Michael Connelly - Trunk Music

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A corpse from a Mafia hit left in the boot of his own car – commonly known as 'trunk music'. Detective Hieronymous Bosch investigates – his first case since returning to homicide Division. Tony Aliso (deceased) was a minor film producer churning out straight-to-video soft porn and making more money than he should out of it. Harry suspects that one of the Mob realised how much Tony was skimming off the top in the laundering service he provided. The investigation takes Hieronymous (AKA Harry) to Las Vegas and face-to-face with an ex-lover.

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“A couple smudges. Nothing we can work with.”

Bosch took it back. He then carried the various plastic evidence bags he had to the counter.

“Art, I’m taking the receipt, the poppers and the car’s service records, okay?”

“You got it.”

“I’ll leave you the plane ticket and the wallet. You are also going to put some speed on the prints from the jacket and what else? Oh yeah, those sparkles. What do you think?”

“Hopefully tomorrow. The rest of the fiber stuff I’ll take a look at, but it’s probably going to be exclusionary.”

That meant most of the material they had collected would sit in storage after a quick examination by Donovan, and come into play only if a suspect was identified. It would then be used either to tie that suspect to the crime scene or to exclude him.

Bosch took a large envelope off a shelf over the counter, put all the pieces of evidence he was taking into it, then put it in his briefcase and snapped it closed. He headed for the curtain with Billets.

“Good to see you again, Art,” she said.

“Likewise, Lieutenant.”

“You want me to call OPG to come get the car?” Bosch asked.

“Nah, I’m, going to be here a while,” Donovan said. “Gotta use the vac and I might think of something else to do. I’ll take care of it, Harry.”

“Okay, man, later.”

Bosch and Billets stepped through the curtain and then through the door. Outside he lit a cigarette and looked up at the dark, starless sky. Billets lit one of her own.

“Where to?” she asked.

“Next of kin. You want to come? It’s always a fun thing.”

She smiled at his sarcasm.

“No, I think I’ll pass on that. But before you leave, what’s your gut on this, Harry? I mean, OCID passing without taking a look, that kind of bothers me.”

“Me, too,” He took a long drag and exhaled. “My gut is that this one’s going to be tough. Unless something good comes out of those prints. That’s our only real break so far.”

“Well, tell your people that I want everybody in at eight for a roundtable on what we’ve got so far.”

“Let’s make it nine, Lieutenant. I think by then we should have something back from Donovan on the prints.”

“Okay, nine then. I’ll see you then, Harry. And from now on, when we’re talking like this, you know, informally, call me Grace.”

“Sure, Grace. Have a nice night.”

She expelled her smoke in a short burst that sounded like the start of a laugh.

“You mean, what’s left of it.”

On the way up to Mulholland Drive and Hidden Highlands Bosch paged Rider and she called back from one of the houses she was visiting. She said it was the last of the houses overlooking the clearing where the Rolls was parked. She told him the best she could come up with was a resident who remembered seeing the white Rolls-Royce from the back deck of his home on Saturday morning about ten. The same resident also believed the car was not there on Friday evening when he was out on the deck to watch the sunset.

“That fits with the time frame the ME’s looking at and the plane ticket. I think we’re zeroing in on Friday night, sometime after he got in from Vegas. Probably on his way home from the airport. Nobody heard any shots?”

“Not that I’ve found. There’s two houses where I got no answer. I was going to go back and try them now.”

“Maybe you can catch them tomorrow. I’m heading up to Hidden Highlands. I think you should go with me.”

They made arrangements to meet outside the entrance to the development where Aliso had lived, and Bosch closed the phone. He wanted Kiz along when he told Aliso’s next of kin he was dead because it would be good for her to learn the grim routine and because the percentages called for whoever that next of kin was to be considered a possible suspect. It was always good to have a witness with you when you first spoke to the person who later could become your quarry.

Bosch looked at his watch. It was nearly ten. Taking care of the notification meant they probably wouldn’t be getting to the victim’s office until midnight. He called the communications center and gave the operator the address on Melrose and had her look it up in the cross directory. It came back to Archway Pictures, as Bosch had guessed. He knew they had caught a bit of a break. Archway was a midsize studio that largely rented offices and production facilities to independent filmmakers. As far as Bosch knew, it hadn’t made its own films since the 1960s. The break was that he knew someone in security over there. Chuckie Meachum was a former Robbery-Homicide bull who had retired a few years earlier and taken a job as assistant director of security at Archway. He would be useful in smoothing their way in. Bosch considered calling ahead and arranging for Chuckie Meachum to meet them at the studio but decided against it. He decided he didn’t want anyone to know he was coming until he got there.

He got to Hidden Highlands fifteen minutes later. Rider’s car was parked on the shoulder off Mulholland. Bosch pulled up and she got in his car. Then he pulled into the entrance lane next to the gatehouse. It was a small brick structure with a single guard inside. Hidden Highlands was maybe a little richer but not that different from many of the other small, wealthy and scared enclaves nestled in the hills and valleys around Los Angeles. Walls and gates, guardhouses and private security forces were the secret ingredients of the so-called melting pot of southern California.

A guard in a blue uniform stepped out of the gatehouse carrying a clipboard and Bosch had his badge wallet out and open. The guard was a tall, thin man with a worn, gray face. Bosch didn’t recognize him, though he had heard in the station that most of the guards working here were off-duty uniforms from Hollywood Division. In the past he had seen postings for part-time jobs on the bulletin board outside the roll call room.

The guard gave Bosch a once-over in a laconic manner, avoiding a look at the badge on purpose.

“Kenahepyou?” he finally said.

“I need to go to the home of Anthony Aliso.”

He gave the address on Hillcrest that had been on the victim’s driver’s license.

“Your names?”

“Detective Harry Bosch, LAPD. Says it right here. This is Detective Kizmin Rider.”

He proffered the badge wallet, but it was still ignored. The guard was writing on his clipboard. Bosch saw his name tag said Nash. He also saw that the tin badge said CAPTAIN across it.

“They expecting you at the Aliso place?”

“I don’t think so. It’s police business.”

“Okay, but I’ve got to call ahead. It’s the development’s rules, you know.”

“I prefer you didn’t do that, Captain Nash.”

Bosch hoped his use of the security guard’s title would win him over. Nash thought a moment.

“Tell you what,” he said. “You go on ahead and I’ll come up with a reason for delaying making the call a few minutes. I’ll just say I’m up here by myself t’night and I got kind of busy, if there’s a complaint.”

He stepped back and reached in the open door of the gatehouse. He pressed a button on the inside wall and the crossguard went up.

“Thanks, Captain. You work out of Hollywood?”

Bosch knew he didn’t. He could tell Nash wasn’t even a cop. He didn’t have the cold eyes of a cop. But Bosch was playing to him, just in case he became a useful source of information later on.

“Nah,” Nash said. “I’m full-time. That’s why they made me captain of the watch. Everybody else is part-time out of Hollywood or West Hollywood sheriffs. I run the schedule.”

“Then how’d you get stuck on the night shift on Sunday night?”

“Everybody can use some OT now and then.”

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