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Michael Connelly: Angels Flight

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Michael Connelly Angels Flight

Angels Flight: краткое содержание, описание и аннотация

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Detective Hieryonymus 'Harry' Bosch finds himself yet again in charge of a case that no one else will touch. This time his job is to nail the killer of hot shot black lawyer Howard Elias. Elias has been found murdered on the eve of going to court on behalf of Michael Harris: a man the LAPD believes guilty of the rape and murder of a 12 year old girl. Elias had let it be known that the aim of his civil case was not only to reveal the real kiler but to target and bring down the racist cops who beat up his client during a violent interrogation. Bosch is going to have to take a long hard look at some of his colleagues in a post Rodney King Los Angeles Police Department that is rife with suspicion and racial hatred.

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“That’s nice but count me the fuck out.”

“Okay, okay,” Bosch said. “Let’s just get going and we’ll worry about all of that stuff later. Don’t get lost.”

Bosch took Hollywood Boulevard to the 101 and coasted down the freeway in minimal traffic to downtown. Halfway there he checked the mirror and saw his partners cruising in the lanes behind him. Even in the dark and with other traffic he could pick them out. He hated the new detective cars. They were painted black and white and looked exactly like patrol cruisers with the exception that they did not carry emergency lights across the roof. It had been the former chief’s idea to replace unmarked detective cars with the so-called slickbacks. The whole thing had been a scam perpetrated to fulfill his promises to put more cops on the street. By changing unmarked cars into clearly marked cars, he was giving the public the erroneous impression that there were more cops patrolling the streets. He also counted the detectives using slickbacks when he addressed community groups and proudly reported that he had increased the number of cops on the street by hundreds.

Meantime, detectives trying to do their jobs drove around like targets. More than once Bosch and his team had sought to serve an arrest warrant or had attempted to come into a neighborhood quietly in the course of an investigation only to have their presence signaled by their own cars. It was stupid and dangerous but it was the chief’s edict and it was carried out throughout the department’s divisional detective bureaus, even after the chief was not asked back for a second five-year term. Bosch, like many of the department’s detectives, hoped the new chief would soon order the detective cars back to normal. Meanwhile, he no longer drove the car assigned to him home from work. It had been a nice detective supervisor’s perk having a take-home car but he didn’t want the marked car sitting in front of his house. Not in L.A. You never knew what menace that could bring to your door.

They got to Grand Street by two forty-five. As Bosch pulled to a stop he saw an unusually large number of police-related vehicles parked along the curb at California Plaza. He noted the crime scene and coroner’s vans, several patrol cars and several more detective sedans – not the slickbacks, but the unmarked cars still used by the RHD bulls. While he waited for Rider and Edgar to pull up he opened his briefcase, took out the cellular phone and called his home. After five rings the machine picked up the call and he heard his own voice telling him to leave a message. He was about to click off but decided to leave a message.

“Eleanor, it’s me. I’ve got a call out… but page me or call me on the cell phone when you get in so I know you’re okay… Um, okay, that’s it. Bye – oh, it’s about two forty-five right now. Saturday morning. Bye.”

Edgar and Rider had walked up to his door. He put the phone away and got out with his briefcase. Edgar, the tallest, held up the yellow crime scene tape and they crossed under, gave their names and badge numbers to a uniform officer with the crime scene attendance list, and then walked across California Plaza.

The plaza was the centerpiece of Bunker Hill, a stone courtyard formed by the conjoining of two marble office towers, a high-rise apartment building and the Museum of Contemporary Art. There was a huge fountain and reflecting pool at its center, though the pumps and lights were off at this hour, leaving the water still and black.

Past the fountain was the beaux arts revival-styled station and wheelhouse at the top of Angels Flight. It was next to this small structure that most of the investigators and patrol officers milled about as if waiting for something. Bosch looked for the gleaming shaven skull that belonged to Deputy Chief Irvin Irving but didn’t see it. He and his partners stepped into the crowd and moved toward the lone rail car sitting at the top of the tracks. Along the way he recognized many faces of Robbery-Homicide detectives. They were men he had worked with years earlier when he had been part of the elite squad. A few of them nodded to him or called him by name. Bosch saw Francis Sheehan, his former partner, standing off by himself smoking a cigarette. Bosch broke from his partners and stepped over.

“Frankie,” he said. “What’s going on?”

“Harry, what are you doing here?”

“Got called out. Irving called us out.”

“Shit. Sorry, partner, I wouldn’t wish this one on my enemy.”

“Why, what’s going – ”

“You better talk to the man first. He’s putting the big blanket on this one.”

Bosch hesitated. Sheehan looked worn down but Bosch hadn’t seen him in months. He had no idea what had put the dark circles under his hound dog eyes or when they had been cut into his face. For a moment Bosch remembered the reflection of his own face that he had seen earlier.

“You okay, Francis?”

“Never better.”

“Okay, I’ll talk to you.”

Bosch rejoined Edgar and Rider, who were standing near the rail car. Edgar nodded slightly to Bosch’s left.

“Hey, Harry, you see that?” he said in a low voice. “That’s Sustain Chastain and that bunch over there. What are those pricks doin’ here?”

Bosch turned and saw the grouping of men from Internal Affairs.

“Got no idea,” he said.

Chastain and Bosch locked eyes for a moment but Bosch didn’t hold it. It wasn’t worth the waste of energy to get worked up over just seeing the IAD man. Instead, he focused on trying to put the whole scene together. His curiosity level was at maximum. The number of RHD bulls hanging around, the IAD shines, a deputy chief on the scene – he had to find out what was going on.

With Edgar and Rider behind him in single file, Bosch worked his way to the rail car. Portable lights had been set up inside and the car was lit up like somebody’s living room. Inside, two crime scene techs were at work. This told Bosch that he was quite late arriving at the scene. The crime scene techs didn’t move in until after the coroner’s techs had completed their initial procedures – declaring victims dead, photographing the bodies in situ, searching them for wounds, weapons and identification.

Bosch stepped to the rear of the car and looked through the open door. The technicians were at work around two bodies. A woman was sprawled on one of the stepped seats about midway through the car. She was wearing gray leggings and a white thigh-length T-shirt. A large flower of blood had blossomed on her chest where she had been hit dead center with a single bullet. Her head was snapped back against the sill of the window behind her seat. She had dark hair and features, her lineage obviously stretching somewhere south of the border. On the seat next to her body was a plastic bag filled with many items Bosch couldn’t see. A folded newspaper protruded from the top of it.

On the steps near the rear door to the car was the facedown body of a black man wearing a dark gray suit. From his viewpoint Bosch could not see the man’s face and only one wound was visible – a through-and-through gunshot wound at the center of the victim’s right hand. Bosch knew it was what would later be called a defensive wound in the autopsy report. The man had held his hand up in a futile attempt to ward off gunfire. Bosch had seen it often enough over the years and it always made him think about the desperate actions people take at the end. Putting a hand up to stop a bullet was one of the most desperate.

Though the techs were stepping in and out of his line of sight, Bosch could look straight down through the inclined train car and down the track to Hill Street about three hundred feet below. A duplicate train car was down there at the bottom of the hill and Bosch could see more detectives milling about by the turnstiles and the closed doors of the Grand Central Market across the street.

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