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Elizabeth Peters: Borrower of the Night

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A new heroine from the creator of the internationally bestselling Amelia Peabody series A missing masterwork in wood, the last creation of a master carver who died in the violent tumult of sixteenth century Germany, may be hidden in the medieval castle in the town of Rothenburg. The prize has called to Vicky Bliss, drawing her and an arrogant male colleague into the forbidding citadel and its dark secrets. But the treasure hunt soon turns deadly. Here, where the blood of the long forgotten stains ancient stones, Vicky must face two perilous possibilities: either a powerful supernatural evil inhabits the place... or someone frighteningly real is willing to kill for what Vicky is determined to find.

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ELIZABETH PETERSwas born and brought up in Illinois. She is a prolific and successful novelist with over fifty novels to her credit and is internationally renowned for her mystery stories. Mrs Peters lives in a historic farmhouse in Frederick, Maryland, with six cats and one dog.

Praise for Elizabeth Peters

‘A writer so popular that the library has to keep her books under lock and key.’

Washington Post Book World

‘Elizabeth Peters has always known how to romance us.’

New York Times Book Review

Also by Elizabeth Peters

The Amelia Peabody murder mystery series: (Titles listed in order)

The Vicky Bliss murder mystery series: (Titles listed in order)

Crocodile on the Sandbank

Borrower of the Night

The Curse of the Pharaohs

Street of the Five Moons

The Mummy Case

Silhouette in Scarlet

Lion in the Valley

Trojan Gold

The Deeds of the Disturber

Night Train to Memphis

The Last Camel Died at Noon

The Snake, the Crocodile and the Dog

The Hippopotamus Pool

Seeing a Large Cat

The Ape Who Guards the Balance

The Falcon at the Portal

Thunder in the Sky

Lord of the Silent

The Golden One

Children of the Storm

Guardian of the Horizon

The Serpent on the Crown

Tomb of the Golden Bird

For Betty and George who dont believe in ghosts either First published in - фото 1

For Betty and George

who don’t believe in ghosts either

First published in the US by Avon Books,

an imprint of HarperCollins Publishers 1973

This UK paperback edition published by Robinson,

an imprint of Constable & Robinson Ltd 2007

Copyright © MPM Manor, Inc. 1973, 2007

All rights reserved.

Foreword

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As all lovers of Rothenburg will realize, I have had the temerity to add Schloss Drachenstein to the genuine attractions of the town. Like all the characters in this book, the Counts and Countesses of Drachenstein are wholly fictitious and bear no resemblance to any persons living or dead. Equally fictitious, sad to say, is the legend of the Riemenschneider shrine. Apart from this single aberration, the sculptor’s life and works were as I have described them.

Chapter One

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WHEN I WAS ten years, old I knew I was never going to get married. Not only was I six inches taller than any boy in the fifth grade – except Matthew Finch, who was five ten and weighed ninety-eight pounds – but my IQ was as formidable as my height. It was sixty points higher than that of any of the boys – except the aforesaid Matthew Pinch. I topped him by only thirty points.

I know – this isn’t the right way to start a narrative, if I hope to command the sympathy of the reader. A narrator should at least try to sound modest. But believe me, I’m not bragging. The facts are as stated, and they are a handicap, not a cause for conceit. If there is anything worse than being a tall girl, it is being a tall smart girl.

For several years my decision didn’t give me much pain. I wasn’t thinking seriously of marriage in the fifth grade. Then I reached adolescence, and the trouble began. I kept growing up, but I grew in another dimension besides height. The results were appalling. I won’t quote my final proportions; they call to mind one of those revolting Bunnies in Playboy. I dieted strenuously, but that only made matters worse. I got thin in all the right places and I was still broad where, as the old classic says, a broad should be broad.

Mind you, I am still not bragging. I am not beautiful. I admire people who are slender and fine-boned and aesthetic-looking. The heroine of my adolescent daydreams had a heart-shaped face framed in clouds of smoky black hair. She was a tiny creature with an ivory complexion and a rosebud mouth. When she was enfolded in the hero’s brawny arms, her head only reached as high as his heart.

All my genes come from my father’s Scandinavian ancestors – big blond men with rosy cheeks and blazing blue eyes. They were about as aesthetic-looking as oxen. That’s what I felt like – a big, blond, blue-eyed cow.

The result of this was to make me painfully shy. I suppose that seems funny. Nobody expects a bouncing Brunhild to be self-conscious. But I was. The intelligent, sensitive, poetic boys were terrified of me; and the ones that weren’t terrified didn’t want to talk about poetry or Prescott. They didn’t want to talk at all. Rubbing my bruises, I became a confirmed misandrist. That attitude left me lots of time in which to study. I collected degrees the way some girls collect engagement rings. Then I got a job as a history instructor at a small Mid-western college which, in view of what is to follow, had better be nameless. It was there I met Tony. Tony teaches history too. He’s bright; very bright. He is also six feet five inches tall, and, except for his height, he rather resembles Keats in the later stages of consumption.

I met Tony on the occasion of the first departmental faculty meeting. I was late. Being late was a mistake; I hate walking the gauntlet of all those male eyes. There was one other woman present. She looked the way I wanted to look – thin, dark, and intellectual. I smiled hopefully at her and received a fishy stare in return. Most women take an instant dislike to me. I can’t say I don’t know why.

I spotted Tony amid the crowd because of his height. There were other things worth noticing – big brown eyes, broad shoulders, and black hair that flopped over his forehead and curled around his ears. His face was fine-boned and aesthetic-looking. At that moment, however, it had the same expression that was on all the other male faces, except that of Dr Bronson, the head of the department. He had interviewed me and had hired me in spite of my measurements. I’m not kidding; it is a common delusion, unshaken by résumés and grades, that a woman with my proportions cannot have anything in her head but air.

I sat down with an awkward thump in the nearest chair, and several men gulped audibly. Dear old Dr Bronson smiled his weary smile, brushed his silvery hair back from his intellectual forehead, and started the meeting.

It was the usual sort of meeting, with discussions of schedules and committees and so on. After it was over I headed for the door. Tony was there ahead of me.

I don’t remember how he got me out of the building and into the Campus Coffee Shoppe, but I have never denied he is a fairly smooth talker. I remember some of our conversation. I hadn’t encountered a technique quite like his before.

The first thing he said was, ‘Will you marry me?’

‘No,’ I said. ‘Are you crazy?’

‘Haven’t you ever heard of love at first sight?’

‘I’ve heard of it. I don’t believe in it. And if I did, love and marriage don’t necessarily go together. Au contraire .’

‘So beautiful and so cynical,’ said Tony sadly. ‘Doesn’t my honourable proposal restore your faith in my sex?’

‘It merely reinforces my impression that you are crazy.’

‘Look at it this way.’ Tony put his elbows on the table. The table wasn’t very clean, but neither were Tony’s elbows; I deduced that this pose was characteristic. ‘All my life I’ve been looking for my ideal woman. I’m pushing thirty, you know; I’ve had time to think about it. Beauty, brains, and a sense of humour, that’s what I want. Now I know you’re intelligent or old Bronson wouldn’t have hired you. He’s above the sins of the flesh, or thinks he is. You are obviously beautiful. Your sense of humour – ’

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