she’ll say which ones she’ll put on tomorrow and which ones later.”

“The Times isn’t going to let Bremmer testify. They always fight that shit.”

“Yeah, but he isn’t subpoenaed as a Times reporter. He wrote that book about the case. So she served paper on him as the author. Judge Keyes already ruled he doesn’t have the same reporter’s-shield rights. Times lawyers may show up to argue but the judge already made the ruling. Bremmer testifies.”

“See what I mean, she’s probably already been back in chambers with that old guy. Anyway, it’s no matter, Bremmer can’t hurt you. That book made you out like the hero who saved the day.”

“I guess.”

“Harry, come here and take a look at this.”

Edgar got up from his typing station and went over to the file cabinets. He gingerly slid a cardboard box off the top and put it down on the homicide table. It was about the size of a hatbox.

“Gotta be careful. Donovan says it should set overnight.”

He lifted off the top of the box and there was a woman’s face set in white plaster. The face was turned slightly so that its right side was fully sculpted in the plaster. Most of the lower left side, the jawline, was missing. The eyes were closed, the mouth slightly open and irregular. The hairline was almost unnoticeable. The face seemed swollen by the right eye. It was like a classical frieze Bosch had seen in a cemetery or a museum somewhere. But it wasn’t beautiful. It was a death mask.

“Looks like the guy popped her on the eye. It swelled up.”

Bosch nodded but didn’t speak. There was something unnerving about looking at the face in the box, more so than looking at an actual dead body. He didn’t know why. Edgar finally put the top back on the box and carefully put it back on top of the file cabinet.

“What are you going to do with it?”

“Not sure. If we don’t get anything from the prints it might be our only way of getting an ID. There’s an anthropologist at Cal State Northridge that contracts with the coroner to make facial recreations. Usually, he’s working from a skeleton, a skull. I’ll take this to him and see if he can maybe finish the face, put a blonde wig on it or something. He can paint the plaster, too, give it a skin color. I don’t know, it’s probably just pissing in the wind but I figure it’s worth a try.”

Edgar returned to the typewriter and Bosch sat down in front of the murder books. He opened the binder markedBIOS but then sat there and watched Edgar for a few moments. He did not know whether he should admire Edgar’s hustle on the case or not. They had been partners once and Bosch had essentially spent a year training him to be a homicide investigator. But he was never sure how much of it took. Edgar was always going off to look at real estate, taking two-hour lunches to go to closings. He never seemed to understand that the homicide squad wasn’t a job. It was a mission. As surely as murder was an art for some who committed it, homicide investigation was an art for those on the mission. And it chose you, you didn’t choose it.

With that in mind it was hard for Bosch to accept that Edgar was busting ass on the case for the right reasons.

“What’re you looking at?” Edgar asked without looking up from the IBM or stopping his typing.

“Nothing. I was just thinking about stuff.”

“Harry, don’t worry. It’s going to work out.”

Bosch dumped his cigarette butt in a Styrofoam cup of dead coffee and lit another.