Michael Connelly: The Poet

"And he said?"

"He said he let it go because either way he figured Harvey Wallbanger got what he had coming."

"But what did he say his take was?"

"He said that he thought that bed was made because it never was slept in. Never used. He said he thought the father was sleeping with the daughter in the king-size and one morning she drew the line. He didn't know about anything after that, none of this stuff that's been going on lately. Mo's seventy-one years old. He does crossword puzzles. He said he doesn't like watching the news. He didn't know the daughter became an FBI agent."

I couldn't talk. I couldn't even move.

"Jack, you still there?"

"I gotta go."

The field office operator said Backus had left for the day. When I asked her to double-check, she put me on hold for five minutes while I was sure she was doing her nails or touching up her makeup. When she came back on she said he was definitely gone and that I could try back in the morning. She hung up before I could say anything else.

Backus was the key. I had to get to him, tell him what I had and play it whatever way he wanted. I decided that if he wasn't at the FO, he might be back at the motel on Wilcox. I had to go there anyway to pick up my car. I threw the strap of my computer bag over my shoulder and headed for the door. I opened it and stopped dead. Backus stood there, fist raised, ready to knock.

"Gladden wasn't the Poet. He was a killer, yes, but not the Poet. I can prove it."

Backus looked at me as if I had just reported that I had seen the Marlboro Man wink at me.

"Jack, look, you've spent the day making some strange calls. First to me, then to Quantico. I came by because I'm wondering if there's something maybe the doctors overlooked last night. I thought maybe we'd take a ride over to-"

"Look, Bob, I don't blame you for thinking that after what I asked you and Hazelton today. But I had to hold things back until I was sure. Now, I'm sure. Pretty sure. I can explain it now. I was going out the door to find you just now."

"Then sit down here and tell me what you're talking about. You said that I had a fox in the henhouse. What did you mean?"

"What I meant was here you people are, your job is to identify and catch these people. The serial offenders, as you call them. And there was one in your midst all along."

Backus let out his breath loudly and shook his head.

"Sit down, Bob, and I'll tell you the story. If you think I'm crazy when I'm done, then you can take me to the hospital. But I know you won't think I'm crazy."

Backus sat down on the end of the bed and I started spinning the story, recounting the moves and calls I had made through the afternoon. It took me nearly a half hour just to tell that part of it. And just when I was ready to begin telling him my interpretation of the facts I had gathered, he interrupted me with something I had already considered and was ready for.

"You're forgetting one thing. You said Gladden admitted killing your brother. At the end. You said this yourself and I read it in your statement this afternoon. You even said he recognized you."

"But he was wrong. I was wrong. I never told him Sean's name. I just said my brother. I told him he had killed my brother and he thought one of the kids was my brother. You see? That's why he said what he said, that he killed my brother to save him. I think what he meant was that he killed those kids because he knew that once he'd been with them they'd be fucked up for life. Just like he was fucked up by Beltran. So in his mind he thought that by killing them he was saving them from becoming like he was. He wasn't talking about the cops, just those kids. I don't think he even knew about the cops.

"And as far as him recognizing me, I was on TV. CNN, remember? He could've recognized me from that."

Backus looked down at the floor and I watched him try to compute this and I saw by the expression on his face that he found it plausible. I was getting through to him.

"Okay," he said. "What about Phoenix, the hotel rooms, all of that? Where do you see that going?"

"We were getting close. Rachel knew it and needed some way to either derail the investigation or make sure it pointed only to Gladden when we got him. Even though every cop in the country wanted him dead, she couldn't be sure that would happen.

"So she did three things. First, she sent the fax, the one from the Poet, from her computer to the general number at Quantico. She wrote it in a way that she knew the information it contained would become the definitive link between Gladden and the cop killings. Think back, remember the meeting on the fax? She was the one who said it tied all the cases together."

Backus nodded but said nothing.

"Next," I said, "she thought that if she leaked the story to Warren, it would trigger my story and the rest of the whole media stampede. Gladden would have to see the story somewhere and he'd go underground, knowing that he was being blamed not only for the murders he did commit but the cop killings that came after. So she called up Warren and gave him the story. She must've known that he'd gone to L.A. to peddle the story after he got canned at the foundation. Maybe he had called and left her a message about where he was. You follow all of this?"

"You were so sure it was Gordon."

"I was. And with good reason. The hotel bills. But the drugstore receipt shows he wasn't even in his room when the calls were made and Warren told me today his source wasn't Thorson. By then he had no reason to lie. Thorson was dead."

"What was the third thing?"

"I think she made a connection by computer to the PTL Network. I don't know how she already knew about it. Maybe it was a tip to the bureau or something. I'm not sure. But she dialed in. I don't know, maybe that was when she shipped one of those Eidolon files that Clearmountain found. Again, it would be evidence linking Gladden to the Poet murders. She was sealing him up tight in a package. Even if I didn't kill him and he lived to deny everything, the evidence would be there and nobody would believe him, especially in light of the killings he did commit."

I took a breather so Backus could digest everything said so far.

"All three of the calls she made were from Thorson's room," I said after a half minute. "It was just one more buffer. If things went wrong there would be no record of her making the calls. They'd be on Thorson's room. But the box of condoms destroys that. See, you know firsthand about the relationship she had with Thorson. They battled but there was still something there. He still had something for her and she knew it. She used it. So I think if she told him to go get a box of condoms and she'd be waiting for him in his bed, he'd have run out the door to the drugstore like a man with his pants on fire. And I think that's exactly what she did do. Only she didn't wait in his bed. She made those calls. Then when Thorson got back she was gone. Thorson didn't exactly tell me all of that but in so many words he did. When we worked together that day."

Backus nodded. He looked like a man lost. I thought maybe he saw what was to become of his career now. First his command questioned by the fiasco of the Gladden arrest, and now this. His days as an assistant special agent in charge were numbered.

"It seems so…"

He didn't finish and I didn't finish it for him. There was still more for me to tell him but I waited. Backus got up and paced a little. He looked out the balcony door at the Marlboro Man. He didn't seem to have the same fascination with him that I had.

"Tell me about the moon, Jack."

"What do you mean?"

"The Poet's moon. You've told me the end of the story. What's the beginning? How does a woman end up at the point we are at now?"

He turned from the door and looked at me, a challenge in his eyes. He was looking for something, anything that he could build a case on for not believing. I cleared my throat before beginning.