Michael Connelly - Trunk Music

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A corpse from a Mafia hit left in the boot of his own car – commonly known as 'trunk music'. Detective Hieronymous Bosch investigates – his first case since returning to homicide Division. Tony Aliso (deceased) was a minor film producer churning out straight-to-video soft porn and making more money than he should out of it. Harry suspects that one of the Mob realised how much Tony was skimming off the top in the laundering service he provided. The investigation takes Hieronymous (AKA Harry) to Las Vegas and face-to-face with an ex-lover.

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“In a way I’m his only friend right now. I’m a cop. My name’s Harry Bosch and I’m trying to find out who did it.”

Her face took on a look that seemed even more horrified than when he told her Aliso was dead. Sometimes telling people you were a cop did that.

“Save your money,” she said. “I can’t talk to you.”

She got up then and moved quickly away toward the door next to the stage. Bosch threw her name out after her but it was crushed by the sound of the music. He casually took a look around and noticed behind him that the tuxedo man was eyeing him through the darkness. Bosch decided he wasn’t going to stick around for Rhonda’s second show. He took one more gulp of beer-he hadn’t even touched his second glass-and got up.

As he neared the exit the tuxedo leaned back and knocked on the mirror behind him. It was then that Bosch realized there was a door cut into the glass. It opened and the tuxedo stepped to the side to block Bosch’s exit.

“Sir, could you step into the office, please?”

“What for?”

“Just step in. The manager would like a word with you.”

Bosch hesitated but through the door he could see a lighted office where a man in a suit sat behind a desk. He stepped in and the tuxedo came in behind him and shut the door.

Bosch looked at the man behind the desk. Blond and beefy. Bosch wouldn’t know whom to bet on if a fight broke out between the tuxedoed bouncer and the so-called manager. They were both brutes.

“I just got off the phone with Randy in the dressing room, she says you were asking about Tony Aliso.”

“It was Rhonda.”

“Rhonda, whatever, never-the-fuck-mind. She said you said he was dead.”

He spoke with a midwestern accent. Sounded like southside Chicago, Bosch guessed.

“Was and still is.”

The blond nodded to the tuxedo and his arm came up in a split second and hit Bosch with a backhand in the mouth. Bosch went back against the wall, banging the back of his head. Before his mind cleared, the tuxedo twirled him around until he was face-against-the-wall and leaned his weight against him. He felt the man’s hands begin patting him down.

“Enough of the wiseass act,” the blond said. “What are you doing talking to the girls about Tony?”

Before Bosch could say anything the hands running over his body found his gun.

“He’s strapped,” the tuxedo said.

Bosch felt the gun being jerked out of his shoulder holster. He also tasted blood in his mouth and felt rage building in his throat. The hands then found his wallet and his cuffs. Tuxedo threw them on the desk in front of the blond and held Bosch pinned against the wall with one hand. By straining to turn his head Bosch could watch the blond open the wallet.

“He’s a cop, let him go.”

The hand came off his neck and Bosch gruffly pulled away from the tuxedo.

“An L.A. cop,” the blond said. “Hieronymus Bosch. Like that painter, huh? He did some weird stuff.”

Bosch just looked at him and he handed the gun and cuffs and wallet back.

“Why’d you have him hit me?”

“That was a mistake. See, most cops what come in here, they announce themselves, they tell us their business and we help ’em if we can. You were sneaking around, Anonymous Hieronymus. We have a business to protect here.”

He opened a drawer and pulled out a box of tissues and proffered it to Bosch.

“Your lip’s bleeding.”

Bosch took the whole box.

“So this is true what she says you told her. Tony’s dead.”

“That’s what I said. How well did you know him?”

“See, that’s good. You assume I knew him and put that assumption in your question. That’s good.”

“So then answer it.”

“He was a regular in here. He was always trying to pick off girls. Told ’em he’d put ’em in the movies. Same old stuff. But, hell, they keep falling for it. Last two years he cost me three of my best girls. They’re in L.A. now. He left ’em high and dry once he got them there and did what he wanted with ’em. They never learn.”

“Why’d you let him keep coming in if he was picking off your girls?”

“He spent a lot of bread in here. Besides, there’s no shortage of quiff here in Vegas. No shortage at all.”

Bosch headed in another direction.

“What about Friday? Was he here?”

“No, I don’t-yes, yes he was. He stopped by for a short while. I saw him out there.”

With his hand he indicated a panel of video monitors showing every angle of the club and front entrance. It was equally as impressive as the setup Hank Meyer had shown Bosch at the Mirage.

“You remember seeing him, Gussie?” the blond asked the tuxedo.

“Yeah, he was here.”

“There you go. He was here.”

“No problems? He just came and went?”

“Right, no problems.”

“Then why’d you fire Layla?”

The blond pinched his lips tight for a moment.

“Now I get it,” he said. “You’re one of those guys what likes to weave a web with words, get somebody caught in it.”

“Maybe.”

“Well, nobody’s caught anywhere. Layla was Tony’s latest fuck, that’s true, but she’s gone now. She won’t be back.”

“Yeah, and what happened to her?”

“Like you heard, I fired her. Saturday night.”

“For what?”

“For any number of infractions of the rules. But it doesn’t really matter because it’s none of your business, now is it?”

“What did you say your name is?”

“I didn’t.”

“Then how ’bout if I just call you asshole, how would that be?”

“People ’round here call me Lucky. Can we get on with this, please?”

“Sure, we can get on with it. Just tell me what happened to Layla.”

“Sure, sure. But I thought you were here to talk about Tony, least that’s what Randy said.”

“Rhonda.”

“Rhonda, right.”

Bosch was losing his patience but managed to just stare at him and wait him out.

“Layla, right. Well, Saturday night she got into a beef with one of the other girls. It got a little nasty and I had to make a choice. Modesty is one of my best girls, best producers. She gave me an ultimatum: either Layla goes or she goes. I had to let Layla go. Modesty, man, she sells ten, twelve splits of champagne a night to those suckers out there. I had to back her over Layla. I mean, Layla’s good and she’s a looker but she ain’t no Modesty. Modesty’s our top girl.”

Bosch just nodded. So far his story jibed with the phone message Layla had left for Aliso. By drawing it out of the blond man, Bosch was getting a sense of how much he could be believed.

“What was the trouble between Layla and the other girl about?” he asked.

“I don’t know and don’t really care. Just your typical catfight. They didn’t like each other since day one. See, Bosch, every club has its top girl. And here, it’s Modesty. Layla was trying to move in on that and Modesty didn’t want to be moved in on. But I have to say, Layla was trouble since she came here. None of the girls liked her act. She stole songs from the other girls, wouldn’t stop with the pussy dust even when I told her, we just had a lot of trouble with her. I’m glad she’s gone. I gotta business to run here. I can’t be babysitting a bunch of spoiled cunts.”

“Pussy dust?”

“Yeah, you know, she put that sparkly stuff on her snatch, made it sparkle in the dark and twinkle in the lights. Only problem is those sparkles come off and get on the suckers. She does a lap dance on you and you end up with a crotch that glitters. Then you go home and the wife figures it out and raises holy hell. I lose customers. I can’t have that shit, Bosch. If it hadn’t been Modesty, it would have been something else. I got rid of Layla when I got the chance.”

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