Michael Connelly - Blood Work

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Blood Work: краткое содержание, описание и аннотация

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Michael Connelly returns with a new character and a story that reaches new levels of intricacy and suspense-his most gripping work to date.
Thanks to a heart transplant, retired Los Angeles -based FBI agent Terrell McCaleb has a new lease on life. Formerly a well-known media fixture as pointman for the bureau in the investigation of serial killers, he leads a quiet life now, spending his time renovating the fishing boat he lives on in the Los Angeles Harbor. His goal is simple-to finish restoring his houseboat and return to his home town on Catalina Island. But McCaleb’s calm seas turn choppy when a story in the “What Happened To?” column of the L.A. Times brings him face to face with the sister of the woman whose heart now beats in his chest. From her McCaleb learns a terrible truth: that the donor of his heart was not killed in an accident as he’d been told, but was murdered. Racked with the guilt of having lived because of someone else’s murder, McCaleb springs into action. Using his FBI connections and his expertise in crime scene interpretation, he embarks on a private investigation of his donor’s murder-a search leading him to a crime far more complex, and far more dangerous than he’d imagined. In BLOOD WORK, Michael Connelly is at the top of his game-delivering his most ambitious thriller yet.
RAVES FOR BLOOD WORK AND SUSPENSE MASTER MICHAEL CONNELLY
“RECALLS NO ONE SO MUCH AS RAYMOND CHANDLER… CONNELLY PUTS HIS FOOT ON THE GAS AND DOESN’T LET UP.” – Los Angeles Times
“A richly detailed and totally absorbing thriller… distinguished by its finely etched characters, relentless pacing, and spot-on depictions of the diversity of life in today’s L.A… BE PREPARED TO READ THIS ONE STRAIGHT THROUGH. IT’S THAT GOOD.” – Chicago Tribune
“CONNELLY IS ONE OF THOSE MASTERS OF STRUCTURE WHO CAN KEEP DRIVING THE STORY FORWARD, PARAGRAPH BY PARAGRAPH, IN RUNAWAY-LOCOMOTIVE STYLE.” – USA Today
“BEAUTIFULLY CONSTRUCTED, POWERFULLY RESONATING…Fans of Connelly’s Harry Bosch novels will feel right at home with this thriller, and newcomers will see right away what all the fuss has been about.” – Publisher’s Weekly (starred review)
“A WONDERFULLY TAUT READ.” – Washington Post Book World
“BLOOD WORK IS FIRST RATE… CONNELLY IS ONE OF THE BEST OF THE NEW BREED OF THRILLER WRITERS. His latest is as good as hisTrunk Music andThe Poet .” – San Francisco Examiner
“CONNELLY DOESN’T JUST TALK ABOUT POETS, HE WRITES LIKE ONE.” – People
“POWERFUL STORYTELLING AND WRITING SKILLS.” – Houston Chronicles
“CONNELLY’S PLOTTING IS NEAR FLAWLESS.” – Fort Lauderdale Sun-Sentinel
“CONVINCINGLY CHOREOGRAPHED, and the procedural details of his casework fascinate.” – Wall Street journal
“Connelly should hit it big and reach the large audience who gleefully submitted themselves to the horrors of Thomas Harris’sRed Dragon andThe Silence of the Lambs .” – Booklist

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Winston looked at him strangely and McCaleb guessed that maybe he shouldn’t have been so fervent in his response to her doubts.

“Cordell’s truck, the Chevy Suburban, wasn’t in the video. Did you process his truck? I didn’t see anything in the stack you gave me about-”

“No, it wasn’t touched. He left his wallet open on the seat and just took his ATM card to the machine. If the shooter had gone into his truck, he would have taken his wallet. When we saw it still there, we didn’t bother.”

McCaleb shook his head and said, “You are still looking at it from the point of view of a robbery. The decision not to process the truck would have been okay-if it had been a real robbery. But what if it wasn’t? He wouldn’t have gone into the truck and taken something as obvious as the wallet.”

“Then what?”

“I don’t know. Something else. Cordell used his truck a lot. Driving all day along the aqueduct. It would be like a second home to him. There could have been lots of things of a personal nature in there that the shooter could’ve taken. Photos, things hanging from the rearview, maybe a travel diary, you name it. Where is the truck? Make my day and tell me it’s still impounded.”

“No chance. We released it to his wife a couple days after the shooting.”

“It’s probably been cleaned out and sold by now.”

“Actually, no. The last time I talked to Cordell’s wife-which was only a couple weeks ago-she said something about not knowing what to do with the Suburban. It was too big for her and she said it gave her bad vibes now anyway. She didn’t use those words but you know what I mean.”

A charge of excitement went through McCaleb.

“Then we go up there and look at the Suburban and we talk to her and we figure out what was taken.”

If something was taken…”

Winston frowned. McCaleb knew what she was facing. She already was dealing with a captain who, after the hypnosis and Bolotov fiascos, probably thought she was being controlled too easily by an outsider. She didn’t want to have to go back to the man with McCaleb’s new theory unless she was sure it was dead-solid perfect. And McCaleb knew it could never be that. It never was.

“What are you going to do?” he asked “It’s like I’m in the car and ready to go. Are you getting in with me or staying on the sidewalk?”

It had occurred to him that he was not constrained by such worries or by a job, a role, inertia or anything else. Either Winston could get in the car or McCaleb could drive on without her. She apparently realized the same thing.

“No,” she said. “The question is what are you going to do. You’re the one who doesn’t have to deal with the bullshit around here like I do. After the hypnosis thing, Hitchens has been-”

“Tell you what, Jaye. I don’t care about all of that. I only care about one thing-finding this guy. So look. You sit tight and give me a few days. I’ll come in with something. I’ll go up to the desert and talk to Cordell’s wife and take a look at the truck. I’ll find something you can go to the captain with. If I don’t, then I’ll eat my theory. You can cut me loose and I won’t bother you again.”

“Look, it’s not that you’re both-”

“You know what I mean. You’ve got court, other cases. The last thing you need is to have to overhaul on an old one. I know how it is. Maybe coming in here today was premature. I should’ve just gone up there and seen the widow. But since it’s your case and you’ve treated me like a human, I wanted to check with you first. Now, you give me your blessing and a little time and I’ll go up on my own. I’ll let you know what I get.”

Winston was silent for a long moment, then finally she nodded.

“Okay, you got it.”

20

LOCKRIDGE AND McCALEB took a succession of freeways from Whittier until they reached the Antelope Valley Freeway, which would finally take them to the northeast corner of the county. Lockridge drove one-handed most of the way, holding a harmonica to his mouth with the other hand. It didn’t give McCaleb much of a feeling of safety, but it cut out the meaningless banter.

As they passed Vasquez Rocks, McCaleb studied the formation and pinpointed the spot where the body had been found that eventually led to his knowing Jaye Winston. The slanted and jagged formation caused by tectonic upheaval was beautiful in the afternoon light. The sun was hitting the front rock faces at a low angle and throwing the crevices into deep darkness. It looked beautiful and dangerous at the same time. He wondered if that was what had drawn Luther Hatch to it.

“Ever been there, Vasquez Rocks?” Buddy asked after tucking the harmonica between his legs.

“Yeah.”

“Neat place. It’s named after a Mexican desperado who holed up in the crevices about a hundred years ago after robbing a bank or something. So many places to hide in there, they could never find him and he became a legend.”

McCaleb nodded. He liked the story. He thought about how his histories of places were so different. They always involved bodies and blood work. No legends. No heroes.

They made good time on the front of the wave of rush hour and weekend traffic out of the city and it was just past five when they got to Lancaster. They cruised through a subdivision called Desert Flower Estates, looking for the home where James Cordell had lived. McCaleb saw a lot of desert but not many flowers or homes that met his definition of estate. The subdivision was built on land as flat and most days as hot as a frying pan. The homes were Spanish style with red-barrel roofs and arched windows and doors in the front. There were dozens of matching developments scattered through the Antelope Valley. The homes were large and reasonably attractive. They were bought mostly by families escaping the expense and crime and crowding of Los Angeles.

Desert Flower Estates had apparently offered three different design plans to its buyers. Consequently, McCaleb noticed as they drove through, about every third house was the same and sometimes there were even side-by-side duplicates. It reminded him of some of the post-World War II neighborhoods in the San Fernando Valley.

The thought of living in one of the homes he was passing depressed him. And it wasn’t because of anything he saw. It was the distance this place was from the ocean and the feeling of renewal the sea gave him. He knew he’d never last in a neighborhood like this. He would dry up and blow away like one of the tumbleweeds they periodically passed on the street.

“This is it,” Buddy said.

He pointed to a number on a mailbox and McCaleb nodded. They pulled in. McCaleb noticed that the white Chevy Suburban he had seen in the crime scene video was parked in the driveway below a basketball rim. There was an open garage with a mini-van parked on one side and the other side cluttered with bikes and boxes, a tool bench and other clutter. Standing up in the back of the garage was a surf board. It was an old long board and it made McCaleb think that maybe at one time James Cordell had known something about the ocean.

“I don’t know how long I’ll be,” he said.

“It’s going to get hot out here. Maybe I could just go in with you. I won’t say anything.”

“It’s cooling down, Buddy. But if you get hot, run the air. Drive around a little bit. There’s probably kids selling lemonade around here someplace.”

He got out before any debate could begin. He wasn’t going to bring Lockridge into the investigation and turn it into amateur hour. On the way up the driveway he stopped and looked into the Suburban. The back was full of tools and there was clutter in the front seats. Hs felt a charge. He might be in luck. It looked as though the truck had been sitting untouched.

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