Michael Connelly - Blood Work

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Blood Work: краткое содержание, описание и аннотация

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Michael Connelly returns with a new character and a story that reaches new levels of intricacy and suspense-his most gripping work to date.
Thanks to a heart transplant, retired Los Angeles -based FBI agent Terrell McCaleb has a new lease on life. Formerly a well-known media fixture as pointman for the bureau in the investigation of serial killers, he leads a quiet life now, spending his time renovating the fishing boat he lives on in the Los Angeles Harbor. His goal is simple-to finish restoring his houseboat and return to his home town on Catalina Island. But McCaleb’s calm seas turn choppy when a story in the “What Happened To?” column of the L.A. Times brings him face to face with the sister of the woman whose heart now beats in his chest. From her McCaleb learns a terrible truth: that the donor of his heart was not killed in an accident as he’d been told, but was murdered. Racked with the guilt of having lived because of someone else’s murder, McCaleb springs into action. Using his FBI connections and his expertise in crime scene interpretation, he embarks on a private investigation of his donor’s murder-a search leading him to a crime far more complex, and far more dangerous than he’d imagined. In BLOOD WORK, Michael Connelly is at the top of his game-delivering his most ambitious thriller yet.
RAVES FOR BLOOD WORK AND SUSPENSE MASTER MICHAEL CONNELLY
“RECALLS NO ONE SO MUCH AS RAYMOND CHANDLER… CONNELLY PUTS HIS FOOT ON THE GAS AND DOESN’T LET UP.” – Los Angeles Times
“A richly detailed and totally absorbing thriller… distinguished by its finely etched characters, relentless pacing, and spot-on depictions of the diversity of life in today’s L.A… BE PREPARED TO READ THIS ONE STRAIGHT THROUGH. IT’S THAT GOOD.” – Chicago Tribune
“CONNELLY IS ONE OF THOSE MASTERS OF STRUCTURE WHO CAN KEEP DRIVING THE STORY FORWARD, PARAGRAPH BY PARAGRAPH, IN RUNAWAY-LOCOMOTIVE STYLE.” – USA Today
“BEAUTIFULLY CONSTRUCTED, POWERFULLY RESONATING…Fans of Connelly’s Harry Bosch novels will feel right at home with this thriller, and newcomers will see right away what all the fuss has been about.” – Publisher’s Weekly (starred review)
“A WONDERFULLY TAUT READ.” – Washington Post Book World
“BLOOD WORK IS FIRST RATE… CONNELLY IS ONE OF THE BEST OF THE NEW BREED OF THRILLER WRITERS. His latest is as good as hisTrunk Music andThe Poet .” – San Francisco Examiner
“CONNELLY DOESN’T JUST TALK ABOUT POETS, HE WRITES LIKE ONE.” – People
“POWERFUL STORYTELLING AND WRITING SKILLS.” – Houston Chronicles
“CONNELLY’S PLOTTING IS NEAR FLAWLESS.” – Fort Lauderdale Sun-Sentinel
“CONVINCINGLY CHOREOGRAPHED, and the procedural details of his casework fascinate.” – Wall Street journal
“Connelly should hit it big and reach the large audience who gleefully submitted themselves to the horrors of Thomas Harris’sRed Dragon andThe Silence of the Lambs .” – Booklist

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The first thing McCaleb realized as he read the initial crime reports was that a sanitized version of events had been given to the media. The circumstances described in the Times story Keisha Russell had read to him the day before did not mesh cleanly with the facts in the reports. The story she had read said that Cordell’s body was found fifteen minutes after the shooting. According to the crime report, Cordell was found almost immediately by an ATM customer who had pulled into the bank lot just as another vehicle-most likely the shooter’s-was speeding out. The witness, identified as James Noone, quickly called for help on a cellular car phone.

Because the call was relayed through a cell transponder, the 911 operator did not have an automatic address readout of the exact location from which the call had been made. She had to take that information the old-fashioned way-manually-and managed to transpose two numbers of the address Noone had given when she dispatched an emergency medical unit. In his statement, Noone said he had watched helplessly as a paramedic ambulance went screaming by to a location seven blocks away. He had to call and explain himself all over again to a new operator. The paramedics were redirected but Cordell was dead by the time they arrived.

As he read the initial reports, it was hard for McCaleb to make a judgment on whether the delay in the arrival of paramedics was of any consequence. Cordell had suffered a devastating head wound. Even if paramedics had gotten to him ten minutes sooner, it probably would have made no difference. It was unlikely that death could have been avoided.

Still, the 911 screwup was just the type of thing the media loved to run with. So somebody in the Sheriff’s Department-probably Jaye Winston’s supervisor-had decided to keep that information quiet.

The screwup was a side matter that held little interest for McCaleb. What did interest him was that there was at least a partial witness as well as a vehicle description. According to Noone’s statement, he had almost been creamed by a black blur as he had pulled into the bank’s lot. He described the exiting vehicle as a black Jeep Cherokee with the newer, smoother styling. He got only a split-second view of the driver, a man he described only as white and with either gray hair or a gray cap on his head.

There were no other witnesses listed in the initial reports. Before moving on to the supplemental reports and the autopsy protocol, McCaleb decided to look at the videos. He turned on the television and VCR and first popped in the tape made from the ATM’s surveillance camera.

As with the tape from the Sherman Market, there was a timeline running across the bottom of the frame. The picture was shot through a fish-eye lens that distorted the image. The man McCaleb assumed was James Cordell came into the frame and slid his bank card into the machine. His face was very close to the camera, blocking out a view of almost everything else. It was a design flaw-unless the real purpose of the camera was not to capture robberies but the faces of fraud artists using stolen or gimmick bank cards.

As Cordell typed in his code number, he hesitated and looked over his right shoulder, his head tracking something passing behind him-the Cherokee pulling into the lot. He finished typing in his transaction and a nervous look came across his face. Nobody likes going to an ATM at night, even a well-lighted machine in a low-crime neighborhood. The only machine McCaleb ever used was inside a twenty-four-hour supermarket, where there always was the safety and deterrent of crowds. Cordell took a nervous glance over his left shoulder, nodded at someone off-screen and then looked back at the machine. Nothing about the person he looked at had alarmed him further. The shooter obviously had not pulled on the mask. Despite his outward calm, Cordell’s eyes dropped down to the cash slot, his mind probably repeating a silent mantra of Hurry up! Hurry up!

Then almost immediately the gun came into the frame, reaching over his shoulder and just kissing his left temple before the trigger was pulled and James Cordell’s life was taken. There was the blast of blood misting the camera lens and the man went forward and to his right, apparently going into the wall next to the ATM and then falling backward to the ground.

The shooter then moved into the video frame and grabbed the cash as it was delivered through the slot. At that moment McCaleb paused the picture. On the screen was a full view of the masked shooter. He was in the same dark jumpsuit and mask worn by the shooter in the Gloria Torres tape. As Winston had said, ballistics weren’t necessary. They would only be a scientific confirmation of something Winston knew and now McCaleb knew in the gut. It was the same man. Same clothes, same method of operation, same dead eyes behind the mask.

He flicked the button again and the video continued. The shooter grabbed the cash from the machine. As he did this, he seemed to be saying something but his face was not squared to the camera as with the Sherman Market shootings. It was as if he was speaking to himself this time rather than to the camera.

The shooter quickly moved to the left of the screen and stooped to pick up something unseen. The bullet casing. He then darted to the right and disappeared from the screen. McCaleb watched for a few moments. The only figure in the picture was the still form of Cordell on the pavement below the machine. The only movement was the widening pool of blood around his head. Seeking the lower ground, the blood slid into a joint in the pavement and started moving in a line toward the curb.

A minute went by and then a man entered the video screen, crouching over Cordell’s body. James Noone. He was bald across the top of his head and wearing thin-framed glasses. He touched the wounded man’s neck, then looked around, probably to make sure he was safe himself. He then jumped up and was gone, presumably to make the call on his cell phone. Another half minute went by before Noone returned to the frame to wait for help. As the time went by, Noone swiveled his head back and forth, apparently fearing that the gunman, if not in the car he had seen speeding away, might still be around. Finally, his attention was drawn in the direction of the street. His mouth opened in a silent scream and he waved his arms above his head as he apparently watched the paramedics speed by. He then jumped up and left the screen again.

A few moments later the screen jumped. McCaleb checked the time and saw that it was now seven minutes later. Two paramedics moved quickly into place around Cordell. They checked for pulse and pupil response. They ripped open his shirt and one of the rescuers listened to his chest with a stethoscope. Another quickly arrived with a wheeled stretcher. But one of the first two looked at the man and shook his head. Cordell was dead.

A few moments later the screen went blank.

After pausing a moment, almost in reverence, McCaleb put in the crime scene tape next. This was obviously taken from a hand-held video camera. It started with some environmental shots of the bank property and the street. In the bank lot there were two vehicles: a dusty white Chevy Suburban and a smaller vehicle barely visible on its other side. McCaleb assumed the Suburban was Cordell’s. It was large and rugged, dusty from driving the mountain and desert roads alongside the aqueduct. He assumed the other car belonged to the witness, James Noone.

The tape then showed the ATM and panned downward to the blood-stained sidewalk in front of it. Cordell’s body was sprawled in the spot where the paramedics had found it and then left it. It was uncovered, the dead man’s shirt open, his pale chest exposed.

Over the next several minutes the video jumped in time through various stages of the crime scene. First a criminalist measured and photographed the scene, then coroner’s investigators worked on the body, wrapped it in a plastic body bag and removed it on a gurney. Lastly, the criminalist and a latents man moved in to search the crime scene more thoroughly for evidence and fingerprints. There was a segment showing the criminalist using a small metal spike to work the bullet slug out of the wall next to the ATM.

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