Michael Connelly - Void Moon

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Cassie Black is lured back to a profession she'd left behind – robbing casino gamblers of their winnings – by a set up that looks too good to ignore. However, this one gambler has too much money, which means too much power and soon Cassie is running from a stone-cold killer.

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"Really?" Grimaldi interrupted. "A little bird told me she's already been here. Come and gone, as a matter of fact."

Grimaldi nodded to the man who had led the procession into the suite.

"Check him."

The man came over to Karch, who raised his arms outstretched. He held the napkin hanging loosely from his right hand. The man held his gun in his left hand and pointed at Karch's gut while his right hand went inside Karch's jacket and pulled the Sig out of its holster. He then patted down the rest of Karch's body, finding the silencer barrel in a coat pocket. His hands went up under his crotch without hesitation and he finished by flipping up the cuffs of his pants looking for an ankle holster. It was a professionally thorough job but not thorough enough. The whole time Karch watched him and tried to place where he had seen him before. When the search was finished the man shoved Karch's Sig under his belt and silently stepped back to the side of Grimaldi.

"What's going on, Vincent?" Karch asked.

"What's going on is you fucked up, Jack. Letting her go like that, it puts a big kink in my plan. I'm going to have to chase her down now."

"What plan is that?"

After removing the first three, Cassie loosened the last screw of the air-intake vent and carefully pulled the vent forward and pivoted it on the remaining screw. The duct was now open and the vent hung below it. She then looked down from the room service table on which she was standing and signaled Jodie up. The girl climbed onto a chair and stepped up onto the table. Cassie lifted her up, careful not to lose her balance, and pushed her toward the opening into the duct system. Jodie struggled and put one hand out and against the wall, stopping Cassie from pushing her in.

"It will be all right, Jodie," Cassie whispered. "Just go in and I'll come in behind you."

"Noooo," the girl replied in a small voice.

Cassie pulled her down into a hug and whispered in her ear.

"Remember you told me you weren't a baby, that you were a big girl? Well, this is something a big girl would do. You have to go, Jodie, or I have to leave you here."

Cassie closed her eyes, the last threat making her feel awful.

The girl didn't say anything. Cassie raised her toward the duct again and this time she climbed in. As she moved into the opening her knees banged on the aluminum siding and Cassie froze. But the stern tones of the voices in the other room continued without interruption. Once Jodie had crawled completely into the vent, Cassie handed her the penlight and told her in a whisper to go farther in. Cassie then hoisted herself up and climbed into the duct, catching her belt pack on the edge of the duct at first. Once in the duct, she unbuckled the tool bag and pushed it through the vent in front of her.

The space was so tightly confining that she could not reach back to pull the vent cover back into its place on the bedroom wall. She urged Jodie forward to the main air-return duct, thinking she would have room to turn around there and then crawl back to pull the vent cover back into place.

But after they were only twelve feet or so into the duct there was a junction where another similar-sized duct joined it. Cassie looked down this branch and could see light and hear voices. She realized it was Karch asking, "What's going on, Vincent?"

Silently she went past this duct, then backed into it. She then turned and slid herself back in the direction of the bedroom. When she got there she reached down to the vent cover and slid it up the wall and back into its place. She then started backing herself up in the duct.

Karch was rapidly trying to assimilate the situation and figure out what was happening. He then hit upon the only possible explanation.

"She called you, didn't she, Vincent?"

Grimaldi didn't answer, just as he hadn't when Karch had asked him about his so-called plan. Grimaldi just stared with eyes that seemed dark with anger and hatred.

"Look, Vincent, I don't know what she told you, but it's bullshit, okay? She hasn't been here yet and I don't have the money. I'm waiting, Vincent. She's gonna call and I'll get her up here. I'll take the money and she and the kid go out the window. Like I said, synchronicity."

As he said the last word Karch felt an internal falter. He remembered he had let the word slip when Cassidy Black had called. He wondered if that had been enough. Had he given her enough with that simple slip to read his plan and come up with a counter?

"Look, Vincent, please. Tell me what's happening here."

Grimaldi's eyes were scanning the suite.

"What's in the bedroom, Jack?"

"Not what. Who. The kid's in the bedroom."

Grimaldi nodded to the man who had searched Karch and the man went to the bedroom doors. He disappeared inside the room and Karch and Grimaldi just stared at each other while they waited. Romero took two steps to his left. Karch guessed he thought this put him in a better position in case he had to make a move in the room.

"I'm telling you, she's playing you, Vincent," Karch said. "She's play – "

He stopped when he saw the man emerge from the bedroom carrying a black gym bag. Its zipper was open and Karch could see into the bag. He saw the face of Benjamin Franklin. Several times. The bag was filled with bricks of hundred-dollar bills. Karch's mouth dropped open. Cassidy Black, he thought. She had somehow made the switch. He started toward the bedroom door but the man with the gym bag and Romero both raised their weapons and told him to hold where he was.

"There was a girl," he said.

"Sure," said the man with the bag. "There ain't now."

He walked over to Grimaldi and pulled the two handle straps wide, opening the bag and completely exposing several of the plastic-wrapped bricks of cash.

"Vincent, that's not…"

He didn't finish. He didn't know what to say and he could see Grimaldi was intent on the money, not him. Grimaldi put his hand into the bag and laid it flat on one of the bricks as if touching the shoulder of a long-lost friend. He then nodded to the man holding the bag.

"Okay, Martin, close it."

Karch watched the bag being closed and then he looked at the face of the man who held it. Martin? He remembered the videotape. Hidalgo riding the elevator up with his security escort. Martin. Who was supposed to be dead. Martin, whom Grimaldi had asked Karch to bury in the desert.

"Martin?" he said.

He looked from Martin to Grimaldi as it all came to him. It was all a bluff, all part of a more elaborate plan.

"You," he said to Grimaldi. "You staged this whole thing. It was all a setup."

He then looked at Martin, who held the gym bag in his right hand and his weapon in his left. He remembered Hidalgo's body on the bed. The bullet in the right eye, delivered by a gun held in the left.

"And you," he said to Martin. "You're the one who hit Hidalgo."

One side of Martin's mouth turned upward in an approximation of a proud smile.

"It wasn't the girl," Karch said, looking back at Grimaldi. "All she did was take the money you wanted her to take."

When Cassie turned around in the junction she heard intense voices from the sitting room. She didn't wait to listen. She headed toward the main air duct and covered the ground in about ten seconds. She saw the penlight that Jodie was holding and realized the girl was still in the smaller tributary vent and had not moved into the main conduit.

As she got closer she realized why. Jodie had reached a dead end. Metal bars criss-crossed the opening to the main duct. Cassie reached around the girl and out into the larger duct. She felt the end of each bar to determine how they were attached to the wall of duct. She felt the smooth metal weld joints. They could go no further.

"What – " Jodie started to say before Cassie got her hand over her mouth. She gave the silence signal and the girl continued in a whisper. "What do we do?"

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