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Elizabeth Peters: Crocodile On The Sandbank

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Elizabeth Peters Crocodile On The Sandbank

Crocodile On The Sandbank: краткое содержание, описание и аннотация

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Amelia Peabody is Elizabeth Peters' best loved and brilliant creation, a thoroughly Victorian feminist who takes the stuffy world of archaeology by storm with her shocking men's pants and no-nonsense attitude! In this first Egyptian mystery, our headstrong heroine decides to use her substantial inheritance to see the world. On her travel, she rescues a gentlewoman in distress – Evelyn Barton-Forbes – and the two become friends. The two companions continue to Egypt where they face mysteries, mummies and the redoubtable Radcliffe Emerson, and outspoken archaeologist, who doesn't need women to help him solve mysteries – at least that's what he thinks!

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I was looking forward to meeting M. Maspero, the French director of antiquities. My father had been in correspondence with him, and I hoped my name would be familiar. It was; and we were fortunate to find Maspero at the museum. He was usually away, his assistant informed us, digging for the treasures which had made him known throughout the scholarly world.

This assistant, Herr Emil Brugsch, I knew by reputation, for it was he who had been the first European to gaze upon the famous cache of royal mummies that had been discovered a few years earlier. While we waited for M. Maspero, Brugsch told us of the robber family of Thebes who had discovered the hiding place of the mummies ten years before. The discovered, a shifty character named Abd er-Rasool Ahmed, had been searching for a missing goat amid the rocky cliffs near his village of Gumah. The goat had fallen into a crevice, or shaft, forty feet deep; upon descending, Ahmed made an incredible discovery-the mummies of the great pharaohs of Egypt, hidden in ancient times to keep their sacred bodies safe from the thieves who had looted their original tombs!

His eyes never leaving my face, Herr Brugsch explained, with affected modesty, that he was responsible for the detective work that had eventually discovered the mummies. Collectors had sent him photographs of objects bearing royal names, and he had realized that these must have come from a tomb. Since the known royal tombs were in Thebes, he had alerted the police to watch out for a peasant from that city who had more money than he could have come by honestly. Thus suspicion was focused on the Abd er-Rasool family; and, the thieves having fallen out in the meantime over the disposition of the loot, one of them betrayed the secret to Brugsch.

I did not care for this gentleman. His brother is a respectable and well-known scholar, and Mr. Emil has been employed by Maspero and his predecessor, M. Mariette, for many years; but his bold stare and hard face affected me unpleasantly, as did his calloused description of the interrogation of the unfortunate Abd er-Rasool brothers. Not a muscle in his tanned face moved as he described beatings with palm rods, and heated pots being placed on the heads of the suspects. Yet I could not help but be fascinated by an eyewitness account of the incredible discovery. Brugsch admitted that his sensations, as he was lowered into the pit, were not wholly comfortable. He was armed, of course, but his weapons would not have availed against treachery, and all the inhabitants of the area hated the representatives of the government. And then his feelings, as he stood in the stifling gloom of the little cave, amid a jumble of royal dead…! He knew the bodies must be moved at once, in order to prevent their being stolen, and he accomplished this difficult task in only eight days. He was describing the northward voyage of the barge-the banks of the river lined with mourning women, rending their garments and pouring dust on their heads as the bodies of the ancient kings floated by- when Maspero joined us.

The director of antiquities was a stout, genial man with twinkling eyes and a short black beard. A true Frenchman, he bowed over my hand and greeted Evelyn with admiration. He spoke of my father in the highest terms. Seeing how busy he was, we soon excused ourselves, and he begged pardon for not showing us over the museum himself. Perhaps he would join us later, he said, glancing at Evelyn.

"You have made another conquest," I said softly to Evelyn, as we walked away. "M. Maspero could hardly keep his eyes away from you."

"Nor Herr Brugsch his eyes from you," Evelyn replied with a smile. "He was anxious to escort you; did you see his scowl when M. Maspero told him he had work for him to do?"

"Don't try to give your admirers to me," I retorted. "I am not in need of such mendacious flattery; and if I were, Herr Brugsch would not be my choice."

I was glad the director was not with us when we began our tour. Courtesy must have prevented me from telling him what I thought of his museum. Not that the place wasn't fascinating; it contained many marvelous things. But the dust! And the clutter! My housewifely and scholarly instincts were equally offended.

"Perhaps you are not being fair," Evelyn said mildly, when I expressed my feelings. "There are so many objects; new ones are discovered daily; and the museum is still too small, despite the recent enlargement."

"All the more reason for nearness and order. In the early days, when European adventurers took away what they discovered in Egypt, there was no need for a national museum. Then M. Mariette, Maspero's predecessor, insisted that Egypt should keep some of its national treasures. The cooperation between Great Britain and France, to regulate and assist this unfortunate country, has resulted in the French being given control over the antiquities department. I suppose they must have something; after all, we control finance, education, foreign affairs, and other matters. But we could do with a little English neatness here, instead of French nonchalance."

We had penetrated into a back room filled with objects that seemed to be leftovers from the more impressive exhibits in the front halls of the museum- vases, bead necklaces, little carved ushebti figures, flung helter-skelter onto shelves and into cases. There were several other people in the room. I paid them little heed; in mounting indignation, I went on, "They might at least dust! Look at this!"

And, picking up a blue-green statuette from a shelf, I rubbed it with my handkerchief and showed Evelyn the dusty smudge that resulted.

A howl- a veritable animal howl- shook the quiet of the room. Before I could collect myself to search for its source, a whirlwind descended upon me. A sinewy, sun-bronzed hand snatched the statuette from me. A voice boomed in my ear.

"Madam! Do me the favor of leaving those priceless relics alone. It is bad enough to see that incompetent ass, Maspero, jumble them about; will you complete his idiocy by destroying the fragments he has left?"

Evelyn had retreated. I stood alone. Gathering my dignity, I turned to face my attacker.

He was a tall man with shoulders like a bull's and a black beard cut square like those of the statues of ancient Assyrian kings. From a face tanned almost to the shade of an Egyptian, vivid blue eyes blazed at me. His voice, as I had good cause to know, was a deep, reverberating bass. The accents were those of a gentleman. The sentiments were not.

"Sir," I said, looking him up and down. "I do not know you- "

"But I know you, madam! I have met your kind too often – the rampageous British female at her clumsiest and most arrogant. Ye gods! The breed covers the earth like mosquitoes, and is as maddening. The depths of the pyramids, the heights of the Himalayas – no spot on earth is safe from you!"

He had to pause for bream at this point, which gave me the opportunity I had been waiting for.

"And you, sir, are the lordly British male at his loudest and most bad-mannered. If the English gentlewoman is covering the earth, it is in the hope of counteracting some of the mischief her lord and master has perpetrated. Swaggering, loud, certain of his own superiority…"

My adversary was maddened, as I had hoped he would be. Little flecks of foam appeared on the blackness of his beard. His subsequent comments were incomprehensible, but several fragile objects vibrated dangerously on their shelves.

I stepped back a pace, taking a firm grip on my parasol. I am not easily cowed, nor am I a small woman; but this man towered over me, and the reddening face he had thrust into mine was suggestive of violence. He had very large, very white teeth, and I felt sure I had gotten a glimpse of most of them.

A hand fell on his shoulder. Looking up, I saw Evelyn with a young man who was a slighter, beardless copy of my adversary-dark-haired, blue-eyed, tall, but not so bulky.

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