Irving Wallace - The Man

There had been at least forty persons coming and going, most of them Negro, all drinkers, all too full of T. C.’s death, all discussing the implications of Speaker MacPherson’s accession to the Presidency, and Sally had not enjoyed it particularly. Lately she had grasped at every invitation to a black-and-white party, because it was different, because it might mean a charge of excitement. Unlike her family, she had no feelings against Negroes. In fact, because of her sheltered upbringing in the South, she had always considered them attractive since they were forbidden and hence exotic, and because there were stories she had heard about the men. The stories were not true, she knew, from firsthand experimental evidence. After college, when she had met the jazz crowd from Harlem, she had slept with two of the colored boys in a band before running off with her Puerto Rican. Both brief affairs had been tiresome disappointments, no better, no worse than those with most of the white boys with whom she had slept. Perhaps she had expected too much. Perhaps the Negro musicians had not been able to give enough because they were inhibited by her Southern-supremacy origins.

The affair or wake last night had been a drunken bore. She had heard from Harriet about the guest of honor, Leroy Poole, and in fact thought that she had read some of his powerful essays on his years as a Negro in Harlem and on civil rights, and she had expected too much, again. Leroy Poole had looked like anything but an author. He had proved to be short, fat, perspiring, resembling nothing more than a jet-black eight ball. He had been supercilious and self-centered, too knowing and opinionated about everything and everyone in Washington and on the earth. He had repeated several choice anecdotes ridiculing MacPherson, who everyone had thought was the new Chief Executive.

Sally remembered that Poole had read aloud several passages from his second novel (still in the works, stream-of-consciousness), bitter narrative sections that made no sense and gave no fun when you were half drunk. After the applause he had explained the novel, and for a while his idea had held Sally’s attention. It was hard to recall it clearly the morning after, but there was something about the near future in the United States, something about a sudden outbreak of bubonic plague in the heavily Negro-populated county of a state similar to South Carolina or Louisiana (where some counties are 80 per cent Negro), but where the minority whites keep control because of their ties to the outside world. Overnight, to prevent the raging epidemic from spreading, this county is quarantined from the rest of the state and nation. No one can enter or leave. After a few months this isolated county has a population 90 per cent black, and 10 per cent white, and must live this way for several years.

“There it is, see?” Leroy Poole had squeaked, waving the manuscript in his pudgy fist. “Shoe on the other foot, see? Now we are the Ins and they are the Outs. How come? ’Cause gradual-like, the Negroes begin dominating the voting, buying and spending, law enforcement, the works. And pretty soon Negroes are running government, schools, business. And the poor whites left, the minority, what happens to them? Well, now, don’t you know? Negroes hire white women for their maids and white gents for their handymen. Now the whites go to the back of the bus, to the segregated lousy puking little white schools, and the Negroes got the run of the county. What do you say, friends, how’s that for an acidy parable?” She could recollect little more of it, or perhaps Leroy Poole had refused to tell any more. She had thought it rather novel and cruel, and wondered if he would finish it, and if he did, how it would be received.

Now, dressing, she realized that, by coincidence, Leroy Poole’s way-out fantasy of last night had-well, a small portion of it had-become a reality with Douglass Dilman’s accession to the Presidency. Her mind, remembering Dilman, remembered last night when she had found herself on a torn sofa beside Leroy Poole, listening to him discuss Dilman.

It all came back to her, the connection, Poole and Dilman, not what Poole had been saying. A Negro publisher had given Poole a sizable advance against royalties to write a biography of Senator Douglass Dilman, since Dilman was one of the highest-ranking Negroes in government. Poole had not been enthusiastic, for some reason, but had needed the cash to finish his novel, and had undertaken the chore. He had come to Washington weeks ago, received Dilman’s cooperation, and had been practically living with the Senator, gathering information on the Senator’s background and political career and ideas, and had already begun writing the made-to-order book. She recalled a thread of Poole’s conversation, to someone, to Harriet or herself. “I’ve gotten to know Senator Dilman better than he knows himself, I’ve been that close-but don’t hold it against me, sister!” He had screamed with laughter, a disconcerting high-pitched laughter, and after that she had left Poole for the bottle of Scotch.

Suddenly the creative process began to work inside Sally. She could almost feel it working, and she ceased buttoning her blouse to let it happen. Poole had said that Dilman was a widower, with a son, no one else. That was last night when Dilman was a senator. This morning he was the President of the United States, still a widower, with a son, and no one else. Who would run his life for him, the social part, the feminine part? A new President always made new appointments, hired new personnel. Whom would Dilman hire for his First Lady, his social secretary, his party giver? He might hold over some of T. C.’s staff, and the First Lady’s staff, but there would still be openings that would have to be filled, and there would certainly be resignations. Sally’s mind went to at least a half-dozen of her Southern girl friends who would not, or whose husbands or families would not let them, work under a Negro, President or no.

That was it, that was surely it, Sally exulted to herself. There would be an opening in the White House for a white girl of high social breeding and with a political background, to assist the new President, a girl who had many Negro friends and so could, in a natural way, give the President guidance in the world of white socialites about him. There would be an opening which she could fill, and in filling it give aid to that wonderful, kindly-looking Negro who had become Chief Executive, and in aiding him, gaining his dependence upon her, she could represent Arthur Eaton inside the White House. She could become Arthur’s helpmate on the highest level.

Only one piece of the puzzle was missing, and once that was in place the picture was there, made sense, and her future was assured. The missing piece was the image of the go-between who could get her offer of service to the new President himself. And she had that, too. Last night, last night, Leroy Poole, living with Dilman, writing about Dilman, last night a senator’s biographer, this morning a President’s historian.

Her mind fitted the last piece into the puzzle, and the picture that she saw and embraced was that of herself and Arthur, captioned by the lettering of her imagination: Secretary of State Arthur Eaton and Mrs. Sally Watson Eaton.

She ran to the cream-colored French telephone beside her bed, and then, as her hand clutched it, she tried desperately to remember the hotel where Leroy Poole was staying. Not the Shoreham, not the Mayflower, not the Hilton or Willard, no. What would that poor, struggling, fat little Negro writer be doing in one of those expensive big places? She eliminated the big hotels. She tried to think. It was some cheap hovel, ridiculously named, in the heart of town. She had heard it mentioned several times last night. It was on-yes, on F Street-heavens, but where-heavens-yes! That was it-Paradise-the Paradise Hotel on F Street.